After a decade apart, childhood sweethearts reconnect by chance in New York Times bestselling author Christina Lauren’s touching, romantic novel Love and Other Words…how many words will it take for them to figure out where it all went wrong? The story of the heart can never be unwritten. Macy Sorensen is settling into an ambitious if emotionally tepid routine: work hard as a new pediatrics resident, plan her wedding to an older, financially secure man, keep her head down and heart tucked away. But when she runs into Elliot Petropoulos—the first and only love of her life—the careful bubble she’s constructed begins to dissolve. Once upon a time, Elliot was Macy’s entire world—growing from her gangly bookish friend into the man who coaxed her heart open again after the loss of her mother...only to break it on the very night he declared his love for her. Told in alternating timelines between Then and Now, teenage Elliot and Macy grow from friends to much more—spending weekends and lazy summers together in a house outside of San Francisco devouring books, sharing favorite words, and talking through their growing pains and triumphs. As adults, they have become strangers to one another until their chance reunion. Although their memories are obscured by the agony of what happened that night so many years ago, Elliot will come to understand the truth behind Macy’s decade-long silence, and will have to overcome the past and himself to revive her faith in the possibility of an all-consuming love.

Morphology, and in particular word formation, has always played an important role in Romance linguistics since it was introduced in Diez’s comparative Romance grammar. Recent years have witnessed a surge of interest in inflectional morphology, and current research shows a strong interest in paradigmatic analyses. This volume brings together research exploring different areas of morphology from a variety of theoretical and methodological perspectives. On an empirical basis, the theoretical assumption of the ‘Autonomy of Morphology’ is discussed critically. ‘Data-driven’ approaches carefully examine concrete morphological phenomena in Romance languages and dialects. Topics include syncretism and allomorphy in verbs, pronouns, and articles as well as the use of specific derivational suffixes in word formation. Together, the articles in this volume provide insights into issues currently debated in Romance morphology, appealing to scholars of morphology, Romance linguistics, and advanced students alike.

This vintage book contains a detailed and fascinating treatise on language, with a specific focus on the birth, evolution and development of the English language. Highly accessible and full of interesting information, "The Romance of Language" constitutes a must-have for students of linguistics and English teachers alike. Contents include: "The Birth and Growth of Language", "The Mother Language", "Development of Daughter Languages", "Asiatic and European Languages", "Writing and the Alphabet", "The Beginnings of Writing", "Four Stages", "Cuneiform, Hieroglyphic, and Other Scripts", "English in the Making", "The Contributions of Other Tongues towards the Growth of Standard English", "the Growth of English", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete the original artwork and text.

"This invaluable resource is a must have for any aspiring romance writer!" In the world of romance writing, one of the most important components in an author's repertoire is their use of descriptive words and phrases. This aspect of romance writing is so often neglected, usually with disastrous results; a novel that reads like a badly written script. Fortunately, there's now a way for any writer, regardless of their experience, to get a huge head-start writing in this profitable genre. It's a secret resource that romance writers don't want you to know about! Dahlia Evans has compiled a romance writing thesaurus unlike anything ever published. This reference book is filled to the brim with words and phrases gathered from hundreds of bestselling romance novels. Using this book you will be able to describe intimate encounters of every kind without breaking a sweat. Inside You'll Discover: # 8,500 words and phrases sorted into 37 categories. # Thousands of words you can use to describe each part of the body. # Words that describe each of the five senses; taste, touch, sight, sound, smell. # Words to describe feelings and emotions. # Words that describe facial expressions. # Hundreds of words to describe intimacy. 'Thinking Like A Romance Writer' is the culmination of hundreds of hours of research and is a book destined to become a classic in the field of romance writing instruction.

Fancy Lynn Sawyer says that before she'll even think about the M word, a man has to say the three magic words, but 'I love you' isn't enough. He has to promise her a forever thing. She intends to find her forever thing in Florida, her home since she was fifteen, so she wasn't even looking for it when she comes to Texas to help her grandmother. With a job at the elementary school lined up, Fancy Lynn moves but she intends to stay only until her grandmother regains her health. Theron Warren has absolutely no intention of falling in love again. His one failed marriage was painful enough. As an elementary school principal, part-time cop, and full-time ranch owner, he doesn't have time for the sassy woman who suddenly appears in his life: first in the jailhouse, then at his school and soon everywhere he turns. Fate is trying to tell Fancy Lynn and Theron that they are soul mates, but is having a tough time convincing them.

This Cambridge History is the most comprehensive survey of the history of the Romance languages ever published in English. It engages with new and original topics that reflect wider-ranging comparative concerns, such as the relation between diachrony and synchrony, morphosyntactic typology, pragmatic change, the structure of written Romance, and lexical stability. Volume 1 is organized around the two key recurrent themes of persistence (structural inheritance and continuity from Latin) and innovation (structural change and loss in Romance). An important and novel aspect of the volume is that it accords persistence in Romance a focus in its own right rather than treating it simply as the background to the study of change. In addition, it explores the patterns of innovation (including loss) at all linguistic levels. The result is a rich structural history which marries together data and theory to produce new perspectives on the structural evolution of the Romance languages.

Reproduction of the original: Romance by Walter Raleigh

The Romance languages and dialects constitute a treasure trove of linguistic data of profound interest and significance. Data from the Romance languages have contributed extensively to our current empirical and theoretical understanding of phonetics, phonology, morphology, syntax, semantics, pragmatics, sociolinguistics, and historical linguistics. Written by a team of world-renowned scholars, this Handbook explores what we can learn about linguistics from the study of Romance languages, and how the body of comparative and historical data taken from them can be applied to linguistic study. It also offers insights into the diatopic and diachronic variation exhibited by the Romance family of languages, of a kind unparalleled for any other Western languages. By asking what Romance languages can do for linguistics, this Handbook is essential reading for all linguists interested in the insights that a knowledge of the Romance evidence can provide for general issues in linguistic theory.