This multilayered historical ethnography of Bodh Gaya — the place of Buddha’s enlightenment in the north Indian state of Bihar — explores the spatial politics surrounding the transformation of the Mahabodhi Temple Complex into a UNESCO World Heritage site in 2002. The rapid change from a small town based on an agricultural economy to an international destination that attracts hundreds of thousands of Buddhist pilgrims and visitors each year has given rise to a series of conflicts that foreground the politics of space and meaning among Bodh Gaya’s diverse constituencies. David Geary examines the modern revival of Buddhism in India, the colonial and postcolonial dynamics surrounding archaeological heritage and sacred space, and the role of tourism and urban development in India.

Alan Trevithick spent three years researching primary documents in New Delhi, Sarnath, Colombo, and London, in order to present this history (1874-1949) of the Mahabodhi Temple at Bodh Gaya. This is the first such account, and it details for the first time the administrative, legal and legislative activities which shaped the temple`s current status as one of the world`s most popular pilgrimage sites. Also included is an innovative biographical essay on Anagarika Dharmapala, the Sinhalese activist who first came to India in the late 19th century as a guest of the Theosohical society: his subsequent actions substantially affected the development of Bodh Gaya as a site of international importance.

A comprehensive guidebook to the places in India made sacred by the Buddha’s presence. Beginning with an inspiring account of Buddhist pilgrimage, the author then covers sixteen places in detail. With maps and colour photos, an essential companion for pilgrim and traveler.

Pilgrimage has always had a tendency to follow—and sometimes create—trade routes. This volume explores how wider factors behind transnational and global mobility have impacted on pilgrimage activity across the world, and examines the ways in which pilgrimage relates to migration, diaspora, and political cooperation or conflict across nation-states. Furthermore, it brings together case studies that explore forms of mobility where pilgrimage is juxtaposed, complements, or is in intimate association with other forms of movement.

Southeast China is a traditional stronghold of Buddhism, but little scholarly attention has been paid to this fact. Brian Nichols’s pioneering book, Lotus Blossoms and Purple Clouds, centers on a large Buddhist monastery in Quanzhou and combines ethnographic detail with stimulating analysis to examine religion in post-Mao China. Nichols conducted more than twenty-six months of field research over a fourteen-year period (2005–2019) to develop a re-description of Chinese monastic Buddhism that reaches beyond canonical sources and master narratives to local texts, material culture, oral history, and living traditions. His work decenters normative accounts and sheds light on how Buddhism is lived and practiced. It introduces readers to Quanzhou Kaiyuan Monastery and its community of clergy striving to revive traditions after the turmoil of the Maoist era; the lay Buddhists worshiping in the monastery’s courtyards and halls; the busloads of tourists marveling at the site’s buildings and artifacts, some dating as far back as the Tang Dynasty (ninth century); and the local officials dedicated to supporting—and restricting—the return of religion. Using gazetteers, epigraphy, and other archival sources, Nichols begins by tracing the history of Quanzhou Kaiyuan Monastery from the Tang Dynasty to the present, noting the continued relevance of preternatural events like the lotus-blooming mulberry trees and auspicious purple clouds associated with the founding of the monastery. The contemporary monastery is then explored through ethnographic participation/observation and interviews. Nichols uncovers a number of unexpected features of Buddhist religious life, making a case for the fundamentally liturgical nature of Buddhist monastic practice—one marked by a program of daily dharaṇi (sacred text) recitation, esoteric traditions, and ancestor veneration. Finally, he presents an innovative spatial analysis of the Quanzhou Kaiyuan Monastery temple that reveals how different groups engage with the site to create a place of religious practice, a tourist attraction, and a community park.

