Conclusion: Consequences -- Bibliography -- Index

The Soweto uprising was a true turning point in South Africa’s history. Even to contemporaries, it seemed to mark the beginning of the end of apartheid. This compelling book examines both the underlying causes and the immediate factors that led to this watershed event. It looks at the crucial roles of Black Consciousness ideology and nascent school-based organizations in shaping the character and form of the revolt. What began as a peaceful and coordinated demonstration rapidly turned into a violent protest when police opened fire on students. This short history explains the uprising and its aftermath from the perspective of its main participants, the youth, by drawing on a rich body of oral histories.

Twenty years on from South Africa's first democratic election, the post-apartheid political order is more fractured, and more fractious, than ever before. Police violence seems the order of the day – whether in response to a protest in Ficksburg or a public meeting outside a mine in Marikana. For many, this has signalled the end of the South African dream. Politics, they declare, is the preserve of the corrupt, the self-interested, the incompetent and the violent. They are wrong. Julian Brown argues that a new kind of politics can be seen on the streets and in the courtrooms of the country. This politics is made by a new kind of citizen – one that is neither respectful nor passive, but instead insurgent. The collapse of the dream of a consensus politics is not a cause for despair. South Africa's political order is fractured, and in its cracks new forms of activity, new leaders and new movements are emerging.

The third volume in the series examines the role of anti-apartheid movements around the world and their success in both creating awareness of the liberation struggle in South Africa, and in contributing to the downfall of the apartheid government. This volume, in two parts, brings together analysis written by activist scholars with deep roots in the movements and organisations they are writing about. This first part focuses on International Solidarity with the liberation struggle. It covers the contribution of various international organisations, governments and their peoples, and solidarity organisations, to the liberation struggle in South Africa. In particular, the roles of nine western European countries are discussed: West Germany; Belgium; Austria; France; The Netherlands; Portugal; Spain; Greece and Switzerland. The second part focuses on African solidarity, with an emphasis on the Organisation of African Unity (OAU) and its Liberation Committee; various countries in the southern African region, including the role that Tanzania and Zambia played; as well as countries in west, east and North Africa. This is a major resource for historians, scholars and anyone interested in the history of South Africa, and will be valued by future generations for its sensitive collection of highly significant historical material.

#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

Argues that the historical primacy of youth politics in Limpopo, South Africa has influenced the production of generations of nationally prominent youth and student activists - among them Julius Malema, Onkgopotse Tiro, Cyril Ramaphosa, Frank Chikane, and Peter Mokaba.

v. 3: The third volume in the series examines the role of anti-apartheid movements around the world. The global anti-apartheid movement was very successful in creating awareness of the liberation struggle in South Africa, and in contributing to the downfall of the apartheid government. This volume, in 2 parts, brings together analyses which in the main are written by activist scholars with deep roots in the movements and organizations they are writing about.

It’s 1976 in South Africa. In the black township of Soweto, Zanele works as a nightclub singer and is plotting against the apartheid government. Her best friend Thabo, schoolboy turned gang member, has troubles of his own--a deal gone wrong and some powerful enemies. Across the bridge, in the wealthy white suburbs, Jack plans to spend his last days in Johannesburg burning miles on his beat-up Mustang--until he meets Zanele. Working in her father's shop, Meena finds a packet of banned pamphlets. A series of chance meetings sets off a chain of events--a failed plot, a murdered teacher, a forbidden love and a growing student movement that sweeps across the country like a blazing fire. When Morning Comes is a part of the Duckbill Not Our War series. The NOW series deals with children growing up in times of conflict--powerless, vulnerable, and yet, against all odds, brave and hopeful of a better future.