A jealous Egyptian queen. A lascivious Galilean governor. How can one servant girl possibly make a difference? An orphan since birth, Lydia lives in the palace at the demand of Cleopatra and her royal child, the son of Julius Caesar. But Lydia’s beauty is becoming a liability to the aging queen, and the visiting Herod’s undisguised interest in Lydia only makes matters worse. When Lydia’s mentor is murdered, the handmaid inherits a daunting task. An ancient set of sealed scrolls, the secret writings of the prophet Daniel, must be returned to Jerusalem–before those who killed her mentor destroy the scrolls as well. Lydia joins Herod the Great’s retinueand soon becomes absorbed in the machinations of his Jerusalem palace. But dark forces, older than Jerusalem itself, are at work. And Lydia has no idea of the true nature of her destiny.

A jealous Egyptian queen. A lascivious Galilean governor. A beautiful servant girl. Theirs is a story of prophecy, self-discovery, and revelation. The year is 39 BC. All of Alexandria awaits the arrival of Herod, the Galilean governor with his eye on the Judean kingship. The handmaid of Cleopatra, Queen of Egypt, receives a troubling visit from her aging mentor. An orphan since birth, Lydia lives in the palace at the demand of Cleopatra and her royal child, the son of Julius Caesar. But Lydia has a growing problem on her hands: her beauty is becoming a liability to the aging queen, and the visiting Herod’s undisguised interest only makes matters worse. When Lydia’s mentor is murdered, the handmaid inherits a daunting task. An ancient set of sealed scrolls, the secret writings of the prophet Daniel, must be returned to Jerusalem—before those who killed her mentor destroy the scrolls as well. The future of the Israelites depends on it. So Lydia leaves the palace to serve as lady’s maid to Herod’s wife in the Holy City. As Lydia is absorbed into the machinations of Herod’s household, her mission— and her people’s hope of a Messianic King—are endangered at every turn. Can Lydia avoid the adulterous intentions of Herod? Can she deliver the scrolls to the mysterious man on the steps of the Temple? Will the true King of Israel ever rise? "Higley amazes us with another of her action-packed feats of storytelling." —RT Book Reviews, 4 1/2 Stars, TOP PICK! (on Palace of Darkness)

An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.

After the death of her father, young Eloise Rousell is sent to live with her aunt, Kat Ashley, the governess to the young Elizabeth Tudor, joining the turbulent household of the princess in exile where she becomes a friend, confidante, lady-in-waiting, and favored seamstress of a girl who would become Britain's greatest monarch. Original.

Darya does not remember how she came to be a slave or who she was before she was bought by an army captain for his motherless daughter in the ancient Persian city of Susa. Protected and nurtured by the housekeeper and her daughter, Darya has as good a life as a slave can have, even acquiring the rare skill of reading and writing, which she learns alongside her young mistress. When the captain dies and the household is broken up, this skill proves to be her lifeline. She becomes the seventh handmaiden to the mysterious Esther, who is being housed at the Royal Palace while in contention to be King Xerxes’ new Queen. However, life in Ancient Persia is precarious for women and outsiders, wherever they are in the hierarchy. When the king appoints a new prime minister called Haman, Darya and Esther are drawn into his murderous conflict with the Judean community and Mordechai, their leader, who lives just outside the palace gates. In a world of discord and uprising, Darya seeks to fix the world around her and protect her friends, while also trying to unravel the mysteries surrounding who she is and how she became a slave. As she grows from childhood to womanhood she grapples with her own identity, her aspirations and desires and begins to understand the true meaning of both slavery and freedom.

A gripping science fiction thriller where five women task themselves with ensuring the survival of the human race—if you mixed ". . .The Martian and The Handmaid's Tale, this sci-fi novel would be the incredible result" (Book Riot). “Best of 2020” –Library Journal “Best of 2020” –Kirkus “Best of 2020 – runner up” –Polygon “Our favorite books of 2020” –GeekDad Despite increasing restrictions on the freedoms of women on Earth, Valerie Black is spearheading the first all-female mission to a planet in the Goldilocks Zone, where conditions are just right for human habitation. It's humanity's last hope for survival, and Naomi, Valerie's surrogate daughter and the ship's botanist, has been waiting her whole life for an opportunity like this - to step out of Valerie's shadow and really make a difference. But when things start going wrong on the ship, Naomi begins to suspect that someone on board is concealing a terrible secret - and realizes time for life on Earth may be running out faster than they feared . . . "Goldilocks is a thrilling, character-driven space opera", perfect for readers of The Martian, The Power, and Station Eleven (Shelf Awareness).

Includes an excerpt from North of need / Laura A. Kaye.

Medieval images of the Virgin Mary for veneration usually showed a mother and child enthroned, bearing signs of regal authority. Yet modern images show her standing alone, without signs of authority or maternity. This work argues that this and other developments in the cult of the Virgin in western Christianity must be understood against the background of our changing relationship with "nature". The book offers a new assessment of the significance of the cult of the Virgin in Christianity. It also includes an original account of the development of the doctrine of the Immaculate Conception. The theorectical perspective is strongly influenced by the Critical Theory of the Frankfurt School, in its critique of domination.

This unique, cross-disciplinary volume encourages a new synthesis in the vibrant field of leadership studies. Comprising reflective conversations among scholars from different disciplines, the contributors explore common ground for new research and ideas. Beginning with chapters by noted experts in fields such as psychology, education and philosophy, the contributors present the key contributions from their disciplines. A final section provides an integration of the different disciplinary approaches. Through sustained critical interrogation and discussion, the goal is to discover to what extent ïleadership studiesÍ exists, or can exist, as a meaningful discipline. Taken as a whole, the book presents a vigorous and timely picture of the diversity of contemporary leadership studies. A must-read for serious scholars and students of leadership, this accessible and insightful book will be an exemplary foundational text for understanding the breadth and reach of interdisciplinary leadership studies.