Millions of immigrants were attracted to the Canadian West by promotional literature from the government in the late 19th century to the First World War bringing with them visions of opportunity to create a Utopian society or a chance to take control of their own destinies.

Despite the fact that fighting weeds was of paramount importance to the agricultural development of Canada, there has scarcely been any research on understanding the origins and history of these lowly plants. The War on Weeds in the Prairie West is the first full-blown environmental history of weeds in western Canada.

Prairie Fairies draws upon a wealth of oral, archival, and cultural histories to recover the experiences of queer urban and rural people in the prairies. Focusing on five major urban centres, Winnipeg, Saskatoon, Regina, Edmonton, and Calgary, Prairie Fairies explores the regional experiences and activism of queer men and women by looking at the community centres, newsletters, magazines, and organizations that they created from 1930 to 1985.? Challenging the preconceived narratives of queer history, Valerie J. Korinek argues that the LGBTTQ community has a long history in the prairie west, and that its history, previously marginalized or omitted, deserves attention. Korinek pays tribute to the prairie activists and actors who were responsible for creating spaces for socializing, politicizing, and organizing this community, both in cities and rural areas. Far from the stereotype of the isolated, insular Canadian prairies of small towns and farming communities populated by faithful farm families, Prairie Fairies historicizes the transformation of prairie cities, and ultimately the region itself, into a predominantly urban and diverse place.

This second volume in the Illustrated History of Canada series relates the eventful, occasionally violent history of the three "prairie" provinces (Manitoba, Saskatchewan, and Alberta). Covering exploration as well as economic, political, and social history, it presents a detailed account of the region's importance in Canadian history.

While cities like Winnipeg, Minneapolis, Saskatoon, Rapid City, Edmonton, Missoula, Regina, and Tulsa are places where Indigenous marginalization has been most acute, they have also long been sites of Indigenous placemaking and resistance to settler colonialism. Although such cities have been denigrated as “ordinary” or banal in the broader urban literature, they are exceptional sites to study Indigenous resurgence. T​he urban centres of the continental plains have featured Indigenous housing and food co-operatives, social service agencies, and schools. The American Indian Movement initially developed in Minneapolis in 1968, and Idle No More emerged in Saskatoon in 2013. The editors and authors of Settler City Limits, both Indigenous and settler, address urban struggles involving Anishinaabek, Cree, Creek, Dakota, Flathead, Lakota, and Métis peoples. Collectively, these studies showcase how Indigenous people in the city resist ongoing processes of colonial dispossession and create spaces for themselves and their families. Working at intersections of Indigenous studies, settler colonial studies, urban studies, geography, and sociology, this book examines how the historical and political conditions of settler colonialism have shaped urban development in the Canadian Prairies and American Plains. Settler City Limits frames cities as Indigenous spaces and places, both in terms of the historical geographies of the regions in which they are embedded, and with respect to ongoing struggles for land, life, and self-determination.

This collection of 35 readings on Canadian prairie history includes overview interpretation and current research on topics such as the fur trade, native peoples, ethnic groups, status of women, urban and rural society, the Great Depression and literature and art.

Death on the Prairie is a sweeping narrative history of the Indian wars on the western plains that never loses sight of the individual actors. Beginning with the Minnesota Sioux Uprising in 1862, Paul I. Wellman shifts to conflicts in present-day Wyoming, Montana, Idaho, Oklahoma, the Texas Panhandle, and South Dakota, involving, most spectacularly, the Sioux, but also the Cheyennes, Arapahos, Comanches, Kiowas, Utes, and Nez Perces—all being ezed out of their hunting grounds by white settlers. There is never a quiet page as Wellman describes the Sand Creek Massacre (1864), the Fetterman Massacre (1866), the Battle of the Washita (1868), the Battle of Adobe Walls (1874), the Battle of the Little Big Horn (1876), the Nez Perce War (1877), the Meeker Massacre (1879), and the tragedy at wounded Knee (1890) that ended the fighting on the plains. Celebrated chiefs (Red Cloud, Crazy Horse, Black Kettle, Satanta, Joseph, Ouray, Sitting Bull) clash with army officers (notably Custer, Sheridan, Miles, and Crook), and uncounted men, women, and children on both sides are cast in roles of fatal consequence.

"A study of popular representations of women and the creation of hierarchies of race and gender in the Canadian Prairies in the late 1800s, Capturing Women fits into a growing body of literature on the question of women, race, and imperialism. Sarah Carter argues that images of Native and European women were created and manipulated to establish boundaries between Native peoples and white settlers and to justify repressive measures against the Native population." --

Follows the development of a rural Illinois community from its origins near the beginning of the nineteenth century, looks at community activity, and tells the stories of ordinary pioneers