The Ratnavali or the 'Jewel Necklace' is a drama of the Natika type by Sriharsa. The theme is the marriage, through various obstacles and at the clever intervention of the minister Yaugandharayana, of king Udayana and Ratnavali, daughter of the king of Ceylon. A brief but sufficiently exhaustive commentary in Sanskrit has been written, as there was no suitable ancient commentary available on this play. Another feature of this edition is the introduction wherein all that has been known of the author and the play has been put together for ready reference and systematic study.

The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.

The Present Volume Deals With The First Nine Hundred Years Of The Medieval Period Of Indian Literary History.A History Of Indian Literature Is An Account Of The Literary Activities Of The Indian People Carried Through In Many Languages And Under Different Social Conditions. It Is The Story Of A Multilingual Literature, A Plurality Of Linguistic Expressions And Cultural Experience And Also Of The Remarkable Unity Underlying Them.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

The present grammar has been prepared with a view to meet the growing educational need of university students. The author has done his best to bring the present grammar up to the requirements of the students. In writing the various chapters of this book, the author has closely followed Pannini, as explained by Bhattoji Diksita. Many of the rules given here are translations of the relevant Sutras of Panini. The original Sutras are given in footnotes, where necessary. Sandhis and declensions are fully treated; compounds which dominate classical Sanskrit literature have received special attention; formation of feminine bases has been illustrated; Taddhita affixes have been arranged in an alphabetical order. A special feature of the present grammar is the chapter on the Conjugation of Verbs. The general rules given are amply illustrated by examples. All the verbs which change their pada when preceded by particular prepositions are given in an alphabetical order. The chapter on Syntax contains almost everything given in the first 20 chapters of author's Guide to Sanskrit Composition; the chapter on Prosody is based on the Chandomanjari and the Vrttaratnakara. The author has spared no pains to make the book as useful and as complete as possible.