The Prince and the Pauper, Part 8., a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

A prince and a peasant temporarily switch lives, only to find themselves in a race against the clock to return the rightful heir to the throne and save the Kingdom from an evil plot.

The Prince and the Pauper, Part 4., a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

The Prince and the Pauper is a novel by American author Mark Twain. It was first published in 1881 in Canada, before its 1882 publication in the United States.The novel represents Twain's first attempt at historical fiction. Set in 1537 it tells the story of two young boys who were born on the same day and are identical in appearance. Tom Canty a pauper who lives with his abusive alcoholic father in Offal Court off Pudding Lane in London and Edward VI of England son of Henry VIII of England.

Pignatius was passing the palace one day, when he saw ten fresh buns left to cool on a tray... Sneaking into the palace, looking for more treats, Pignatius tries on a wig and some clothes and the servants mistake him for the real prince! Of course the rein of this porky impostor can't last long, but when the actual prince returns, he saves Pignatius's bacon. It turns out that he's always wanted a double to deal with a particularly frightening dragon... his Aunt Alice!

New York Times Bestseller! A School Library Journal Best Book of the Year A never-before-published, previously unfinished Mark Twain children’s story is brought to life by Philip and Erin Stead, creators of the Caldecott Medal-winning A Sick Day for Amos McGee. In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work. Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature. A Bank Street College of Education Best Children's Book of the Year "Will capture the imaginations of readers of all ages"—USA Today, ★ ★ ★ ★ (out of four stars) ★ "Samuel Langhorne Clemens himself would be proud."—Booklist, starred review ★ "A cast of eccentric characters, celestially fine writing, and a crusade against pomp that doesn't sacrifice humor."—Publishers Weekly, starred review ★ "Completing a story penned by arguably America's greatest author is no easy feat, but the Caldecott-winning author-illustrator (and husband-wife) team proves more than equal to the task. . . . A pensive and whimsical work that Twain would applaud."—Kirkus, starred review ★ "The combination of Twain’s (often sarcastic) humor and “lessons of life,” a touch of allegory, and Stead’s own storytelling skills result in an awesome piece of fantasy."—School Library Journal, starred review ★ "Beautifully understated and nuanced illustrations by Erin Stead add the finishing flourishes to this remarkable work."—Shelf Awareness, starred review “drawn with a graceful crosshatched intelligence that seems close to the best of Wyeth.”—Adam Gopnik, The New York Times "Twain and the two Steads have created what could become a read-aloud classic, perfect for families to enjoy together."—The Horn Book "Artful and meta and elegant”—The Wall Street Journal "Should inspire readers young and old to seek further adventures with Twain."—The Washington Post

(Vocal Selections). 10 selections from the musical based on Mark Twain's classic story of two boys who change places and change the destiny of a nation. Songs include: Almost Home * If I Were You * Is This Love? * The King of Offal Court * London Bridge * Lonely * My Father Was Right * Simple Boy * Thrill of Adventure * Twilight.

"What am I writing? A historical tale of 300 years ago, simply for the love of it." Mark Twain’s "tale" became his first historical novel, The Prince and the Pauper, published in 1881. Intricately plotted, it was intended to have the feel of history even though it was only the stuff of legend. In sixteenth-century England, young Prince Edward (son of Henry VIII) and Tom Canty, a pauper boy who looks exactly like him, are suddenly forced to change places. The prince endures "rags & hardships" while the pauper suffers the "horrible miseries of princedom." Mark Twain called his book a "tale for young people of all ages," and it has become a classic of American literature. The first edition in 1881 was fully illustrated by Frank Merrill, John Harley, and L. S. Ipsen. The boys in these illustrations, Mark Twain said, "look and dress exactly as I used to see them cast in my mind. . . . It is a vast pleasure to see them cast in the flesh, so to speak." This Mark Twain Library edition exactly reproduces the text of the California scholarly edition, including all of the 192 illustrations that so pleased the author.