PureSolo: The Red Book for the intermediate clarinet player contains 15 classic and contemporary hits with full instrumental backing tracks on a high-quality accompanying CD. This is a superb selection for aspiring soloists!

Finally, a clarinet book with appeal to kids that focuses on fundamentals taught through songs that young people love to play. Author Larry E. Newman (Beginning Band Fun Book series) created this book to be used as a first year beginning method or as a second year review and continuing book for the progressing intermediate student. The book is crammed with tons of musical examples, scales, arpeggios, songs, solos, duets and trios. Mix and match the clarinet book with other instrument books in this collection to create customized woodwind and brass groups. Online mp3 play-a-long tracks are available for many of the musical selections in this book.

No blurb required by author.

Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.

"The magazine for young adults" (varies).

The Versatile Clarinet gives a wide-ranging look at the clarinet and the music that has been played on it. The book offers a brief survey of the types of music that have been played on the instrument, key players, and issues facing clarinetists as they seek to expand the instrument's repertory and recognition. The topics covered include everything from playing early and historic clarinets; jazz clarinet technique; contemporary and avant-garde music; klezmer clarinet; and the history of clarinet recording. The book will appeal to clarinetists, music historians, musical instrument scholars, and general readers interested in the development of this important instrument.

The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.