As a result of The Metropolitan Museum of Art's renewed excavations in Lisht, the Egyptian Department published The Pyramid of Senwosret I by Dieter Arnold in 1988, followed in 1990 by The Control Notes and Team Marks by Felix Arnold. The first volume examined the main pyramid and its related mortuary installations, while this third volume, The Pyramid Complex of Senwosret I by Dieter Arnold, discusses the monuments and objects found within the outer enclosure wall of the royal pyramid, mainly the nine subsidiary pyramids and other tombs belonging to members of the royal family and their households. Although the pyramids and their surrounding installations are much destroyed and the burials pillaged, it has been possible to reconstruct, to some degree, the architecture from these ruins. Such a reconstruction is particularly important, as no other pyramid enclosures of the Middle Kingdom, and very few of the Old Kingdom, have ever been so thoroughly excavated and published. The results of this enterprise provide an important contribution to our understanding of the structure and development of the royal funerary complexes of the Middle Kingdom.

Based on the Museum's records of excavations from 1906 to 1934 at the pyramid site of Lisht, revised and augmented by results of recent excavations (1985 to present). Further volumes are in preparation. -- Metropolitan Museum of Art website.

Based on the Museum's records of excavations from 1906 to 1934 at the pyramid site of Lisht, revised and augmented by results of recent excavations (1985 to present). -- Metropolitan Museum of Art website.

The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.

This volume documents twenty-six monumental tombs of the ancient Egyptian Twelfth Dynasty that were excavated by the Metropolitan Museum Egyptian Expedition from 1906 to 1934 and 1984 to 1991. Focusing on the study and reconstruction of the architecture of the tombs, the book also publishes remains of reliefs and inscriptions that decorated the walls. The author demonstrates the astonishing variety of Middle Kingdom funeral architecture. Whereas some of the Lisht structures relate closely to Old Kingdom mastabas, there is also a new group of freestanding chapels that are derived from contemporary deity temples and foreshadow the temple-tombs of later periods in Egyptian history. Also included is an appendix by James P. Allen on the biographical inscription in one of the tombs

This picture book features images of Ancient Egyptian Jewelry covering works from Pre-dynastic shell necklaces to intricately designed gold earrings of the Roman period. A brief introductory essay discusses the history of jewelry and the evolution of Ancient Egyptian jewelry craftsmanship.

With detailed illustrations and archival images, Egyptologist Wolfram Grajetzki describes and compares the opulent tombs of eminent and royal women from the late Middle Kingdom, shedding new light on how the gendered and social identities of these women were viewed in the court and preserved in the grave.

In Visualizing Coregency, Lisa Saladino Haney presents both a comprehensive accounting of the evidence for coregency during Egypt’s 12th Dynasty and a detailed analysis of the full corpus of royal statuary attributed to Senwosret III and Amenemhet III.

Most of the "wonders" of our ancient past have come down to us unencumbered by written information. In particular, this is the case of the Great Pyramid of Giza and of many other ancient Egyptian monuments. However, there is no doubt as to the interest of their builders in the celestial cycles: the "cosmic order" was indeed the true basis of the pharaoh's power. This book takes the reader on a chronological journey through ancient Egypt to explore the relationship between astronomy, landscape, and power during the most flourishing periods of ancient Egyptian civilization. Using the lens of archaeoastronomy, Giulio Magli reexamines the key monuments and turning points of Egyptian architecture and history, such as the solar deification of King Khufu, builder of the Great Pyramid, the Hatshepsut reign, and the Amarna revolution.