Received wisdom has it that Buddhism disappeared from India, the land of its birth, between the thirteenth and fourteenth centuries, long forgotten until British colonial scholars re-discovered it in the early 1800s. Its full-fledged revival, so the story goes, only occurred in 1956, when the Indian civil rights pioneer Dr. B.R. Ambedkar converted to Buddhism along with half a million of his Dalit (formerly "untouchable") followers. This, however, is only part of the story. Dust on the Throne reframes discussions about the place of Buddhism in the subcontinent from the early nineteenth century onwards, uncovering the integral, yet unacknowledged, role that Indians played in the making of modern global Buddhism in the century prior to Ambedkar's conversion, and the numerous ways that Buddhism gave powerful shape to modern Indian history. Through an extensive examination of disparate materials held at archives and temples across South Asia, Douglas Ober explores Buddhist religious dynamics in an age of expanding colonial empires, intra-Asian connectivity, and the histories of Buddhism produced by nineteenth and twentieth century Indian thinkers. While Buddhism in contemporary India is often disparaged as being little more than tattered manuscripts and crumbling ruins, this book opens new avenues for understanding its substantial socio-political impact and intellectual legacy.

The extraordinary multiplicity of religions and religious cultures in India, chronicled over two thousand years From its earliest recorded history, India was a place of remarkable and varied religious activity, ranging from elaborate sacrificial rituals and rigorous regimes of personal austerity to psycho-spiritual experimentation and utopian visions. In this ambitious and wide-ranging chronicle, Richard Davis offers a history of India’s myriad religious cultures that spans two thousand years, from 1300 BCE to 700 CE. India, Davis writes, was not only the birthplace of the religions we now know as Hinduism, Buddhism, and Jainism. It was also the home of other, often unnamed religions that can be classified as “folk” or “popular” religions. Tracing these intertwined practices, Davis shows that the ardent and heterogeneous religious cultures of early India came to define and redefine themselves in relation to one another. Davis recounts this history through voices—voices recorded in hymns, poems, songs, didactic stories, epic narratives, scientific treatises, and theological discourses, as well as voices that speak through material remains, whether monumental sculptures or tiny terracotta figurines of nameless goddesses. He focuses on the long millennium often designated as “classical India,” which stretches from the time of the founding figures of Buddhism and Jainism during the sixth century BCE through the seventh-century-CE dynasties of the Chalukyas and the Pallavas in southern India. Throughout, he emphasizes encounter, interaction, debate, critique, and borrowing among religious communities within a shared, changing social and political reality. The voices and visions of early India’s religions, Davis shows us, are fascinating in their multiplicity.

This book presents new studies on intellectual and cultural interactions in the context of Buddhist heritage and Indo-Japanese dialogue in the late 19th and early 20th centuries on art, religion, and cultural politics. By revisiting Buddhist connections between India and Japan, it examines the pathways of communication on common aesthetic and religious heritage that emerged in the backdrop of colonial experiences and the rise of Asian nationalisms. The volume discusses themes such as Asian arts and crafts under colonialism, formation of East Asian art collections, development of Buddhist art history in Japan, Japanese encounters with Ajanta, India in the history of the Shinto tradition, Japan in India’s xenology, and Buddhism and world peace, and suggests paradigms of reconnecting cultural heritage within a global platform. With essays from experts across the world, this book will be an essential read for scholars and researchers of history, art history, ancient Indian history, colonial history, heritage and cultural studies, South Asian and East Asian history, visual and media studies, Asian studies, international relations and foreign policy, and the history of globalization.

In this study, Ian Reader presents new insights into the relationship between religion and tourism more generally and into the contemporary religious situation in Japan. He counteracts scholarship that claims tourism increases religious activity, shows that tourism is a factor in increasing secularization in Japan and draws attention to the role of the state in such contexts. Although the Japanese constitution prohibits the state from promoting religion, this book shows how state agencies nonetheless encourage people to visit religious sites, by presenting them as manifestations of a shared heritage, in ways that distance them from 'religion'. Reader examines theoretical understandings of religion and tourism and presents case studies of famed pilgrimage routes and temples. He shows how Zen monasteries are now 'tourist brands' and pilgrimages are the focus of TV entertainment programmes, portrayed as opportunities to eat sweets. Examining the nationalistic rhetoric of nostalgia and unique heritage that underpins the promotion of religious sites, Reader also considers why priests acquiesce in such matters.