Tracing how the “Great Replacement” narrative has shaped far-right extremism and propelled its dangerous political projects and acts of violence The “Great Replacement” narrative, which imagines that historic white majorities are being intentionally replaced through immigration policies crafted by global elites, has effectively mobilized racist, nationalist, and nativist movements in the United States and Europe. The Rage of Replacement tracks how this narrative has shaped the politics and worldview of the far right, binding its various camps into a community of rage obsessed with nostalgia for a white-supremacist past. Showing how the replacement narrative has found significant purchase in recent mainstream discourse through the rise of Trumpism, right-wing media figures like Tucker Carlson, and events such as 2017’s “Unite the Right” rally in Charlottesville, Virginia, Michael Feola diagnoses the dangers this racist theory poses as it shapes the far-right imagination, expands through civil society, and deforms political culture. In particular, he tracks how the replacement narrative has given rise to malignant political strategies designed to “take back” the nation from its perceived enemies—by force if deemed necessary. Identifying the Great Replacement narrative as a central force behind the rise and expansion of far-right extremism, Feola shows how it has motivated a variety of dangerous political projects in pursuit of illiberal, antidemocratic futures. From calls for the creation of segregated white ethnostates to extremist violence such as the mass shootings in Christchurch, El Paso, and Buffalo, The Rage of Replacement makes clear that replacement theory poses a dire threat to democracy and safety.

The shifting meaning of race and class in the age of Trump The profound concentration of economic power in the United States in recent decades has produced surprising new forms of racialization. In Producers, Parasites, Patriots, Daniel Martinez HoSang and Joseph E. Lowndes show that while racial subordination is an enduring feature of U.S. political history, it continually changes in response to shifting economic and political conditions, interests, and structures. The authors document the changing politics of race and class in the age of Trump across a broad range of phenomena, showing how new forms of racialization work to alter the economic protections of whiteness while promoting some conservatives of color as models of the neoliberal regime. Through careful analyses of diverse political sites and conflicts—racially charged elections, attacks on public-sector unions, new forms of white precarity, the rise of black and brown political elites, militia uprisings, multiculturalism on the far right—they highlight new, interwoven deployments of race in the ascendant age of inequality. Using the concept of “racial transposition,” the authors demonstrate how racial meanings and signification can be transferred from one group to another to shore up both neoliberalism and racial hierarchy. From the militia movement to the Alt-Right to the mainstream Republican Party, Producers, Parasites, Patriots brings to light the changing role of race in right-wing politics.

"Anger has a bad reputation. Many people think that it is counterproductive, distracting, and destructive. It is a negative emotion, many believe, because it can lead so quickly to violence or an overwhelming fury. And coming from people of color, it takes on connotations that are even more sinister, stirring up stereotypes, making white people fear what an angry other might be capable of doing, when angry, and leading them to turn to hatred or violence in turn, to squelch an anger that might upset the racial status quo"--

Let the story of my niece and nephews be a warning. The more you know, the more danger you're in. And trust me, you don't want to meddle with the Little People. -- S.S. One thrilling adventure -- The Spiderwick Chronicles! Their world is closer than you think.

Critically analyses the historical, cultural and political dimensions of white religious rage in America, past and present This book sheds light on the phenomenon of white rage, and maps out the uneasy relationship between white anxiety, religious fervour, American identity and perceived black racial progress. Contributors to the volume examine the sociological construct of the "e;white labourer"e;, whose concerns and beliefs can be understood as religious in foundation, and uncover that white religious fervor correlates to notions of perceived white loss and perceived black progress. In discussions ranging from the Constitution to the Charlottesville riots to the evangelical community's uncritical support for Trump, the authors of this collection argue that it is not economics but religion and race that stand as the primary motivating factors for the rise of white rage and white supremacist sentiment in the United States.

The Powers of Sensibility: Aesthetic Politics through Adorno, Foucault, and Rancière explores the role aesthetic resources can play in an emancipatory politics. Michael Feola engages both critical theory and unruly political movements to challenge familiar anxieties about the intersection of politics and aesthetics. He shows how perception, sensibility, and feeling may contribute vital resources for conceptualizing citizenship, agency, and those spectacles that increasingly define global protest culture. Feola provides insightful engagements with the works of Adorno, Foucault, and Rancière as well as a survey of contemporary debates on aesthetics and politics. He uses this aesthetic framework to develop a more robust account of political agency, demonstrating that politics is not reducible to the exchange of views or the building of institutions, but rather incorporates public modes of feeling, seeing, and hearing (or not-seeing and not-hearing). These sensory modes must themselves be transformed in the work of emancipatory politics. The book explores the core question: what does the aesthetic offer that is missing from the official languages of politics, citizenship, and power? Of interest to readers in the fields of critical theory, political theory, continental philosophy, and aesthetics, The Powers of Sensibility roots itself within the classical tradition of critical theory and yet uses these resources to speak to a variety of contemporary political movements.

What Hemingway's A Moveable Feast did for Paris in the 1920s, this charming yet undeceivable memoir does for Greenwich Village in the late 1940s. In 1946, Anatole Broyard was a dapper, earnest, fledgling avant-gardist, intoxicated by books, sex, and the neighborhood that offered both in such abundance. Stylish written, mercurially witty, imbued with insights that are both affectionate and astringent, this memoir offers an indelible portrait of a lost bohemia. We see Broyard setting up his used bookstore on Cornelia Street—indulging in a dream that was for him as romantic as “living off the land or sailing around the world” while exercizing his libido with a protegee of Anais Nin and taking courses at the New School, where he deliberates on “the new trends in art, sex, and psychosis.” Along the way he encounters Delmore Schwartz, Caitlin and Dylan Thomas, William Gaddis, and other writers at the start of their careers. Written with insight and mercurial wit, Kafka Was the Rage elegantly captures a moment and place and pays homage to a lost bohemia as it was experienced by a young writer eager to find not only his voice but also his place in a very special part of the world.

White Rage examines the development of the modern American extreme right and American politics from the 1950s to the present day. It explores the full panoply of extreme right groups, from the remnants of the Ku Klux Klan to skinhead groups and from the militia groups to neo-nazis. In developing its argument the book: discusses the American extreme right in the context of the Oklahoma City bombing, 9/11 and the Bush administration; explores the American extreme right’s divisions and its pursuit of alliances; analyses the movement’s hostilities to other racial groups. Written in a moment of crisis for the leading extreme right groups, this original study challenges the frequent equation of the extreme right with other sections of the American right. It is a movement whose development and future will be of interest to anyone concerned with race relations and social conflict in modern America.

This "New York Times" bestseller brings back New York ADA Butch Karp and his wife, Marlene Ciampi. While prosecuting the case of a murdered coal mine union leader in West Virginia, Karp masterminds a scheme to trap the killers.

You know the monster’s face.... The future looked good for Mason until the night he was attacked...by someone who looked exactly like him. Soon he will understand that something monstrous is happening—something that transforms ordinary people into replicas of him, duplicates driven by irresistible bloodlust. It’s the one in your mirror. As the body count rises, Mason fights to keep one step ahead of the Echomen, the duplicates who hunt not only him but also his family and friends, and who perform gruesome experiments on their own kind. But the attacks are not as mindless as they seem. The killers have an unimaginable agenda, one straight from a fevered nightmare.