Take a journey into the strange and magical land known as the Mea Culpa Valley; an area with a long and proud history of profound weirdness and insanity. The residents of a small chunk of squalor known as Timbrook are visited by a quirky knight on a quest, and inadvertently become swept up in a hysterical adventure like none ever before witnessed. Excitement! Laughs! Mayhem! Romance! Intrigue!

While writing this story, I will be as truthful and honest as possible in describing my thoughts and actions immediately prior to being admitted to the hospital. It was at this time that I completely lost all sense of reality and started to live in the world of my thoughts, where I create my own reality. I will include notes from hospitals, so-called epicrisis (a critical or analytical summing up especially of a medical case history), and comments from friends and relatives. It all began in January 2006, ten years ago. At that point, I had successfully finished my education at Riga City Pavnieku Gymnasium and was studying political science at the University of Latvia. After the first year in university, I had the opportunity to go to Denmark and study European democracy and politics at Folkehojskole. As the programme was relevant to my studies at university, my tutors agreed, and I would be able to continue in my group when I returned. I thought I was going to continue with my coursework from Latvia while in Denmark, but I realised that they were two different, unrelated courses. Returning to Latvia, I soon realised I was not ready to take the ongoing examinations; and although my group mate had regularly sent me course notes, I did not bother to study or pay attention. I remember very clearly that day when I had to go to university, but I chose the easiest option and stayed at home. I thought I could take a year out from university, relax, enjoy my life, and teach children dancing. Unfortunately, this did not happen.

The ethnography of the Wolayta people of southern Ethiopia by Eike Haberland goes back to his research in Wolayta in the years 1954/55, 1967, and 1970/71. Following his research, Haberland wrote the present work, which he did not publish. It is a classic ethnography divided into the following chapters: Sacred kingship, myths of state, court culture and administration, law and justice, the meritorious complex, feasts and rituals, crops, economy and folkloric material. The ethnography is illustrated by historical photographs from the archives of the Frobenius Institute.

Victor Gregg, born in 1919, has had a rich and fascinating life. King's Cross Kid follows his London childhood from the age of five, when life was so hard that the Salvation Army arranged for young Vic to be taken to the Shaftesbury Home for Destitute Children. Home again a year later, the scallywag years of late childhood began. Then, after the years of street gangs and run-ins with the law, Vic leaves school at fourteen and his real adventures start, and with them a working-class apprenticeship in survival. Ending with his enlistment in the army on the day of his eighteenth birthday, this prequel to the bestselling Rifleman will appeal to the many readers who were charmed by Victor Gregg's engaging, honest and warm voice.

A story of love, honor, and courage. You would think the life of a prince would be great, but for the crown prince of Brinley that’s far from the truth. The only others near his age in the palace are children of the servants who all tease him for having no name. When he goes into the military he must conceal his identity but finally gains some friends. When he is sent to deliver a message to the overthrown tyrant King Burkhart he falls in love with the one woman he knows he can’t have. Aurita knows everyone hates her and her father but everyone is forbidden to tell her why. What she does know is that for her and her father the village is their prison and to leave seals their deaths. King Langward controls their lives including who she will marry when she is of age but he is kind to her. When King Langward’s son sends her a gift her father teaches her to read and write so she can send him a note to thank him. They begin to exchange letters. As the years pass she looks forward to the letters she gets from the prince but doesn’t dare admit she has fallen in love with him. When she meets the handsome corporal sent to deliver a message to her father her heart is torn between him and the prince. Blood of Ancient Kings won an award for Young Adult Fiction in the DIY Book Festival.

A collection of fifty-six of the most popular and beloved Buddhist stories of all time, from Burlingame's classic translation of the background stories to the Dhammapada Commentary. Suitable for adults and young readers of age 14 and over.

She was originally an unfavoured Third Miss in the Minister Palace, and she was forced to death. He was a handsome, lofty prince. Ten years ago, she had pulled his pants off and kicked him into the lake. Ten years later, she, who had been reborn, had returned blood-soaked. She was determined to wash away her past shame and avenge her mother. However, she did not want to meet him again, and thus was pestered by him. He treated her like a treasure in his palm, but she desperately wanted to escape until she had nowhere to run. Thus, she simply turned around and directly threw him onto the ground. Why, on the night of the wedding, he smiled with eyes as black as ink. He looked at her and asked, "My wife, ten years ago, the one who kicked I into the lake was you, right?" When she met him, it was as if they had met each other, and she had already defeated countless others in the human world. It was a one on one duel between strong men and strong women. If they were to join hands, they could guarantee that they would not fall into the trap.

In his previous life, the Gu Clan had overflowing authority. Because she was the daughter of the Gu Clan, that man had married her and obtained the position of crown prince that he had yearned for in his dreams. As for the Gu family, they had been framed as traitors, and all 192 heads of their family had been beheaded. Unbearably humiliated, she returned to the day of her wedding. ......

It is rumored that Mr King is ruthless,a murder and a King. Everyone kneels and bows when they see him! It is rumored that there is a snake den in Mr King’s house which is full of skeletons! Rumor has it that Mr King’s married little bride has run away! ! ! Mr King was so furious that he want to destroy the world,and everyone was in danger... However, Seeing her again, Mr King smirked and handcuffed the little bride and held her in bridal style directly to the bed, "If you run away once more, I will broke your legs." The little bride trembled, her eyes wet. Then Mr King heart’s softened and he directly pressed a kiss on her lip!

Celtic mythology is a rich and intricate diverse world, a captivating realm where deities and humans interact amidst mystical environments and celestial conflicts. Rooted predominantly in the ancient cultures of Ireland and Wales, this mythology serves as a compendium of stories, a cultural and spiritual mirror reflecting the Celtic people's values, traditions, and laws. By delving into the extensive range of Celtic myths, particularly the mythological, Ulster, and Fenian cycles in Ireland and the Mabinogion in Wales, we can uncover the profound influence these myths have had on European literary and cultural development. The primary method of transmitting these stories was oral, posing a significant challenge to studying Celtic myths. The religious perspectives of the scribes, particularly Christian monks, have left a significant imprint on these texts, but they remain crucial for our understanding. Irish literature draws from significant sources such as 'The Book of Invasions' and 'The Book of Leinster,' while Welsh literature relies on an important source known as 'Mabinogion.' Roman historians provide additional external narratives that contribute to understanding the Celts in a wider context of ancient European history. Unravelling these sources requires a nuanced approach to differentiate the authentic pagan elements from the Christian additions. The Celtic pantheon features diverse deities who govern various aspects of existence and the natural realm. In Irish mythology, the Dagda embodies paternal dominion and jurisdiction over the cycles of life and death, whereas Morrigan signifies the supremacy and inevitability of warfare. According to Welsh mythology, Arawn is the sovereign of the Otherworld, and Bran the Blessed is a colossal king with deep ties to the land and its well-being. The Celts' gods frequently engage with humans, often directly intervening in their destinies, highlighting the Celts' perception of the cosmos as a profoundly interconnected domain. The Mythological Cycle in Ireland narrates the tales of ancient deities and their conflicts, including the Tuatha Dé Danann, celestial beings who eventually assimilate into Irish civilisation as the forefathers of the contemporary Irish people after being conquered by the Milesians. The purpose of this cycle is twofold: to document Ireland's legendary history and to assert a divine entitlement to the land and its governance.