From Latin love poetry's dominating and enslaving beloveds, to modern popular culture's infamous Cleopatras and Messalinas, representations of the Roman mistress (or the mistress of Romans) have brought into question both ancient and modern genders and political systems. The Roman Mistress explores representations of transgressive women in Latin love poetry and British television drama, in Roman historiography and nineteenth-century Italian anthropology, on classical coinage and college websites, as poetic metaphor and in the Hollywood star system. In a highly accessible style, the book makes an important and original contribution simultaneously to feminist scholarship on antiquity, the classical tradition, and cultural studies.

The first in an unforgettable historical saga from the New York Times bestselling author of The Alice Network and The Diamond Eye. “So gripping, your hands are glued to the book, and so vivid it burns itself into your mind’s eye and stays with you long after you turn the final page.”—Diana Gabaldon, #1 New York Times bestselling author First-century Rome: One young woman will hold the fate of an empire in her hands. Thea, a captive from Judaea, is a clever and determined survivor hiding behind a slave’s docile mask. Purchased as a toy for the spoiled heiress Lepida Pollia, Thea evades her mistress’s spite and hones a secret passion for music. But when Thea wins the love of Rome’s newest and most savage gladiator and dares to dream of a better life, the jealous Lepida tears the lovers apart and casts Thea out. Rome offers many ways for the resourceful to survive, and Thea remakes herself as a singer for the Eternal ’City’s glittering aristocrats. As she struggles for success and independence, her nightingale voice attracts a dangerous new admirer: the Emperor himself. But the passions of an all-powerful man come with a heavy price, and Thea finds herself fighting for both her soul and her destiny. Many have tried to destroy the Emperor: a vengeful gladiator, an upright senator, a tormented soldier, a Vestal Virgin. But in the end, the life of Rome’s most powerful man lies in the hands of one woman: the Emperor’s mistress.

From Latin love poetry's dominating and enslaving beloveds, to modern popular culture's infamous Cleopatras and Messalinas, representations of the Roman mistress (or the mistress of Romans) have brought into question both ancient and modern genders and political systems. The Roman Mistress explores representations of transgressive women in Latin love poetry and British television drama, in Roman historiography and nineteenth-century Italian anthropology, on classical coinage and college websites, as poetic metaphor and in the Hollywood star system. In a highly accessible style, the book makes an important and original contribution simultaneously to feminist scholarship on antiquity, the classical tradition, and cultural studies.

A fast-paced historical novel about two women with the power to sway an empire, from the New York Times and USA Today bestselling author of The Alice Network and The Briar Club. A.D. 69. The Roman Empire is up for the taking. Everything will change—especially the lives of two sisters with a very personal stake in the outcome. Elegant and ambitious, Cornelia embodies the essence of the perfect Roman wife. She lives to one day see her loyal husband as Emperor. Her sister Marcella is more aloof, content to witness history rather than make it. But when a bloody coup turns their world upside-down, both women must maneuver carefully just to stay alive. As Cornelia tries to pick up the pieces of her shattered dreams, Marcella discovers a hidden talent for influencing the most powerful men in Rome. In the end, though, there can only be one Emperor...and one Empress.

In ancient Rome, the subtlest details in dress helped to distinguish between levels of social and moral hierarchy. Clothes were a key part of the sign systems of Roman civilization – a central aspect of its visual language, for women as well as men. This engaging book collects and examines artistic evidence and literary references to female clothing, cosmetics and ornament in Roman antiquity, deciphering their meaning and revealing what it meant to be an adorned woman in Roman society. Cosmetics, ornaments and fashion were often considered frivolous, wasteful or deceptive, which reflects ancient views about the nature of women. However, Kelly Olson uses literary evidence to argue that women often took pleasure in fashioning themselves, and many treated adornment as a significant activity, enjoying the social status, influence and power that it signified. This study makes an important contribution to our knowledge of Roman women and is essential reading for anyone interested in ancient Roman life.

Phaedra, a dutiful daughter of Rome's most influential senator, has no choice but to marry a man chosen by her father. But a chance encounter with handsome gladiator Valens Secundus sends her pulse racing--and, for the first time, makes her wish she could choose her own fate. They make each other a promise: she'll insist on having the right to select her next husband, and he'll do everything within his power to win his freedom. A gladiatorial champion, Valens has fought his way up from poverty to become a star in the arena. The only two things he craves are his freedom and the luscious Phaedra, both seemingly far out of reach. But four years after their fateful meeting, Phaedra returns to Rome and soon becomes a widow, and Valens answers to no one but himself. They're finally free to explore their fiery passion--while evading a powerful and wealthy new suitor of Phaedra's--until Valens must return to the arena one last time. And in order for Phaedra to control her own destiny and claim her love, Valens will need to survive the battle of his life.

Saints are not born. Saints are made. Told against the fourth-century backdrop of the fall of the Roman Empire and the rise of Christianity, The Saint’s Mistress breathes life into the previously untold story of Saint Augustine and his beloved mistress. Defying social norms and traditions, the love between the Roman aristocrat Aurelius Augustinus and Leona, a North African peasant, creates a rift with Aurelius’ mother Monnica, his powerful patron Urbanus, and the marital laws of the Roman Empire. When Monnica and Urbanus succeed in separating Leona from her son and securing a more suitable fiancée for Aurelius, Leona commits herself to the Church. Feeling the ever stronger pull of the evolving Christian church, Leona and Aurelius walk separate paths in service of their faith. When many years later Leona and Aurelius, now Bishop Augustine, meet again, old passions re-ignite, perennial feuds smolder, and the fate of the Roman Empire in North Africa hangs in the balance. A love story for the ages, The Saint’s Mistress brings to life the monumental struggle between love, faith and religious office.

"Like Platt’s previous ‘diaries’ about castles, pirates, and ancient Egypt, this offers an accessible introduction to history." — Booklist Iliona never imagined that her sea voyage from Greece to Egypt would lead to Rome, but when she is captured by pirates and auctioned off as a slave, that’s where she lands. Readers are invited to view the wonders of Rome through Iliona’s eyes—the luxury, the excess, and the politics. Back matter includes notes for the reader, a glossary, and sources.

The history of women in ancient Rome gives a unique insight into one of the world's most dynamic super-power civilisations and, at the same time, illuminates any number of admirable, exciting and dangerous women fighting to be heard in a world run by men.

Eleanor Herman, the talented author of the New York Times bestselling Sex with Kings and Sex with the Queen goes behind the sacred doors of the Catholic Church in Mistress of the Vatican, a scintillating biography of a powerful yet little-known woman whose remarkable story is ripe with secrets, sex, passion, and ambition. For almost four centuries this astonishing story of a woman’s absolute power over the Vatican has been successfully buried—until now.