“You will marry the very next man who walks in that door.” As the only princess of a prosperous kingdom, I have wanted for nothing—and refused all suitors. What real man is worthy of my interest, when I secretly pen tales of handsome lords and beautiful brooding counts? But now my father has gathered up every eligible royal bachelor in all the realm. And it’s just as I suspected, not one to capture my fancy—especially King Brennus of the Wood Elves, who looks like a bandit and has the accent of a man born in a barn. I’d rather be on my own forever. I refuse them all. The last thing I expected was for my mild-mannered father to insist, in a fit of anger, that I marry the next man who walks in the door, even if he’s a peasant…and what do you know? “No, lass. I won’t let you starve. But you won’t exactly be free either. And just remember, any time you like, you can stop me. All you have to do is work or beg.” My new husband looks like a laborer and lives in a little cabin in the forest, but something tells me he’s not what he seems. He says he means to teach me humility in the form of honest work, making stew and scrubbing floors. But somehow or other, he knows all my secrets, all the deepest desires of my heart, and there is no one in the forest to hear me beg him for mercy...except the wolvenfolk who howl in the forest at night. They haven’t made any trouble in fifty years, but when the wolves are at the door, I don’t know if a peasant can save me… The Beggar Princess is a retelling of the Brothers Grimm's King Thrushbeard, a standalone fairy tale romance for those who like unabashedly adorable happily ever afters with a side of serious steaminess!

A sad princess finds happiness after marrying a beggar.

This vivid portrait of France on the eve of the Revolution is also a touching tale of two friends torn apart by class and the powerful political force of democratic freedom.

Twenty-nine tales from the folklore of Turkey, India, Denmark, Armenia, and the Sudan.

The second novel in an enchanting historical romance trilogy about three princesses brought together by friendship and fate. This is Princess Mercedes’s story… While journeying home from Scotland, Princess Mercedes of Alden’s coach is set upon and her personal guard killed. Barely escaping with her life, she seeks help at a nearby inn. But with no money and looking little better than a beggar, the townsfolk think her claims of being a princess to be nothing more than a far-fetched tale. Utterly forsaken, Mercedes wonders what is to become of her. After years of soldiering, dispossessed Laird Daniel MacKinnon is finally coming home. At an inn he is confronted by a bedraggled young woman claiming to be of royal blood. Daniel doesn’t believe her wild tale, but when she asks for his protection, he agrees to serve as her bodyguard—in turn she promises to reward him handsomely once they reach London. But Mercedes is still being pursued by ruthless hunters whose motives remain unclear. As the danger increases, so does the desire she and Daniel feel for each other, until the two of them must face the greatest danger of all—falling in love.

Turandot grew even more beautiful, but her heart was like ice.

As interest in folklore increases, the folktale acquires greater significance for students and teachers of literature. The material is massive and scattered; thus, few students or teachers have accessibility to other than small segments or singular tales or material they find buried in archives. Stith Thompson has divided his book into four sections which permit both the novice and the teacher to examine oral tradition and its manifestation in folklore. The introductory section discusses the nature and forms of the folktale. A comprehensive second part traces the folktale geographically from Ireland to India, giving culturally diverse examples of the forms presented in the first part. The examples are followed by the analysis of several themes in such tales from North American Indian cultures. The concluding section treats theories of the folktale, the collection and classification of folk narrative, and then analyzes the living folklore process. This work will appeal to students of the sociology of literature, professors of comparative literature, and general readers interested in folklore.

The first volume in the atmospheric and suspenseful Inspector Ramirez series In beautiful, crumbling Old Havana, Canadian detective Mike Ellis hopes the sun and sand will help save his troubled marriage. He doesn’t yet know that it’s dead in the water—much like the little Cuban boy last seen begging the Canadian couple for a few pesos on the world famous Malecon. For Inspector Ricardo Ramirez, head of the Major Crimes Unit of the Cuban National Revolutionary Police, finding his prime suspect isn’t a problem—Cuban law is. He has only seventy-two hours to secure an indictment and prevent a vicious killer from leaving the island. But Ramirez also has his own troubles to worry about. He’s dying of the same dementia that killed his grandmother, an incurable disease that makes him see the ghosts of victims of unsolved murders. As he races against time, the dead haunt his every step...

A rare discovery in the world of fairy tales—now for the first time in English Move over, Cinderella: Make way for the Turnip Princess! And for the “Cinderfellas” in these stories, which turn our understanding of gender in fairy tales on its head. With this volume, the holy trinity of fairy tales—the Brothers Grimm, Charles Perrault, and Hans Christian Andersen—becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost—until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive. Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.