Antebellum culture celebrated the home as the site of nurture, affection, and equality; indeed, the middle-class home became the model of American institutions and values. Narratives from the American Renaissance, however, reveal that this was a conflicted, strained ideal. Stories from the culture represent intense social, political, and literary rivalry. Thus, writers such as Cooper, Douglass, Stowe, Melville, and Southworth projected competing visions of "the American family," visions that challenged the claims of other writers. Building upon theories of Poe, Bakhtin, and Bloom, this study carefully traces the intertextual struggles over the nation's meaning.

This extraordinary love story, based on historical characters and written with Boyle's customary brilliance and wit, follows the lives of two scarred creatures living in a magical age. It is the turn of the century. Stanley McCormick, the twenty-nine-year-old heir to the great Reaper fortune, meets and marries Katherine Dexter, a woman of 'power, beauty, wealth and prestige'. Two years later, Stanley falls victim to a tormenting sexual mania and schizophrenia, and is imprisoned in the massive forbidding mansion known as Riven Rock. He spends the next two decades under the control of a succession of psychiatrists, all of whom forbid any contact with women. Yet Katherine Dexter, now famous as a champion for women's suffrage and Planned Parenthood, remains strong in her belief that someday her husband will return to her whole. Based on a true story of love, madness and sexuality this is a tragic book with enormous depth and scope. Set in America at the turn of the century, it is full of fascinating historical detail.

This study aims to counter right-wing discourses of belonging. It discusses key theoretical concepts for the study of home, focusing in particular on Marxist, feminist, postcolonial, and psychoanalytic contributions. The book also maintains that postmodern celebrations of nomadism and exile tend to be incapable of providing an alternative to conservative, xenophobic appropriations of home. In detailed readings of one film and six novels, a view is developed according to which home, as a spatio-temporal imaginary, is rooted in our species being, and as such constitutes the inevitable starting point for any progressive politics.

What does it mean to own something? How does a thing become mine? Liberal philosophy since John Locke has championed the salutary effects of private property but has avoided the more difficult questions of property’s ontology. Chad Luck argues that antebellum American literature is obsessed with precisely these questions. Reading slave narratives, gothic romances, city-mystery novels, and a range of other property narratives, Luck unearths a wide-ranging literary effort to understand the nature of ownership, the phenomenology of possession. In these antebellum texts, ownership is not an abstract legal form but a lived relation, a dynamic of embodiment emerging within specific cultural spaces—a disputed frontier, a city agitated by class conflict. Luck challenges accounts that map property practice along a trajectory of abstraction and “virtualization.” The book also reorients recent Americanist work in emotion and affect by detailing a broader phenomenology of ownership, one extending beyond emotion to such sensory experiences as touch, taste, and vision. This productive blend of phenomenology and history uncovers deep-seated anxieties—and enthusiasms—about property across antebellum culture.

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When Brady Wayne Darby, a condemned man whose life is marked by death, guilt, and despair, meets Thomas Carey, a weary man of God, he learns about the prospects of rebirth, forgiveness, and hope.

The Tri-fete, an opportunity for the alphas in Pacchia to show off their strength, stamina, and martial prowess, comes once every three years. This is the first time the competition has been held since the Crown Prince Aubrey of Lyle and Wescott presented as an omega and there is much speculation he may take a mate from one of the alphas competing. But there is more than friendly competition underway as the mysterious Lord Riven returns to court for the first time in nearly a decade and assassins plot against the King. Prince Aubrey must find a way to balance expectation and personal desire in THE OMEGA PRINCE, the first story set in Pacchia, a mythical kingdom based on the a/b/o gender structure. This story contains explicit M/M content. Keywords: Gay romance, historical fiction, gay historical fiction, alpha/omega, omega, a/b/o, knights kings princes, alternative universe, gay fantasy keywords: free, freebie, omega, alpha/omega, a/b/o, mpreg