Most of my poems are happy ones. I have always written to express my emotions or moods. The Reason For The Season was written, of course, to show the real reason we celebrate Christmas. Some think Home Again is sad. I wrote it after a visit with my brother to our old home place. I think we felt nostalgia rather than sadness. Our Matt was written mostly for his mother to express my feelings for this young man, who even in junior high showed a real compassion and friendliness for his young classmate who was confined to a wheelchair. I wrote In Passing after death of my first husband when I passed by the farm where we had lived. Snapshot was written after a similar experience. Tribute to Sandburg was written after a trip to Conemara. It put me in a contemplative mood because even though Sandburg had long been one of my favorites, I had known very little about his private life or family. I wrote A Poem Upon Demand in a playful mood when I could not think of one to fulfill as assignment at our writers club. I Saw You Last Night I wrote one morning after a dream. The Class Reunion was written for our Alumni Banquet. It has been a favorite of several of my classmates and of Bill Robinson, my favorite country editor. A Perfect Snow Day I wrote for my garden club after a big snow. I have enjoyed writing and sharing my poems with friends although I kept my poetry private for many years until my friend, Judy Goodspeed, encouraged me to attend writers club with her in 2002. Prior to this I attended two workshops at St. Simonds Island, Georgia, one in Lawton, Oklahoma, one in Abilene, Texas and several at East Central University at Ada, Oklahoma. Although my instructors were encouraging and some even suggested I should try to have some of them published, because I was so busy at other things, I just never did. It could also have been lack of courage. I hope those who choose to read my poems enjoy them as much as I have enjoyed writing them.

If you're ready to conquer stress and embrace the peace that your soul longs for, New York Times bestseller Rhythms of Renewal is your new go-to guide to transforming your life, one day at a time. Join Rebekah Lyons as she invites you to trade your anxiety for the vibrant life you were meant to live through four profound rhythms: rest, restore, connect, and create. As a society, we are in the throes of a collective panic attack. Anxiety and loneliness are on the rise, with 77% of our population experiencing physical symptoms of stress on a regular basis. We feel pressure chasing careers, security, and keeping up. We worry about health, politics, and many other complexities we can't control. Eventually we find our minds spinning, trying to cope or manage a low hum of anxiety unlike anything we've ever experienced. But Rebekah reminds us that it doesn't have to stay this way. Rebekah draws from her own battle with depression and anxiety to share a pathway to establish four life-giving rhythms that quiet inner chaos and make room for you to flourish. By taking time to truly rest, restore, connect, and create, you will discover how to: Lead with vulnerability Take charge of your emotional health and inspire your loved ones to do the same Overcome anxiety by establishing daily habits that keep you mentally and physically strong Find joy through restored relationships in your family and community Walk in confidence with the unique gifts you have to offer the world Build these rhythms into your daily life--no matter what you're facing You deserve to break the cycle of anxiety, restore balance in your hectic life, and live each day to the fullest. Let Rebekah be your guide as you learn firsthand how these spiritual rhythms can enable you to finally live a life full of peace, passion, and purpose.

A study of the role of music and youth culture in the identification procces of Dutch-Moroccan youth.

Most of my poems are happy ones. I have always written to express my emotions or moods. Contentment was written on the way to Sedona, Arizona. I was with a couple of widows, one of whom had just lost her husband. I lost my companion twelve years ago. My contentment did not come easily or swiftly. They Still Dance describes my feelings after watching a couple from our nursing home as they waltzed out on the dance floor. Together Again was written for my cousin and my friend who have rekindled their romance. They were childhood sweethearts, then went separate ways. Now, in their seventies, they are in a serious relationship. Most of my poems are personal or a result of an observation. I love sharing them with friends.

This book should shed new insight toward, and beyond, the dawning of ones life. Questions should be answered; and, as many are answered, others shall spark anew. Nothing is as important as Jesus Christ, our Lord. The author pens his thoughts throughout the night and has been doing so for 40 years. He asks, Why me?a thought that has compelled him throughout his days on this soil we call Planet Earth

Winner of the IASPM's Woody Guthrie Award (2007) In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate—and to some extent recreate—Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the "Black Pacific," a marginalized group of African diasporic communities along Latin America's Pacific coast. Feldman's "ethnography of remembering" traces the memory projects of charismatic Afro-Peruvian revival artists and companies, including José Durand, Nicomedes and Victoria Santa Cruz, and Perú Negro, culminating with Susana Baca's entry onto the global world music stage in the 1990s. Readers will learn how Afro-Peruvian music and dance genres, although recreated in the revival to symbolize the ancient and forgotten past, express competing modern beliefs regarding what constitutes "Black Rhythms of Peru."

In Wonder and Exile in the New World, Alex Nava explores the border regions between wonder and exile, particularly in relation to the New World. It traces the preoccupation with the concept of wonder in the history of the Americas, beginning with the first European encounters, goes on to investigate later representations in the Baroque age, and ultimately enters the twentieth century with the emergence of so-called magical realism. In telling the story of wonder in the New World, Nava gives special attention to the part it played in the history of violence and exile, either as a force that supported and reinforced the Conquest or as a voice of resistance and decolonization. Focusing on the work of New World explorers, writers, and poets—and their literary descendants—Nava finds that wonder and exile have been two of the most significant metaphors within Latin American cultural, literary, and religious representations. Beginning with the period of the Conquest, especially with Cabeza de Vaca and Las Casas, continuing through the Baroque with Cervantes and Sor Juana Inés de la Cruz, and moving into the twentieth century with Alejo Carpentier and Miguel Ángel Asturias, Nava produces a historical study of Latin American narrative in which religious and theological perspectives figure prominently.

This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.