Examines the sexual attitudes of 17th- and 18th-century England. This work discusses how they have affected beliefs on a variety of issues. Drawing upon the insights of psychoanalysis, it shows that the Puritans called for a lifelong integration of sensuality, purity and constancy within marriage.

Richard Baxter (1615–1691) was arguably the greatest English Puritan of the seventeenth century. He is well known for his ministerial manual "The Reformed Pastor", in which he expressed the unusual conviction that parish ministers were better off unmarried. And yet, Baxter seemed to contradict himself by marrying one of his parishioners, Margaret Charlton. Though Baxter claimed to be happily married, he continued to champion celibacy for the rest of his life. This book explores Baxter's argument for clerical celibacy by placing it in the context of his life and the turbulent events of seventeenth-century England. His viewpoint was shaped by several factors, including the Puritan literature he read, the context of his parish ministry, his burdensome model of soul care, and the formative life experiences shaping his theology and perspective. These factors not only explain why Baxter became the only Puritan to champion clerical celibacy but also why he continued to do so even after marrying.

The history of sexuality has been the subject of increased interest in recent years and more widely acknowledged importance in the interpretation of past mentalités. Yet historians have only recently begun to study sexual practices in any depth, establishing that sexuality is not a biological constant but an ever-changing phenomenon, continuously shaped by people themselves. The contributors to this inter-disciplinary collection bring their expertise in ancient as well as medieval history, anthropology, modern history, and psychology to bear upon the history of sexuality. They explore various aspects of sexuality in successive periods: pederasty and lesbian love in antiquity, incest in the Middle Ages, sexual education during the Dutch Republic, voyeurism in the rococo, prostitution in Vienna around 1900, and the invention of sexology. From Sappho to De Sade, first published in 1989, offers an informative and entertaining collection of essays for students of cultural anthropology, social history and gender studies.

Christianity and Sexuality in the Early Modern World is the first global survey of such for the early modern period. Merry Wiesner-Hanks assesses the role of personal faith and the church itself in the control and expression of all aspects of sexuality. The book ranges over developments within Europe and beyond to the European colonies including Brazil, Mexico, South Africa and Goa, which were establishing themselves around the world. Christian missionaries and rituals and structures accompanied all of the imperial powers and the control of the sexuality of both indigenous peoples and colonists was an essential part of policy. The book is introduced with a clear, original and engaging account of the central concepts in the study of sexuality in Christianity, such as shame, sin, the body, marriage and gender. Drawing on diverse evidence including literary, medical and historical the following sections chart changes in Western Christianity in the Late Middle Ages, Protestantism and Catholicism in Europe, Orthodoxy in Eastern Europe and Russia, and finally the Spanish, Portuguese, English and Dutch Colonies. Merry Wiesner-Hanks exciting book covers both the ideas and effects in each period. Christianity and Sexuality in the early Modern World includes discursive bibliographies which discuss major books and articles at the end of each chapter.

An evaluation of the intellectual legacy in England of the ideas of Jacob Boehme (1575-1624).

"The Trauma of Gender is a wonderfully crafted text, provocative, insightful, and imaginative. Moglen not only shows us how to read the intrapsychic processes at work in fiction, but offers a careful consideration of the social form that loss, mourning, and desire take in the fictions she considers. Along the way, she develops a nuanced account of the origin of the novel, showing her readers in subtle ways how the beginnings of fiction and the beginnings of fantasy are interwoven. Her text exemplifies psychoanalytic literary criticism at its best, offering a fine and probing study of the social and psychic dimensions of literary works."—Judith Butler, author of Gender Trouble "These extremely powerful and authoritative new readings of important canonical texts will set a new standard for discussions of the novel as a genre. Moglen's work as an interpreter of literary texts and of psychoanalytic theories is superior, and her muscular writing style is well-suited to the pleasurably pessimistic bent of her critical mind."—Lisa L. Moore, author of Dangerous Intimacies: Toward a Sapphic History of the British Novel "In this lucid and perceptive study, Helene Moglen looks steadily at the shadow side of canonical eighteenth-century fiction and sees the psychic costs of waxing individualism. The book is an excellent corrective to the view that the novel is a triumphant expression of bourgeois values."—Catherine Gallagher, author of Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820

This book is about the multiple loves of Paradise Lost and Paradise Regained: sanctioned loves and outlawed loves, sincere loves and false loves, Christian loves, classical loves, humanist loves, and love as emotion. In showing how these loves motivate the most significant actions of the Paradise epics, it reveals Milton to have made creative use of the tensions between philosophical ideals, social conventions, and the rather messier ways in which love emerges in practice. Love, so central to Milton’s view of Edenic joy and obedience to God, unsettles earthly and heavenly communities and is the origin of Miltonic transgression. Milton’s Loves sheds new light on some of the most prominent concerns of Milton scholarship, including why Milton’s God is so difficult for readers to connect to, Satan’s apparent heroism, Milton’s radical theology, and the nature of Milton’s muse. It is a book that will appeal to students and scholars of Milton and early modern studies more broadly and is structured in a way that will aid easy reference.

How should we live? That question was no less urgent for English men and women who lived between the early sixteenth and late eighteenth centuries than for this book's readers. Keith Thomas's masterly exploration of the ways in which people sought to lead fulfilling lives in those centuries between the beginning of the Reformation and the heyday of the Enlightenment illuminates the central values of the period, while casting incidental light on some of the perennial problems of human existence. Consideration of the origins of the modern ideal of human fulfilment and of obstacles to its realization in the early modern period frames an investigation that ranges from work, wealth, and possessions to the pleasures of friendship, family, and sociability. The cult of military prowess, the pursuit of honour and reputation, the nature of religious belief and scepticism, and the desire to be posthumously remembered are all drawn into the discussion, and the views and practices of ordinary people are measured against the opinions of the leading philosophers and theologians of the time. The Ends of Life offers a fresh approach to the history of early modern England, by one of the foremost historians of our time. It also provides modern readers with much food for thought on the problem of how we should live and what goals in life we should pursue.

This work defends two main theses. First, modern Western pornographic fiction functions as a self-deceptive vehicle for sexual or blood-lustful arousal; and second, that its emergence owes as much to Puritan Protestantism and its inner- or this-worldly asceticism as does the emergence of modern rationalized capitalism.

The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles. That the choice among suitors ideally depended on love and should not be decided on any other grounds was a principal theme among a group of heroine-centered novels published between 1740 and 1820. During these decades, some two dozen writers, most of them women, published such courtship novels. Specifically aiming them at young women readers, these novelists took as their common purpose the disruption of established ideas about how dutiful daughters and prudent young women should comport themselves during courtship. Reading a wide range of primary texts, Green argues that the courtship novel was a feminized genre—written about, by, and for women. She challenges contemporary readers to appreciate the subtleties of early feminism in novels by Eliza Haywood, Mary Collyer, Charlotte Lennox, Samuel Richardson, Frances Brooke, Fanny Burney, Mary Wollstonecraft, Jane West, Mary Brunton, Maria Edgeworth, and Jane Austen—to recognize that these courtship novelists held in common a desire to reimagine the subject positions through which women understood themselves.