"Save me and have me, fix me and I'm yours."What do you do when you catch your fiancé grinding on another woman? Well, if you're me, you run off with a sexy, ink-covered tattoo artist who goes by the name Wrong. Then you marry him after a week. This isn't a story of love at first sight-love didn't come into play until after I had ruined it all. It's the reality of what is right and what is wrong when it comes to soulmates.

This book is the first deconstruction of the Wright brothers myth. They were not -- as we have all come to believe--two halves of the same apple. Each had a distinctive role in creating the first "flying machine." How could two misanthropic brothers who never left home, were high-school dropouts, and made a living as bicycle mechanics have figured out the secret of manned flight? This new history of the Wright brothers' monumental accomplishment focuses on their early years of trial and error at Kitty Hawk (1900-1903) and Orville Wright's epic fight with the Smithsonian Institute and Glenn Curtis. William Hazelgrove makes a convincing case that it was Wilbur Wright who designed the first successful airplane, not Orville. He shows that, while Orville's role was important, he generally followed his brother's lead and assisted with the mechanical details to make Wilbur's vision a reality. Combing through original archives and family letters, Hazelgrove reveals the differences in the brothers' personalities and abilities. He examines how the Wright brothers myth was born when Wilbur Wright died early and left his brother to write their history with personal friend John Kelly. The author notes the peculiar inwardness of their family life, business and family problems, bouts of depression, serious illnesses, and yet, rising above it all, was Wilbur's obsessive zeal to test out his flying ideas. When he found Kitty Hawk, this desolate location on North Carolina's Outer Banks became his laboratory. By carefully studying bird flight and the Rubik's Cube of control, Wilbur cracked the secret of aerodynamics and achieved liftoff on December 17, 1903. Hazelgrove's richly researched and well-told tale of the Wright brothers' landmark achievement, illustrated with rare historical photos, captures the excitement of the times at the start of the "American century."

Concerned that evangelicals may soon find no place for sovereignty in their thinking, R. K. McGregor Wright sets out to show what's wrong--biblically, theologically and philosophically--with freewill theory in its ancient form.

In today’s world the Christian is constantly being challenged with new teachings. Some of these are particularly dangerous because they are put forward by those with evangelical credentials. Tom Nicholas Wright is one of the leading proponents of the New Perspective on Paul. Wright sees himself as the new Luther, a discoverer of the true biblical understanding of key doctrines like that of justification by faith. According to him, the Reformation misunderstood the nature of justification by faith alone and the role of the law in the Old Testament. Wright maintains that this has continued to be the case for those of the Reformed Faith. He tells us that we are guilty of anachronism, whereby we interpret first-century Judaism in the light of medieval Roman Catholicism. In this work the writer not only defends the Reformed understanding of this vital doctrine but also seeks to show how Wright has misunderstood the nature of the new covenant and the place of ethnic Israel.

In today's world the Christian is constantly being challenged with new teachings. Some of these are particularly dangerous because they are put forward by those with evangelical credentials. Tom Nicholas Wright is one of the leading proponents of the New Perspective on Paul. Wright sees himself as the new Luther, a discoverer of the true biblical understanding of key doctrines like that of justification by faith. According to him, the Reformation misunderstood the nature of justification by faith alone and the role of the law in the Old Testament. Wright maintains that this has continued to be the case for those of the Reformed Faith. He tells us that we are guilty of anachronism, whereby we interpret first-century Judaism in the light of medieval Roman Catholicism. In this work the writer not only defends the Reformed understanding of this vital doctrine but also seeks to show how Wright has misunderstood the nature of the new covenant and the place of ethnic Israel.

From one of America’s most brilliant writers, a New York Times bestselling journey through psychology, philosophy, and lots of meditation to show how Buddhism holds the key to moral clarity and enduring happiness. At the heart of Buddhism is a simple claim: The reason we suffer—and the reason we make other people suffer—is that we don’t see the world clearly. At the heart of Buddhist meditative practice is a radical promise: We can learn to see the world, including ourselves, more clearly and so gain a deep and morally valid happiness. In this “sublime” (The New Yorker), pathbreaking book, Robert Wright shows how taking this promise seriously can change your life—how it can loosen the grip of anxiety, regret, and hatred, and how it can deepen your appreciation of beauty and of other people. He also shows why this transformation works, drawing on the latest in neuroscience and psychology, and armed with an acute understanding of human evolution. This book is the culmination of a personal journey that began with Wright’s landmark book on evolutionary psychology, The Moral Animal, and deepened as he immersed himself in meditative practice and conversed with some of the world’s most skilled meditators. The result is a story that is “provocative, informative and...deeply rewarding” (The New York Times Book Review), and as entertaining as it is illuminating. Written with the wit, clarity, and grace for which Wright is famous, Why Buddhism Is True lays the foundation for a spiritual life in a secular age and shows how, in a time of technological distraction and social division, we can save ourselves from ourselves, both as individuals and as a species.

Samuel Adams engages the classic problem of the relation between faith and history from the perspective of apocalyptic theology in critical dialogue with the work of N. T. Wright. He argues that historical and theological scholars must take into consideration, at a methodological level, the reality of God that has invaded history in Jesus Christ.

An award-winning speaker, marketing specialist, and dedicated student of the Wright Brothers uses the experience of the famous first family of flight to create a plan for achieving success that is based on constructive conflict, addressing tough issues first, pursuing knowledge, and "inveterate tinkering."

Ranks the Apostle Paul as "one of the most powerful and seminal minds of the first or any century," and argues that we can now sketch with confidence a new and more nuanced picture of Paul and the radical way in which his encounter with Jesus redefined his life, his mission and his expectations for a world made new in Christ. Reprint.

Named One of the Top 20 Books of 2009 by Cleveland Plain Dealer Medical school taught John Rich how to deal with physical trauma in a big city hospital but not with the disturbing fact that young black men were daily shot, stabbed, and beaten. This is Rich's account of his personal search to find sense in the juxtaposition of his life and theirs. Young black men in cities are overwhelmingly the victims—and perpetrators—of violent crime in the United States. Troubled by this tragedy—and by his medical colleagues' apparent numbness in the face of it—Rich, a black man who grew up in relative safety and comfort, reached out to many of these young crime victims to learn why they lived in a seemingly endless cycle of violence and how it affected them. The stories they told him are unsettling—and revealing about the reality of life in American cities. Mixing his own perspective with their seldom-heard voices, Rich relates the stories of young black men whose lives were violently disrupted—and of their struggles to heal and remain safe in an environment that both denied their trauma and blamed them for their injuries. He tells us of people such as Roy, a former drug dealer who fought to turn his life around and found himself torn between the ease of returning to the familiarity of life on the violent streets of Boston and the tenuous promise of accepting a new, less dangerous one. Rich's poignant portrait humanizes young black men and illustrates the complexity of a situation that defies easy answers and solutions.