Simone Weil is one of the major religious writers of the twentieth century. Hers is a unique blend of spiritual experience, social concern, and philosophical theory. She had marvelous command of the Western philosophical tradition, yet she also had profound insights into Oriental philosophies. Since its publication in France, Veto's book has been considered by most scholars as the standard work on Simone Weil. Now this important book is available in English. It is the only available reconstruction of the entire philosophy of Simone Weil. It operates out of the perspective of the spiritual concerns of her maturity, yet it never fails to return to the issues and the positions of the early texts. It carries out the reconstruction according to some major philosophical themes, but gives its due share to the French thinkers' social and political preoccupations as well. The book is erudite, yet simple, written in a clear, concise and yet often eloquent language.

In this book, a group of renowned international scholars seek to discern the ways in which Simone Weil was indebted to Plato, and how her provocative readings of his work offer challenges to contemporary philosophy, theology, and spirituality. This is the first book in twenty years to systematically investigate Weil's Christian Platonism. The opening essays explore what actually constitutes Weil's Platonism. Louis Dupre addresses the Platonic and Gnostic elements of her thought with respect to her negative theology, and the Christian Platonism of her positive theology as found in her reflections on beauty and the Good. degree to which her teacher Alain influenced her Platonism. Michael Ross contends that Weil's interest in Plato is in ethical Platonism. Essays by Robert Chenavier and by Patrick Patterson and Lawrence Schmidt consider the importance of matter and materialism in Weil's Platonism and argue that it is key to understanding her political thought. A middle group of essays addresses more classically metaphysical themes in Weil's thought. Vance G. Morgan examines her use of Greek mathematics. Florence de Lussy analyzes Weil's distinctive, mystical Platonic reflections on Being in the last notebooks from Marseilles. Emmauel Gabellieri discusses Weil's metaxology, that is, the mediation and relatedness of Being, shown in her speculative thought. set of essays considers Weil's relevance for contemporary spirituality and moral theology. Cyril O'Regan examines her thinking on violence and evil. Eric Springsted looks at the conceptual links that exist between Weil and Augustine. Finally, David Tracy contends that Weil is the foremost predecessor of recent attempts to reunite the mystical and prophetic. Drawing together some of the top Weil scholars in the world, this collection offers important new insights into her thought, and will be appreciated by philosophers and theologians.

This in-depth study examines the social, religious, and philosophical thought of Simone Weil. Simone Weil for the Twenty-First Century presents a comprehensive analysis of Weil’s interdisciplinary thought, focusing especially on the depth of its challenge to contemporary philosophical and religious studies. In a world where little is seen to have real meaning, Eric O. Springsted presents a critique of the unfocused nature of postmodern philosophy and argues that Weil’s thought is more significant than ever in showing how the world in which we live is, in fact, a world of mysteries. Springsted brings into focus the challenges of Weil’s original (and sometimes surprising) starting points, such as an Augustinian priority of goodness and love over being and intellect, and the importance of the Crucifixion. Springsted demonstrates how the mystical and spiritual aspects of Weil’s writings influence her social thought. For Weil, social and political questions cannot be separated from the supernatural. For her, rather, the world has a sacramental quality, such that life in the world is always a matter of life in God—and life in God, necessarily a way of life in the world. Simone Weil for the Twenty-First Century is not simply a guide or introduction to Simone Weil. Rather, it is above all an argument for the importance of Weil’s thought in the contemporary world, showing how she helps us to understand the nature of our belonging to God (sometimes in very strange and unexpected ways), the importance of attention and love as the root of both the love of God and neighbor, the importance of being rooted in culture (and culture’s service to the soul in rooting it in the universe), and the need for human beings to understand themselves as communal beings, not as isolated thinkers or willers. It will be essential reading for scholars of Weil, and will also be of interest to philosophers and theologians.

This book covers the main aspects of Simone Weil's thought, drawing on her life where it is relevant for understanding her ideas. It is the fruit of many years engagement with scholars and scholarship on Weil in America, France, and the United Kingdom. The philosophical bases of her social and political thought, of her analysis of the natural world, and of her spiritual journey, as found in Plato, Epictetus, and Kant are uncovered. The authors are especially concerned with controversial aspects of Weil's life and thought: they offer an additional dimension to her understanding of the supernatural; they correct Rowan Williams' misunderstanding of her account of preferential love; and argue against Thomas Nevin's attempt to marginalize her as another example of Jewish self-hatred. The book also presents and assesses the new evidence for Weil's baptism.

