In ways that are highly individual, says Harris, yet still within a shared oral tradition, Zora Neale Hurston, Gloria Naylor, and Randall Kenan skillfully use storytelling techniques to define their audiences, reach out and draw them in, and fill them with anticipation. Considering how such dynamics come into play in Hurston's Mules and Men, Naylor's Mama Day, and Kenan's Let the Dead Bury Their Dead, Harris shows how the "power of the porch" resides in readers as well, who, in giving themselves over to a story, confer it on the writer. Against this background of give and take, anticipation and fulfillment, Harris considers Zora Neale Hurston's special challenges as a black woman writer in the thirties, and how her various roles as an anthropologist, folklorist, and novelist intermingle in her work. In Gloria Naylor's writing, Harris finds particularly satisfying themes and characters. A New York native, Naylor came to a knowledge of the South through her parents and during her stay on the Sea Islands she wrote Mama Day. A southerner by birth, Randall Kenan is particularly adept in getting his readers to accept aspects of African American culture that their rational minds might have wanted to reject. Although Kenan is set apart from Hurston and Naylor by his alliances with a new generation of writers intent upon broaching certain taboo subjects (in his case gay life in small southern towns), Kenan's Tims Creek is as rife with the otherworldly and the fantastic as Hurston's New Orleans and Naylor's Willow Springs.

Come with us for a moment out onto the porch. Just like that, we’ve entered another world without leaving home. In this liminal space, an endless array of absorbing philosophical questions arises: What does it mean to be in a place? How does one place teach us about the world and ourselves? What do we—and the things we’ve built—mean in this world? In a time when reflections on the nature of society and individual endurance are so paramount, Charlie Hailey’s latest book is both a mental tonic and a welcome provocation. Solidly grounded in ideas, ecology, and architecture, The Porch takes us on a journey along the edges of nature where the outside comes in, hosts meet guests, and imagination runs wild. Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand. As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.

“This quiet novel sings. A graceful profound story for all ages that speaks well beyond its intended audience.” —Kirkus (starred review) Fans of Newbery Medal winner Sharon Creech's Ruby Holler will love this tween novel about opening your heart and finding family when you least expect it. When a young couple finds a boy asleep on their porch, their lives take a surprising turn. Unable to speak, the boy, Jacob, can't explain his history. All John and Marta know is that they have been chosen to care for him. And as their connection and friendship with Jacob grow, they embrace his exuberant spirit and talents. The three of them blossom into an unlikely family and begin to see the world in brand-new ways.

Filled with charming and evocative details, this is both a moving account of a middle-aged man's belated coming-of-age and a classic growing-up story for the Baby Boom generation. At turns hilarious and bittersweet, this novel is destined to be a bookshelf classic.

"An on-the-ground history of ordinary Americans who took to the streets when political issues became personal. It is widely believed that Americans of the 1970s and '80s were exhausted by the upheavals of the '60s and eager to retreat to the private realm. When they did take action, it was mainly to express their disillusionment with government by supporting the right. In fact, as Michael Stewart Foley shows, neither of these assumptions is correct. On the community level, the 1970s and '80s saw vibrant new forms of political activity emerge. Tenants challenged landlords, farmers practiced civil disobedience to protect their land, and laid-off workers asserted a right to own their idled factories. Activists fought to defend the traditional family or to expand the rights of women, while entire towns organized to protest the toxic sludge in their basements. In all these arenas, Americans were propelled by their own experiences into the public sphere. Disregarding conventional ideas of "left" and "right," they turned to political action when they perceived an immediate threat to the safety and security of their families, homes, or dreams. Front Porch Politics is a people's history told through on-the-ground experiences. Recalling crusades famous and forgotten, Foley shows how Americans followed their outrage into the streets. Their distinctive style of visceral, local, and highly personal activism remains a vital resource for the renewal of American democracy"--

"At 3:55 pm, I believed there was a Heaven-at 4:15 pm I knew." This is the story of one man’s struggle to be alive again after an accident claims the life of his friend and nearly his own. After spending a few moments on Heaven’s front porch with God, he is thrust back into his old life. In the months that follow, he struggles to find purpose and meaning in the day to day activities of life. In his quest, he uncovers five principles necessary to move him from just living again...to being fully alive! This inspirational story will grab your attention and hold it to the end as it teaches you foundational principles to living a life fulfilled.

New York Times bestselling author Dorothea Benton Frank is back home in the Carolina lowcountry, spinning a tale that brims with the warmth, charm, heart, and humor that has become her trademark. Porch Lights is a stirring, emotionally rich multigenerational story—a poignant tale of life, love, and transformation—as a nurse, returning to Sullivans Island from the Afghanistan War, finds her life has been irrevocably altered by tragedy…and now must rediscover love and purpose with the help of her son and aging mother. An evocative visit to enchanting Sullivans Island with its unique pluff mud beaches, palmetto trees, and colorful local lore—a novel filled with unforgettable characters, and enlivened by tales of the notorious Blackbeard and his bloodthirsty pirate crew and eerie Edgar Allan Poe stories—Porch Lights stands tall among the very best works of not only Dottie Frank, but Anne Rivers Siddons, Rebecca Wells, Pat Conroy, and other masters of the modern Southern novel as well.

In the twenty years since this book was first published, our nation's communities - from urban centers to rural and small communities dotting our landscape - have had their foundations rocked to the core. Yet, despite the economic, social, and cultural challenges they have experienced, communities all across our country are showing their resilience by reinventing themselves. This is especially true for many of rural and small communities whose persistence and self-determination show the same creativity, the same grit, the same shared values that brought them into existence. One of the ways these communities are doing this is by engaging in community making through the arts. The arts invite us to tell our story and listen to the story of others. As we work together and celebrate our community creativity, the arts bring people of all ages, genders, races, religions, and economic backgrounds together for the common good of reconnecting with each other and celebrating who we are as individuals and communities. Community arts provide a new gathering place, a cultural and spiritual touchstone that is a source of community revitalization and neighborhood revival. I believe our rural and small communities are creating the map our nation is searching for that will help us navigate the challenges awaiting all of us as we work together rebuilding the front porch of America.

In the evening the residents of Church Street gather on Miss Ida's porch to share memories and hear stories about events in the past, events significant to them as black people.

Time. Solomon is running out of it. A broken and forgotten man fighting the demons of dementia, he longs for the past when both he and his beloved military town of Ginger Ridge once thrived. When his stooped body collides with the hardened realities of the present, Solomon lies in a coma as an unidentifiable victim of a hit-and-run accident in a faraway city. With nothing to keep him going but flashbacks of relationships from his past, Solomon has no idea what a difference he will make on the future ...