Linder's story is both a comedy and a tragedy.

This book focuses on the re-invigoration of Charlie Chaplin’s Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film.

A history of French film

Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world.

Film star Charlie Chaplin spent February 1931 through June 1932 touring Europe, during which time he wrote a travel memoir entitled “A Comedian Sees the World.” This memoir was published as a set of five articles in Women’s Home Companion from September 1933 to January 1934 but until now had never been published as a book in the U.S. In presenting the first edition of Chaplin’s full memoir, Lisa Stein Haven provides her own introduction and notes to supplement Chaplin’s writing and enhance the narrative. Haven’s research revealed that “A Comedian Sees the World” may very well have been Chaplin’s first published composition, and that it was definitely the beginning of his writing career. It also marked a transition into becoming more vocally political for Chaplin, as his subsequent writings and films started to take on more noticeably political stances following his European tour. During his tour, Chaplin spent time with numerous politicians, celebrities, and world leaders, ranging from Winston Churchill and Mahatma Gandhi to Albert Einstein and many others, all of whom inspired his next feature films, Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and A King in New York (1957). His excellent depiction of his experiences, coupled with Haven’s added insights, makes for a brilliant account of Chaplin’s travels and shows another side to the man whom most know only from his roles on the silver screen. Historians, travelers, and those with any bit of curiosity about one of America’s most beloved celebrities will all want to have A Comedian Sees the World in their collections. Available only in the USA and Canada.

Motor City Movie Culture, 1916–1925 is a broad textured look at Hollywood coming of age in a city with a burgeoning population and complex demographics. Richard Abel investigates the role of local Detroit organizations in producing, distributing, exhibiting, and publicizing films in an effort to make moviegoing part of everyday life. Tapping a wealth of primary source material—from newspapers, spatiotemporal maps, and city directories to rare trade journals, theater programs, and local newsreels—Abel shows how entrepreneurs worked to lure moviegoers from Detroit's diverse ethnic neighborhoods into the theaters. Covering topics such as distribution, programming practices, nonfiction film, and movie coverage in local newspapers, with entr'actes that dive deeper into the roles of key individuals and organizations, this book examines how efforts in regional metropolitan cities like Detroit worked alongside California studios and New York head offices to bolster a mass culture of moviegoing in the United States.

The Rise and Fall of The Crips Brief synopsis: The Rise and Fall of the Crips, is a book that will educate the confused minds of millions of young adults, also those who can’t accept the fall of gang activity becoming unwanted history . . . The book provides gang history, and misleading theory pertaining to the social values that were foolish and adolescent. The drama has left many destined for failure, and death . . . The truth has never been written so clearly, until now! No other book provides the adequate occurrences of destruction—of a nationality so beautiful, so joyful-yet blind behind the self justification, of a fool . . . The book allows to venture and wonder. You’ll find the truth has been documented of all the factual studies, within the short stories and philosophies written by Richard M. Turner, alias Peanut Ric Rock, and a few other gang slogans. From the death of many! to the weakness of a crowd of juvenile delinquents, without fatherhood! The struggle ends with the truth. The drama the misleader ship the lies the manipulation, the murder the rape; by a family of ignorant, confused, human beings. The fall . . . of the Crips! . . .

Linder's story is both a comedy and a tragedy.

Moving pictures existed for over a decade before anything resembling a star system appeared. Then American cinema went from being devoid of stars to being dependent on them. This is an account of this development in cinema and modern culture.