On 23 September 1878 Stevenson set out from Le Monastier in the Haut Loire, to tramp through the wild region of the Cevennes. His only companion was a small donkey to carry basic necessities, and a commodious "sleeping sack". In the next 12 days, at a pace dictated by the donkey and carrying most of the supplies himself, he travelled 120 miles across rivers, mountains and forests. His stylish and witty account was published in 1879.

Adam Thorpe's home for the past 25 years has been an old house in the Cévennes, a wild range of mountains in southern France. Prior to this, in an ancient millhouse in the oxbow of a Cévenol river, he wrote the novel that would become the Booker Prize-nominated Ulverton, now a Vintage Classic. In more recent writing Thorpe has explored the Cévennes, drawing on the legends, history and above all the people of this part of France for his inspiration. In his charming journal, Notes from the Cévennes, Thorpe takes up these themes, writing about his surroundings, the village and his house at the heart of it, as well as the contrasts of city life in nearby Nîmes. In particular he is interested in how the past leaves impressions – marks – on our landscape and on us. What do we find in the grass, earth and stone beneath our feet and in the objects around us? How do they tie us to our forebears? What traces have been left behind and what marks do we leave now? He finds a fossil imprinted in the single worked stone of his house's front doorstep, explores the attic once used as a silk factory and contemplates the stamp of a chance paw in a fragment of Roman roof-tile. Elsewhere, he ponders mutilated fleur-de-lys (French royalist symbols) in his study door and unwittingly uses the tomb-rail of two sisters buried in the garden as a gazebo. Then there are the personal fragments that make up a life and a family history: memories dredged up by 'dusty toys, dried-up poster paints, a painted clay lump in the bottom of a box.' Part celebration of both rustic and urban France, part memoir, Thorpe's humorous and precise prose shows a wonderful stylist at work, recalling classics such as Robert Louis Stevenson's Travels with a Donkey in the Cévennes.

Celebrated by writers from Petrarch to Peter Mayle, Provence's rugged mountains, wild maquis and lavender-filled meadows are world-famous. Historic cities like Arles, Avignon and Aix contain Roman amphitheatres, papal palaces and royal residences, while market towns and picturesque villages maintain age-old traditions of wine producing and agriculture. From the highland towns of Digne and Sisteron to the marshy expanse of the Camargue, Provence encompasses a rich variety of landscapes. Martin Garrett explores a region littered with ancient monuments and medieval castles. Looking at the vibrant dockside ambiance of Marseille and the luminous atmosphere of the Lubéron, he considers how writers like Mistral and Daudet have captured the character of a place and its people. He traces the development of Provence as a Roman outpost, medieval kingdom and modern region of France, revealing through its landmarks the people and events that have shaped its often tumultuous history. Through its architecture, literature and popular culture, this book analyzes and celebrates the identity of a region famous for its pastis and pétanque. Linking the past to the present, it also evokes the intense light and sun-baked stones that have attracted generations of painters and writers.