In late October 1939, Robert Graves wrote to Alan Hodge: “I have begun a new book, about English.” Graves and Hodge had recently completed a social history of the between-wars period called The Long Week-End. Now they embarked on this new project, “a handbook for writers of English Prose,” to be called The Reader Over Your Shoulder. The world was in total upheaval. Graves had already fled Majorca three years earlier at the start of the Spanish Civil War. As they labored over their new writing project, Graves and Hodge witnessed the fall of France and the evacuation of Allied forces at Dunkirk. In early September 1940 began the bombing of London by the German Luftwaffe, a concentrated effort to destroy the resolve of the English people. Graves’s and Hodge’s idea was simple enough: at a time when their whole world was falling apart, the survival of English prose sentences, of writing that was clear, concise, intelligible, had become paramount if hope were going to survive the onslaught. They came up with forty-one principles for writing, the majority devoted to clarity, the remainder to grace of expression. They studied the prose of a wide range of noted authors and leaders, finding much room for improvement. Quoting grammarian and bestselling author Patricia T. O’Conner from her new introduction, “With a new war to be won, the kingdom couldn’t afford careless, sloppy English. Good communication was critical.” The book they would write would turn out to be one of the most erudite, and at the same time one of the most spontaneous and inspired, ever to take on the challenge of writing well. O’Conner in her introduction describes The Reader Over Your Shoulder as nothing less than “the best book on writing ever published.” The present edition restores, for the first time in three-quarters of a century, the original, 1943, text, which in subsequent printings and editions had been shortened by over 150 pages, including much of the heart of the book.

“The best book on writing ever published” (Patricia T. O’Conner, author of Woe Is I). When Robert Graves and Alan Hodge decided to collaborate on this manual for writers, the world was in total upheaval. Graves had fled Majorca three years earlier at the start of the Spanish Civil War, and as they labored over their new project, they witnessed the fall of France and the evacuation of Allied forces at Dunkirk. Soon the horror of World War II would reach British soil as well, as the Luftwaffe began bombing London in an effort to destroy the resolve of the English people. Graves and Hodge believed that at a time when their whole world was falling apart, the survival of English prose sentences—of writing that was clear, concise, and intelligible—had become paramount if hope were going to outlive the onslaught. They came up with forty-one principles for writing, the majority devoted to clarity, the remainder to grace of expression. They studied the prose of a wide range of noted authors and leaders, finding much room for improvement. Successful communication could mean the difference between war and peace, life and death, and they were determined to contribute to its survival. The importance of good writing continues today, as obfuscation, propaganda, manipulative language, and sloppy standards are all too common—and this classic guide is just as useful and important as ever. Note: This edition restores the full, original 1943 text. “To see what really expert mavens can do in applying their rule-based expertise to clearing up bad prose, get hold of a copy of The Reader Over Your Shoulder.” —The Atlantic

Buck, the embodiment of commercial aviation in America, recounts his thrilling life in flight in this exhilarating volume, hailed as "absolutely brilliant" by the former director of the Smithsonian Air and Space Museum.

After the Civil War, many disillusioned souls headed west in search of a new start. It was a grueling journey. Yet thousands, with their pioneering spirit, persevered to reach their goal. Is this book a work of fact or fiction? Could there be, somewhere along the Truckee River near the foot of the Sierra, remnants of a camp that was called Yellow Moon? Perhaps a few slivers of wood from an old wagon or a scrap of gingham or a button under a sage bush? Were the Dweller brothers real people? Did Berna and Nah-leah exist? Or is this whole story just whisperings as the west wind touches your shoulder? The author leaves it to the reader to decide.

'What do you think are the gifts of cancer?' Even now, all these years later, when I recall the question, a sense of shock still resonates. I thought of Julian's gruelling treatment regime, about how all seven of his children were coping seeing him so unwell, so reduced. Then, in the silence that followed, like the first sprouting of a tiny plant, I began to think about all the good things that Julian and I had experienced because of his illness; amid the strain and fear we had shared precious moments of love and kindness that might not have otherwise happened. I began to cry. 'Perhaps you could think of Julian's cancer in another way,' the counsellor suggested. 'Maybe it's like a little bird on your shoulder that's reminding you how to live.' Over a decade ago, award-winning journalist Lucy Palmer lost her beloved husband Julian, leaving her alone to raise their three young children on a farm south of Sydney. This beautifully written memoir tells the story of how Lucy and Julian fell in love with each other and with Papua New Guinea, and traces their family's return to Australia to face the daunting challenges of Julian's journey with cancer. Looking back with both sadness and joy, Lucy's honest and thoughtful account of finding hope and meaning where none seemed to be, will move and inspire all who read it. A Bird on My Shoulder offers us new and surprising ways to think about love and death, about the worst that can happen and what it can mean.

In Homer's Daughter Robert Graves recreates the Odyssey. This bold retelling of the ancient epic imagines that its author was not the blind and bearded Homer of legend, but a young woman in Western Sicily who calls herself Nausicaä. In Robert Graves's words, Homer's Daughter is 'the story of a high-spirited and religious-minded Sicilian girl who saves her father's throne from usurpation, herself from a distasteful marriage, and her two younger brothers from butchery by boldly making things happen, instead of sitting still and hoping for the best.'

The author of I, Claudius reimagines the Trojan War for the young reader. “The writing is clear, straightforward, and, in places, poetic” (Kirkus Reviews). The Iliad has it all: war, corruption, greed, power, and the passions of both gods and men. In this detailed retelling, Robert Graves draws the major characters of this timeless classic in broad, gritty strokes, making Agamemnon, Paris, Odysseus, and others accessible for young readers. Written with a younger audience in mind, The Siege and Fall of Troy is nevertheless exhaustively researched and compelling enough to be of interest to both students of history and adult readers. With humor, wit, and energy, Graves is expert at weaving a story based on exhaustive scholarly research and deep imaginative prowess.

For men, broad shoulders and muscular arms are the archetype for strength and power. For women, the sagging underarm is one of the most common trouble spots. For both, defined deltoids make the waist appear smaller and separate the arm from the shoulder, creating an athletic and healthy look. Body-concious modern fashions make training the shoulders and arms a priority for everyone. The Complete Book of Shoulders and Arms is the definitive resource to train these muscles safely. Each exercise is illustrated in detail, ranked for difficulty, flagged for lower-back risk and accompanied by explicit instructions and specific training tips to achieve optimal results. The exercise routines are based on the most current research in sports medicine/exercise physiology and were created by top strength coaches, athletes, personal trainers, exercise physiologists, doctors, physical therapists and nutritionists. Programs are designed for everyone from the novice to the advanced enthusiast, for the corporate executive with time-crunched schedules and for the senior concerned with wellness.

“Tell the administration what they want to hear, then do what is best for your students.” That’s advice Barry Garelick tries to follow in the process of becoming a fully credentialed teacher which entails being monitored by two mentors. As the Mark Twain of education writing, Garelick presents this collection of essays which chronicle his experiences at two schools, teaching math. With essays such as, “Not Making Sense, and a Conversation I Never Had; “Math Talk”, Stalin’s Hemorrhoids and Murder of Crows”, Garelick gives the reader a verité-style glimpse into the daily routines of math teaching and exposes a lot of the nonsense that teachers are advised to follow, and which they feel guilty about when they don’t.