The French philosopher Simone Weil (1909-1943), a contemporary of Simone de Beauvoir and Jean-Paul Sartre, remains in every way a thinker for our times. She was an outsider, in multiple senses, defying the usual religious categories: at once atheistic and religious; mystic and realist; sceptic and believer. She speaks therefore to the complex sensibilities of a rationalist age. Yet despite her continuing relevance, and the attention she attracts from philosophy, cultural studies, feminist studies, spirituality and beyond, Weil's reflections can still be difficult to grasp, since they were expressed in often inscrutable and fragmentary form. Lissa McCullough here offers a reliable guide to the key concepts of Weil's religious philosophy: good and evil, the void, gravity, grace, beauty, suffering and waiting for God. In addressing such distinctively contemporary concerns as depression, loneliness and isolation, and in writing hauntingly of God's voluntary 'nothingness', Weil's existential paradoxes continue to challenge and provoke. This is the first introductory book to show the essential coherence of her enigmatic but remarkable ideas about religion.

Philosophy and theology have long harboured contradictory views on spiritual practice. While philosophy advocates the therapeutic benefits of daily meditation, the theology of grace promotes an ideal of happiness bestowed with little effort. As such, the historical juxtaposition of effort and grace grounding modern spiritual exercise can be seen as the essential tension between the secular and sacred. In Effort and Grace, Simone Kotva explores an exciting new theory of spiritual endeavour from the tradition of French spiritualist philosophy. Spiritual exercise has largely been studied in relation to ancient philosophy and the Ignatian tradition, yet Kotva's new engagement with its more recent forms has alerted her to an understanding of contemplative practice as rife with critical potential. Here, she offers an interdisciplinary text tracing the narrative of spiritual exertion through the work of seminal French thinkers such as Maine de Biran, Félix Ravaisson, Henri Bergson, Alain (Émile Chartier), Simone Weil and Gilles Deleuze. Her findings allow both secular philosophers and theologians to understand how the spiritual life can participate in the contemporary philosophical conversation.

In this book Roberto Esposito explores the conceptual trajectories of two of the twentieth century’s most vital thinkers of the political: Hannah Arendt and Simone Weil. Taking Homer’s Iliad—that “great prism through which every gesture has the possibility of becoming public, precisely by being observed by others”— as the common origin and point of departure for our understanding of Western philosophical and political traditions, Esposito examines the foundational relation between war and the political. Drawing actively and extensively on Arendt’s and Weil’s voluminous writings, but also sparring with thinkers from Marx to Heidegger, The Origin of the Political traverses the relation between polemos and polis, between Greece, Rome, God, force, technicity, evil, and the extension of the Christian imperial tradition, while at the same time delineating the conceptual and hermeneutic ground for the development of Esposito’s notion and practice of “the impolitical.” In Esposito’s account Arendt and Weil emerge “in the inverse of the other’s thought, in the shadow of the other’s light,” to “think what the thought of the other excludes not as something that is foreign, but rather as something that appears unthinkable and, for that very reason, remains to be thought.” Moving slowly toward their conceptualizations of love and heroism, Esposito unravels the West’s illusory metaphysical dream of peace, obliging us to reevaluate ceaselessly what it means to be responsible in the wake of past and contemporary forms of war.

An overview of Simone Weil's writings on science and mathematics which opens the door to dialogue between philosophy, art, and religion

Simone Weil's supernaturalist interpretations of tragedy challenge not only the philosophical skepticism but also the religious rationalism characteristic of the modern age. This book boldly points out a supernaturalist alternative to contemporary, post-structuralist literary theory. This study of classical tragic drama offers a sacralizing impetus to secular discussions of literature. The book's Platonic premises and its grounding in the transcendental outlook of the religious traditions furnish a sacred illumination. Religious mystery and the cross of Christ both overshadow and deepen philosophical approaches to literary criticism, including theories of tragedy. Simone Weil's conception of tragic art, rooted in a mystical Christian metaphysics, offers original insight into the nature of tragedy. In contradiction of the prevailing secular outlook, Weil regards classical tragedy as a sacred art form. Tragic masterpieces evoke not the chaotic or irrational, as modernist interpreters hold, but rather a good which is absolute

In the last decade, interest in the writings of French philosopher Simone Weil (1909-1943) has surged. Weil is admired for her militant syndicalism, her factory experience and participation in the French resistance, but it is above all the eclectic and rich character of her work that has increasingly attracted scholarly attention. Weil reflected on subjects as diverse as quantum physics, Greek tragedy, bankruptcy, colonialism, technology, education, and religious metaphysics, but perhaps most interesting is the way that her work seems to defy any clear ideological labelling: Marxist, anarchist, liberal, conservative and republican all seem to fall short in describing the complexity of Weil’s thinking. Adding to the interpretive difficulty is the fact that Weil often expressed biting criticisms of most things political. What this edited volume argues is that it is precisely Weil’s unclassifiable nature, combined with her sharp and sometimes ambivalent criticisms of politics, that make her work a most timely and fascinating object of study for contemporary political philosophy. It proposes a two-pronged approach to her thought: first, via a series of conversations set up between Weil and key authors in modern and contemporary political theory (e.g. Sandel, Rawls, Ahmed, Agamben, Orwell); and secondly, via a close study of Weil’s reflections on various ideologies. The goal of this book is not to position Simone Weil squarely within a single ideological tradition but rather to propose that her thought might allow us to critically engage with various ideologies in the history of political ideas.