Acclaimed historian Thomas Pakenham-who has dramatized in photographs and words the sheer majesty of trees throughout the world-now trains his lens on the most mysterious of trees, the baobab, with spectacular results. His search for the world's most striking baobabs has led him over the last eight years on a trail from sub-Saharan Africa to Madagascar and Australia, the Caribbean, and the United States. Here, in The Remarkable Baobab, Pakenham records his personal encounters with these mysterious giants, tracing their mythologies, their natural grandeur, and their origins, as well as their chances of survival in an uncertain environment. As Pakenham notes, the baobab may indeed be one of the oldest life forms on the planet, and many of the specimens still standing today have been alive for well over a thousand years. Standing tall on the savannahs of Africa and the sunburned plains of Australia, they are tremendous in size and have provided food, medicine, and places of refuge and worship to many, even serving as prisons, tombs, and ossuaries on occasion. Over the last one thousand years they have gained mythical status among many peoples, due in no small part to their appearance-without leaves, the branches of the trees look like roots growing into the sky. The Remarkable Baobab also includes a special section devoted to two famous baobabs in North America-one which is now over twenty feet in girth and is planted on a private Florida estate, the other a breathtaking specimen on the campus of the University of Arizona that was brought to the United States by smugglers. These stories are but two examples provided by Thomas Pakenham in The Remarkable Baobab, a book that is as visually bewitching as the baobab itself. Book jacket.

Despite its unflinching look at our darkest impulses, and at the stark facts of being a colonized African, the book is ultimately inspirational, for it exposes us to a remarkable sensibility and a hard-won understanding of one's place in the world.CARAF Books: Caribbean and African Literature Translated from French

A landmark volume celebrating the most remarkable trees on the planet, Pakenham takes readers on a voyage across four continents and introduces them to arbors of all shapes and sizes--dwarfs, giants, aliens, and monuments. Full-color photos.

Learning to survive in the harsh interior of Southern Africa, a former slave seeks shelter in the hollow of a baobab tree. For the first time since she was a young girl her time is her own, her body is her own, her thoughts are her own. In solitude, she is finally able to reflect on her own existence and its meaning, bringing her a semblance of inner peace. Scenes from her former life shuttle through her mind: how owner after owner assaulted her, and how each of her babies were taken away as soon as they were weaned, their futures left to her imagination. We are the sole witnesses to her history: her capture as a child, her tortured days in a harbor city on the eastern coast as a servant, her journey with her last owner and protector, her flight, and the kaleidoscopic world of her baobab tree. Wilma Stockenström's profound work of narrative fiction, translated by Nobel Prize winner J.M. Coetzee, is a rare, haunting exploration of enslavement and freedom.

A spectacular oversize photo book celebrating Africa’s most majestic trees—which are now facing an unprecedented ecological threat. Baobabs are one of Africa’s natural wonders: they can live more than 2,000 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change. Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, Moon presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Botswana, South Africa, and Senegal. She recounts her eventful journey to visit these monumental trees in a moving diaristic text studded with color travel photos. This book also includes an essay by Adrian Patrut, leader of a research team that has studied Africa's largest baobabs and alerted the world tot he threat these majestic trees are facing. Baobab is not only a compelling photo book and travel narrative, but also a timely ecological warning.

Photographic masterpiece about baobabs, found only in Madagascar, Africa, Australia; interesting introduction followed by detailed discussions of all eight species, with photos and line drawings.

Modern humans, descendants of a founding population that separated from chimpanzees some five to eight million years ago, are today the only living representative of a branching group of African apes called hominins. Because of its extraordinary size and shape, the baobab (Adansonia digitata L.) has long been identified as the most striking tree of Africa’s mosaic savanna, the landscape generally regarded as the environment of hominin evolution. This book makes the case for identifying the baobab as the tree of life in the hunter-gatherer adaptation that was the economic foundation of hominin evolution. The argument is based on the significance of the baobab as a resource-rich environment for the Hadza of northeastern Tanzania, who continue to be successful hunter-gatherers of the African savanna.

A celebration of the beauty, diversity, importance and sheer wonder of the most remarkable trees, with exquisite illustrations from the incomparable collections of the Royal Botanic Gardens, Kew. More than 60,000 species of trees are found in an amazing variety of forms, sizes and habitats. Every tree has its own story and here are over 60, selected for their particular resonance and connection with humankind and representing most of the world's major zones and ecologies. In this compact edition, portraits that combine vivid cultural and historical narrative with a firm scientific grounding, the authors reveal the details of trees from around the world, both familiar and strange. We use timbers for building and creating, have discovered which tree fruits and seeds taste delicious, and which can kill or cure us, and which species can add colour and spirituality to our lives - from the timber of mahogany to the delights of chocolate and pomegranate, from the medicinal tea tree to the deadly manchineel, and from fragrant frankincense to the highly prized dragon's blood tree. Artists and botanists alike have been inspired by trees for centuries, and a varied and beautiful range of images from the unrivalled archive at Kew illustrate the stories, to create this enlightening and enchanting book.

Based on interviews with young women who were kidnapped by Boko Haram, this poignant novel by Adaobi Tricia Nwaubani tells the timely story of one girl who was taken from her home in Nigeria and her harrowing fight for survival. Includes an afterword by award-winning journalist Viviana Mazza. A new pair of shoes, a university degree, a husband—these are the things that a girl dreams of in a Nigerian village. And with a government scholarship right around the corner, everyone can see that these dreams aren’t too far out of reach. But the girl’s dreams turn to nightmares when her village is attacked by Boko Haram, a terrorist group, in the middle of the night. Kidnapped, she is taken with other girls and women into the forest where she is forced to follow her captors’ radical beliefs and watch as her best friend slowly accepts everything she’s been told. Still, the girl defends her existence. As impossible as escape may seem, her life—her future—is hers to fight for.

A generously illustrated training manual for reading images, discussing work by Félix Nadar, Roland Barthes, Fazal Sheikh, Susan Meiselas, and others. Paper Graveyards is neither a work of traditional art history nor one of literary criticism. It is not strictly a history of ideas either, notwithstanding its very obvious erudition. Rather, in drawing upon all of these methods and approaches—and with extraordinary attention to language and style—Cadava’s writing examines the spectacular explosion of images during the last twenty years as a prompt to discuss not simply specific images but the role and place of these images in our everyday life. Considering work by Félix Nadar, Roland Barthes, Leon Golub, Nancy Spero, Fazal Sheikh, Susan Meiselas, and others, Cadava delineates different modes of reading that, taking their point of departure from the conviction that the past, the present, and the future are always bound together, provide us with a training manual of sorts for understanding visual material in the twenty-first century. In the process, these generously illustrated essays actively expand our sense of literacy by reconstructing the networks of relations that inhabit the plural worlds of images, and create a critical genealogy of what we still call “an image,” even when, with every day that passes, we perhaps understand less and less what this might mean.