AN NYRB CLASSICS ORIGINAL Virginia Woolf called Max Beerbohm “the prince” of essayists, F. W. Dupee praised his “whim of iron” and “cleverness amounting to genius,” while Beerbohm himself noted that “only the insane take themselves quite seriously.” From his precocious debut as a dandy in 1890s Oxford until he put his pen aside in the aftermath of World War II, Beerbohm was recognized as an incomparable observer of modern life and an essayist whose voice was always and only his own. Here Phillip Lopate, one of the finest essayists of our day, has selected the finest of Beerbohm’s essays. Whether writing about the vogue for Russian writers, laughter and philosophy, dandies, or George Bernard Shaw, Beerbohm is as unpredictable as he is unfailingly witty and wise. As Lopate writes, “Today . . . it becomes all the more necessary to ponder how Beerbohm performed the delicate operation of displaying so much personality without lapsing into sticky confession.”

AN NYRB CLASSICS ORIGINAL Virginia Woolf called Max Beerbohm “the prince” of essayists, F. W. Dupee praised his “whim of iron” and “cleverness amounting to genius,” while Beerbohm himself noted that “only the insane take themselves quite seriously.” From his precocious debut as a dandy in 1890s Oxford until he put his pen aside in the aftermath of World War II, Beerbohm was recognized as an incomparable observer of modern life and an essayist whose voice was always and only his own. Here Phillip Lopate, one of the finest essayists of our day, has selected the finest of Beerbohm’s essays. Whether writing about the vogue for Russian writers, laughter and philosophy, dandies, or George Bernard Shaw, Beerbohm is as unpredictable as he is unfailingly witty and wise. As Lopate writes, “Today . . . it becomes all the more necessary to ponder how Beerbohm performed the delicate operation of displaying so much personality without lapsing into sticky confession.”

Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.

Zuleika Dobson, or, an Oxford love story, is the only novel by English essayist Max Beerbohm, a satire of undergraduate life at Oxford published in 1911. It includes the famous line "Death cancels all engagements" and presents a corrosive view of Edwardian Oxford. The all-male campus of Oxford—Beerbohm’s alma mater—is a place where aesthetics holds sway above all else, and where witty intellectuals reign. Things haven’t changed for its privileged student body for years . . . until the beguiling music-hall prestidigitator Zuleika Dobson shows up. The book’s marvelous prose dances along the line between reality and the absurd as students and dons alike fall at Zuleika’s feet, and she cuts a wide swath across the campus—until she encounters one young aristocrat for whom she is astonished to find she has feelings. As Zuleika, and her creator, zero in on their targets, the book takes some surprising and dark twists on its way to a truly startling ending—an ending so striking that readers will understand why Virginia Woolf said that “Mr. Beerbohm in his way is perfect.” In 1998, the Modern Library ranked Zuleika Dobson 59th on its list of the 100 best English-language novels of the 20th century.

A hilarious story of one man’s obsession and a brilliant reckoning of a nation’s cultural confusion—from a master Japanese novelist. When twenty-eight-year-old Joji first lays eyes upon the teenage waitress Naomi, he is instantly smitten by her exotic, almost Western appearance. Determined to transform her into the perfect wife and to whisk her away from the seamy underbelly of post-World War I Tokyo, Joji adopts and ultimately marries Naomi, paying for English and music lessons that promise to mold her into his ideal companion. But as she grows older, Joji discovers that Naomi is far from the naïve girl of his fantasies. And, in Tanizaki’s masterpiece of lurid obsession, passion quickly descends into comically helpless masochism.

"Splendidly entertaining."—Kirkus Reviews ★ "A delightfully quirky story with nuance, depth, and a colorful cast of characters, this book begs for multiple readings." —School Library Journal (starred) ★ "Like a middle-grade version of Terry Pratchett's Discworld—fantasy adventure steeped in humor, with a touch of satire, and set in a whimsical secondary world of the highest order." —Booklist (starred) "The tale crescendos to an uplifting close that promotes honesty, bravery, and self-confidence." —Publishers Weekly Twelve-year-old Esther Mettlestone-Staranise loves reading books and writing stories but is troubled by low self-esteem and recurring bad dreams. When she starts the year at boarding school in earnest, she quickly notices something isn't quite right. Her two best friends are mysteriously missing. There are rumors her new teacher is secretly an actual ogre. And the scenic mountains of her quaint little town are teeming with Shadow Mages and danger. As secrets and dangers escalate, Esther must find the answers to several puzzles. Why is her teacher behaving so oddly? Which of Esther's classmates is the Spellbinder, and can they really protect the school from gathering hordes of Shadow Mages? Could the Stolen Prince of Cloudburst be connected? How can Esther – who is not talented like her sisters, nor an adventurer like her cousin, but just Esther – save her family, her school and possibly her entire world?

The piercing, iconic semi-autobiographical novel of a domineering father and ambitious son, from the #1 New York Times bestselling author of The Prince of Tides Step into the powerhouse life of Bull Meecham. He’s all Marine—fighter pilot, king of the clouds, and absolute ruler of his family. Lillian is his wife—beautiful, southern-bred, with a core of velvet steel. Without her cool head, her kids would be in real trouble. Ben is the oldest, a born athlete whose best never satisfies the big man. Ben’s got to stand up, even fight back, against a father who doesn’t give in—not to his men, not to his wife, and certainly not to his son. Bull Meecham is undoubtedly Pat Conroy’s most explosive character—a man you should hate, but a man you will love. Praise for The Great Santini “Stinging authenticity . . . a book that won’t quit.”—The Atlanta Journal “[Pat] Conroy has captured a different slice of America in this funny, dramatic novel.”—Richmond News-Leader “Conroy takes aim at our darkest emotions, lets the arrow fly and hits the bull’s-eye almost every time.”—Milwaukee Journal Sentinel “Robust and vivid . . . full of feeling.”—Newsday “God preserve Pat Conroy.”—The Boston Globe