"And you thought sisters were a thing to fear. In this scandalous follow-up to Sally Christie's clever and absorbing debut, we meet none other than the Marquise de Pompadour, one of the greatest beauties of her generation and the first bourgeois mistress ever to grace the hallowed halls of Versailles. I write this before her blood is even cold. She is dead, suddenly, from a high fever. The King is inconsolable, but the way is now clear. The way is now clear. The year is 1745. Marie-Anne, the youngest of the infamous Nesle sisters and King Louis XV's most beloved mistress, is gone, making room for the next Royal Favorite. Enter Jeanne-Antoinette Poisson, a stunningly beautiful girl from the middle classes. Fifteen years prior, a fortune teller had mapped out young Jeanne's destiny: she would become the lover of a king and the most powerful woman in the land. Eventually connections, luck, and a little scheming pave her way to Versailles and into the King's arms. All too soon, conniving politicians and hopeful beauties seek to replace the bourgeois interloper with a more suitable mistress. As Jeanne, now the Marquise de Pompadour, takes on her many rivals--including a lustful lady-in-waiting; a precocious fourteen-year-old prostitute, and even a cousin of the notorious Nesle sisters--she helps the king give himself over to a life of luxury and depravity. Around them, war rages, discontent grows, and France inches ever closer to the Revolution. Enigmatic beauty, social climber, actress, trendsetter, patron of the arts, spendthrift, whoremonger, friend, lover, foe. History books may say many things about the famous Marquise de Pompadour, but one thing is clear: for almost twenty years, she ruled France and the King's heart. Told in Christie's witty and modern style, this second book in the Mistresses of Versailles trilogy will delight and entrance fans as it once again brings to life the world of eighteenth century Versailles in all its pride, pestilence and glory"--

In the final installment of Sally Christie’s “tantalizing” (New York Daily News) Mistresses of Versailles trilogy, Jeanne Becu, a woman of astounding beauty but humble birth, works her way from the grimy back streets of Paris to the palace of Versailles, where the aging King Louis XV has become a jaded and bitter old philanderer. Jeanne bursts into his life and, as the Comtesse du Barry, quickly becomes his official mistress. “That beastly bourgeois Pompadour was one thing; a common prostitute is quite another kettle of fish.” After decades of suffering the King's endless stream of Royal Favorites, the princesses of the Court have reached a breaking point. Horrified that he would bring the lowborn Comtesse du Barry into the hallowed halls of Versailles, Louis XV’s daughters, led by the indomitable Madame Adelaide, vow eternal enmity and enlist the dauphine Marie Antoinette in their fight against the new mistress. But as tensions rise and the French Revolution draws closer, a prostitute in the palace soon becomes the least of the nobility’s concerns. Told in Christie’s witty and engaging style, the final book in The Mistresses of Versailles trilogy will delight and entrance fans as it once again brings to life the sumptuous and cruel world of eighteenth century Versailles, and France as it approaches irrevocable change.

Complete with new beginnings and the promise of satisfying endings, The Look Book sampler offers the best in fiction from across the Simon & Schuster Canada Spring 2016 list. This array of debut authors and perennial favourites will allow you to step back in time with our historical fiction, time travel with our fantasy writers, fall in love with our inspirational romance, marvel at our literary stylists, and be enthralled by our dark thrillers. If you would like to learn more about any of our authors or the titles featured, please visit us at SimonandSchuster.ca, follow us on Twitter at @simonschusterCA, or like us at Facebook.com/SimonandSchusterCanada. With chapter excerpts from the following Spring 2016 new releases: Dark Territory, by Susan Philpott He Will Be My Ruin, by K.A. Tucker Owl and the City of Angels, by Kristi Charish Black Apple, by Joan Crate Still Mine, by Amy Stuart Glory Over Everything, by Kathleen Grissom The Rivals of Versailles, by Sally Christie Kay’s Lucky Coin Variety, by Ann Y.K. Choi Nightfall, by Richard B. Wright Mannheim Rex, by Rob Pobi Umbrella Man, by Peggy Blair I’m Thinking of Ending Things, by Iain Reid

An eye-opening narrative of how geometric principles fundamentally shaped our world On a cloudy day in 1413, a balding young man stood at the entrance to the Cathedral of Florence, facing the ancient Baptistery across the piazza. As puzzled passers-by looked on, he raised a small painting to his face, then held a mirror in front of the painting. Few at the time understood what he was up to; even he barely had an inkling of what was at stake. But on that day, the master craftsman and engineer Filippo Brunelleschi would prove that the world and everything within it was governed by the ancient science of geometry. In Proof!, the award-winning historian Amir Alexander traces the path of the geometrical vision of the world as it coursed its way from the Renaissance to the present, shaping our societies, our politics, and our ideals. Geometry came to stand for a fixed and unchallengeable universal order, and kings, empire-builders, and even republican revolutionaries would rush to cast their rule as the apex of the geometrical universe. For who could doubt the right of a ruler or the legitimacy of a government that drew its power from the immutable principles of Euclidean geometry? From the elegant terraces of Versailles to the broad avenues of Washington, DC and on to the boulevards of New Delhi and Manila, the geometrical vision was carved into the landscape of modernity. Euclid, Alexander shows, made the world as we know it possible.