A modern Irish classic about the irrepressible Tailor and his wife Ansty. The models for the book were an old couple who lived in a tiny cottage on a mountain road to the lake at Gorigane Barra.

"O'Brien was one of the comic geniuses of the 20th century . . . The Poor Mouth is wildly funny and Steadman's drawings catch the spirit." Boston Globe

A comic look at Irish life. The narrator is Finbarr, an orphan raised amid the odor of good whisky and bad cooking. With a mixture of admiration and unease he watches his brother, Manus, turn into a young man of business, successful enough to move to England.

Introduction by Archbishop Salvatore Cordileone. The Propers of the Mass book contains English chant settings for the Entrance and Communion Antiphons given in The Roman Missal, 2010, as well as suggestions for the Offertory Antiphons, following the pattern of the Graduale Romanum,1974. For most antiphons, four levels of settings from complex to very simple are provided, : i. through-composed melismatic; ii. through-composed simple; iii. Gregorian psalm tone; iv. English psalm tone. Optional psalm verses are provided in the Gregorian psalm tone style. Thus this collection provides an option intended to suit the abilities and needs of any choir or cantor. Ordination and nuptial Masses are also included, as well as the Asperges me and Vidi aquam. The Gloria Patri is given in the eight Gregorian tones, solemn and simple.

A brand-new 'Brewer's' dedicated to the 'phrase and fable' of the emerald isle.

Tomas O'Crohan's sole purpose in writing The Islandman was, he wrote, "to set down the character of the people about me so that some record of us might live after us, for the like of us will never be seen again." This is an absorbing narrative of a now-vanished way of life, written by one who had known no other.

Bestseller & Winner of the Popular Non-Fiction Irish Book Award. 'Thought-provoking, irreverent and often laugh-out-loud hilarious' Irish Independent. "Motherfoclóir" [focloir means 'dictionary' and is pronounced like a rather more vulgar English epithet] is a book based on the popular Twitter account @theirishfor. As the title suggests, Motherfoclóir takes an irreverent, pun-friendly and contemporary approach to the Irish language. The translations are expanded on and arranged into broad categories that allow interesting connections to be made, and sprinkled with anecdotes and observations about Irish and Ireland itself, as well as language in general. The author includes stories about his own relationship with Irish, and how it fits in with the most important events in his life. This is a book for all lovers of the quirks of language.

In critical opinion and popular polls, Máirtín Ó Cadhain’s Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain’s native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain’s meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain’s masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.