Elton John's truly remarkable collection of international modernist photography stems from personal passion: since 1991, he has amassed more than two thousand photographs, which include key figures from Europe and America alongside many of the foremost photographers from Japan, Eastern Europe and Latin America. This book draws together the finest works from 1920 to 1950, a period that is widely considered to be photography's 'coming of age', a time of great experimentation and innovation when artists pushed the boundaries of the medium. New Vision refers to the term coined by Laszlo Moholy-Nagy in the mid 1920s to describe the way photography could be used to see the world through a modern lens. As new technology developed, it allowed the freedom both to experiment and to record, leading to new developments such as photograms, typographics and the bird's- and worm's eye views. This period also encompassed key avant-garde movements of the 20th century in which photography played a central role - dada, surrealism, the Bauhaus and Russian constructivism.0With over 150 illustrations, an interview with Elton John exploring the motivations behind his collecting, and essays looking at the photographs within the history of modernism and an exploration of the impact of technical innovations on the form, New Vision will introduce a new audience to this unique body of work and provide an indispensable resource to those who are already fans of the period.0Exhibition: Tate Gallery, London, UK (10.11.2015 - 07.05.2017).

Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.

Named one of the Fifty Best Spiritual Books of 2013 by SPIRITUALITY & PRACTICE in the JUSTICE category! The Occupy Wall Street movement and protest movements around the world are evidence of a new era of intergenerational activists seeking deeper spiritual meaning in their quest for peace and justice. This book is a call to action for a new era of spirituality-infused activism. Authors Adam Bucko and Matthew Fox encourage us to use our talents in service of compassion and justice and to move beyond our broken systems--economic, political, educational, and religious--discovering a spirituality that not only helps us to get along, but also encourages us to reevaluate our traditions, transforming them and in the process building a more sacred and just world. Incorporating the words of young activist leaders culled from interviews and surveys, the book provides a framework that is deliberately interfaith and speaks to our profound yearning for a life with spiritual purpose and for a better world. Each chapter is construed as a dialogue between Fox, a 72-year-old theologian, and Bucko, a 37-year-old spiritual activist and mentor to homeless youth. As we listen in on these familiar yet profound conversations, we learn about Fox and Bucko's own spiritual journeys and discover a radical spirituality that is inclusive, democratic, and relevant to the world we live in today. Table of Contents Foreword by Mona Eltahawy Foreword by Andrew Harvey Introduction: Invitation to Occupy Your Conscience 1. Is It Time to Replace the God of Religion with the God of Life? 2. Radical Spirituality for a Radical Generation 3. Adam's Story 4. Matthew's Story 5. What's Your Calling? Are You Living in Service of Compassion and Justice? 6. Spiritual Practice: Touch Life and Be Changed by It 7. No Generation Has All the Answers: Elders and Youth Working Together 8. Birthing New Economics, New Communities, and New Monasticism Conclusion: Occupy Generation and the Practice of Spiritual Democracy Afterword by Lama Surya Das

Copublished by Aperture and the New Orleans Museum of Art

"The Gospel story for kids" -- p. 4 of cover.

An overview of Prince Charles' philosophy, including his ideas on ecology, organic agriculture, holistic health, religion, architecture, and education.

Are you tired of hearing that Islam is a religion of peace while terrorist plots are uncovered, beheadings of prisoners are broadcast on the Internet, and carnage in Iraq has become routine? Are you fed up with the politically correct whitewashing of the obviously grim realities of radical Islam? Kevin J. Ryan uses sardonic humor and a streak of radical irreverence to expose Islamist ideology for what it really is and to help you develop your own Radical Eye. Combining the debunking zeal of Thomas Paine''s Age of Reason with Mad magazine''s irreverent view of history and politics, Ryan has written the most politically incorrect - and funniest - book on radical Islam that you''re ever likely to read.

Sir Elton John, musician and philanthropist, has built one of the greatest private collections of photography in the world. This book presents an unparalleled selection of modernist images, which introduce a crucial moment in the history of photography when artists were beginning to use the camera and darkroom to redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium enabling new imaginings of portraits, nudes and still lifes; and street life and the modern world was captured from a new, uniquely modern perspective. Showcasing only original vintage prints by the artists themselves, the book features key figures from the 1920s to 1950s, such as Brassai, Andre Kertesz, Dorothea Lange, Tina Modotti, Man Ray, Edward Steichen and Alexander Rodchenko. Also includes a newly commissioned interview with Sir Elton John and essays on modernist photography and technology and innovation by Dawn Ades and Shoair Mavlian. "