A global pandemic has America under quarantine. In a run-down apartment building, with nowhere to go and nothing to do, five people-a philosopher, an academic, a filmmaker, a sculptor, and a philanthropist-come together, at first only for the pleasure of company. But then they find themselves in a ferocious debate about the obsessions that drive their lives and a ruthless quest to discover the secrets that brought them together. Their passions and betrayals play out against the dangerous backdrop of a state-enforced lockdown and a disease that can strike anyone at any time. The eventually explosive conflicts among these poor artists, underfed intellectuals, and desperate fanatics pose urgent questions of art and inequality, health and freedom, faith and power, love and death. The Quarantine of St. Sebastian House is at once a Platonic dialogue, a poem in prose, and a suspenseful story of mystery and romance: a fresh narrative for a new era.

Julia is an aspiring painter without money or direction, haunted by a strange family history. Mark is a successful architect who suddenly finds himself unemployed with a baby on the way. Alice is a well-known artist and museum curator disgraced when her last exhibit proved fatal. Running from their failures, this trio is drawn toward a strange new cult that seeks to obliterate the individual-and which may be the creation of a mysterious and dangerous avant-garde artist. John Pistelli unforgettably portrays three people desperate to lead meaningful lives as they confront the bizarre new institutions of a fraying America. A suspenseful and poetic novel in the visionary tradition of Don DeLillo, David Mitchell, Kazuo Ishiguro, and Jos� Saramago, PORTRAITS AND ASHES is a scorching picture of our troubled age.

A vivid recreation of how the governors and governed of early seventeenth-century Florence confronted, suffered, and survived a major epidemic of plague Plague remains the paradigm against which reactions to many epidemics are often judged. Here, John Henderson examines how a major city fought, suffered, and survived the impact of plague. Going beyond traditional oppositions between rich and poor, this book provides a nuanced and more compassionate interpretation of government policies in practice, by recreating the very human reactions and survival strategies of families and individuals. From the evocation of the overcrowded conditions in isolation hospitals to the splendor of religious processions, Henderson analyzes Florentine reactions within a wider European context to assess the effect of state policies on the city, street, and family. Writing in a vivid and approachable way, this book unearths the forgotten stories of doctors and administrators struggling to cope with the sick and dying, and of those who were left bereft and confused by the sudden loss of relatives.

This chilling true crime history reveals the story of a young woman in nineteenth century rural Ohio who poisoned her family for love. It was a cold and rainy day in Ohio’s Pleasant Valley in the spring of 1896, one that began like any other for the Rose family. What they didn’t know was that young Ceely Rose was brooding. She’d been told to forget her obsession with handsome Guy Berry. She’d been told about the danger of Rough-on-Rats poison. She’d heard about murdering those who stand in the way of love. By the time Ceely was done, her family would be dead and others threatened. Later, the place where these crimes took place became Malabar Farm, the estate of Pulitzer Prize–winning author and conservationist Louis Bromfield. In The Ceely Rose Murders at Malabar Farm, Ohio author and historian Mark Sebastian Jordan examines the story of the Poisoner of Pleasant Valley, and how it has resonated throughout the years.

Known as the "Father of Festival Sound," Bill Hanley (b. 1937) made his indelible mark as a sound engineer at the 1969 Woodstock Music and Arts Fair. Hanley is credited with creating the sound of Woodstock, which literally made the massive festival possible. Stories of his on-the-fly solutions resonate as legend among festivalgoers, music lovers, and sound engineers. Since the 1950s his passion for audio has changed the way audiences listen to and technicians approach quality live concert sound. John Kane examines Hanley’s echoing impact on the entire field of sound engineering, that crucial but often-overlooked carrier wave of contemporary music. Hanley’s innovations founded the sound reinforcement industry and launched a new area of technology, rich with clarity and intelligibility. By the early seventies the post-Woodstock festival mass gathering movement collapsed. The music industry shifted, and new sound companies surfaced. After huge financial losses and facing stiff competition, Hanley lost his hold on a business he helped create. By studying both his history during the festivals and his independent business ventures, Kane seeks to present an honest portrayal of Hanley and his acumen and contributions. Since 2011, Kane conducted extensive research, including over one hundred interviews with music legends from the production and performance side of the industry. These carefully selected respondents witnessed Hanley’s expertise at various events and venues like Lyndon B. Johnson’s second inauguration, the Newport Folk/Jazz Festivals, the Beatles' final tour of 1966, the Fillmore East, Madison Square Garden, and more. The Last Seat in the House will intrigue and inform anyone who cares about the modern music industry.