Ameen Rihani (1876-1940) was an influential Arab-American thinker, writer and political activist, and was one of the most prominent humanist intellectuals of the twentieth century. He was born in Freike, Lebanon, and emigrated to the United States at the age of 12. He was recognized in his time as a leading figure in the world of Arab-American literature, a pioneer of the mahjar literary movement (Arabic Lebanese migration literature) and of contemporary Arabic prose poetry. A prolific writer, he published nearly 30 books in English alone. In his writing and political activism, Rihani's prime concern was engagement and mutual respect between the Arab world and the West - a concern which bears striking relevance to global affairs today. Undertaking a comprehensive reading of Rihani's Arabic and English published works, including his creative writings, essays, correspondence, and historical and travel books, Nijmeh Hajjar examines the dialectical link between Rihani's life experiences in the Arabworld, Europe and the USA with his ideas and activism. The book highlights Rihani's progressive secular humanist vision, his concerns about the need for Arab societies to achieve progress, liberal democracy and social justice, and his emphasis upon a mutual respect between the Arab world and the West - particularly the USA, Great Britain and France. This fascinating illustration of an Arab-American encounter contributes to post- and neo-colonial discourse and provides a balancing counterpoint to the predominant ideological 'clash of civilisations' paradigms. The Politics and Poetics of Ameen Rihani furthers our understanding of the Arab-Islamic world and its relationship with the West - which remains one of the most important issues of our times.

This book explores the formative correlations and inventive transmissions of Anglophone Arab representations ranging from early 20th century Mahjar writings to contemporary transnational Palestinian resistance art. Tracing multiple beginnings and seminal intertexts, the comparative study of dissonant truth-making presents critical readings in which the notion of cross-cultural translation gets displaced and strategic unreliability, representational opacity, or matters of act advance to essential qualities of the discussed works' aesthetic devices and ethical concerns. Questioning conventional interpretive approaches, Markus Schmitz shows what Anglophone Arab studies are and what they can become from a radically decentered relational point of view. Among the writers and artists discussed are such diverse figures as Rabih Alameddine, William Blatty, Kahlil Gibran, Ihab Hassan, Jabra Ibrahim Jabra, Emily Jacir, Walid Raad, Ameen Rihani, Edward Said, Larissa Sansour, and Raja Shehadeh.

A vexed figure inhabits U.S. literature and culture: the visibly racialized immigrant who disavows minority identity and embraces the American dream. Such figures are potent and controversial, for they promise to expiate racial violence and perpetuate an exceptionalist ideal of America. Swati Rana grapples with these figures, building on studies of literary character and racial form. Rana offers a new way to view characterization through racialization that creates a fuller social reading of race. Situated in a nascent period of ethnic identification from 1900 to 1960, this book focuses on immigrant writers who do not fit neatly into a resistance-based model of ethnic literature. Writings by Paule Marshall, Ameen Rihani, Dalip Singh Saund, Jose Garcia Villa, and Jose Antonio Villarreal symbolize different aspects of the American dream, from individualism to imperialism, assimilation to upward mobility. The dynamics of characterization are also those of contestation, Rana argues. Analyzing the interrelation of persona and personhood, Race Characters presents an original method of comparison, revealing how the protagonist of the American dream is socially constrained and structurally driven.

America’s Arab Nationalists focuses in on the relationship between Arab nationalists and Americans in the struggle for independence in an era when idealistic Americans could see the Arab nationalist struggle as an expression of their own values. In the first three decades of the twentieth century (from the 1908 Ottoman revolution to the rise of Hitler), important and influential Americans, including members of the small Arab-American community, intellectually, politically and financially participated in the construction of Arab nationalism. This book tells the story of a diverse group of people whose contributions are largely unknown to the American public. The role Americans played in the development of Arab nationalism has been largely unexplored by historians, making this an important and original contribution to scholarship. This volume is of great interest to students and academics in the field, though the narrative style is accessible to anoyone interested in Arab nationalism, the conflict between Zionists and Palestinians, and the United States’ relationship with the Arab world.

Using a theoretical framework located at the intersection of US ethnic studies, transnational studies, and postcolonial studies, Articulations of Resistance: Transformative Practices in Contemporary Arab-American Poetry maps an interdisciplinary model of critical inquiry to demonstrate the intimate link and multilayered connections between poetry and resistance. In this study of contemporary Arab-American poetry, Sirène Harb analyzes how resistance, defined as the force challenging the dominant, intervenes in ways of rethinking the local and the global vis-à-vis traditional paradigms of time, space, language and value.

Arab debates about the critical relationship between religion and modernity began in the early nineteenth century. Such debates are now integral to the struggle for power between a variety of political groups and their opponents, and are vital to understanding the modern Middle East. This unique volume introduces writings of Arab Christian and Muslim revisionist and radical "free thinkers" who have tried to redefine the relationship. It challenges the deeply entrenched idea that the contemporary Islamic world has been impermeable to a critique of religious ideas and practices. Authors from the nineteenth century to the present are included. Some are avowed believers, even if they adopt positions many might regard as heretical; others are openly agnostic and atheistic. Despite their differences, all have been united in disputing the notion that life should conform exclusively to a system of values and laws based upon the Qur'an or the Bible, or, in some cases less radically, upon these as they were widely understood before the onset of modernity. They have also rejected many of the standard religious 'liberal' assumptions that are regularly invoked against traditionalism. The book's originality lies in its evaluation of the social and cultural impact of these thinkers.

The ‘Syria idea’ emerged in the nineteenth century as a concept of national awakening superseding both Arab nationalism and separatist currents. Looking at nationalist movements, ideas and individuals, this book traces the origin and development of the idea of Syrian nationhood from the perspective of some of its leading pioneers. Providing a highly original comparative insight into the struggle for independence and sovereignty in post-1850 Syria, it addresses some of the most persistent questions about the development of this nationalism. Chapters by eminent scholars from within and outside of the region offer a comprehensive study of individual Syrian writers and activists caught in a whirlwind of uncertainty, competing ideologies, foreign interference, and political suppression. A valuable addition to the present scholarship on nationalism in the Middle East, this book will be of interest to many professionals as well as to scholars of history, Middle East studies and political science.

Opening up the field of diasporic Anglo-Arab literature to critical debate, this companion spans from the first Arab novel in 1911 to the resurgence of the Anglo-Arabic novel in the last 20 years. There are chapters on authors such as Ameen Rihani, Ahdaf

Contributions by Allan Amanik, Kelly B. Arehart, Sue Fawn Chung, Kami Fletcher, Rosina Hassoun, James S. Pula, Jeffrey E. Smith, and Martina Will de Chaparro Till Death Do Us Part: American Ethnic Cemeteries as Borders Uncrossed explores the tendency among most Americans to separate their dead along communal lines rooted in race, faith, ethnicity, or social standing and asks what a deeper exploration of that phenomenon can tell us about American history more broadly. Comparative in scope, and regionally diverse, chapters look to immigrants, communities of color, the colonized, the enslaved, rich and poor, and religious minorities as they buried kith and kin in locales spanning the Northeast to the Spanish American Southwest. Whether African Americans, Muslim or Christian Arabs, Indians, mestizos, Chinese, Jews, Poles, Catholics, Protestants, or various whites of European descent, one thing that united these Americans was a drive to keep their dead apart. At times, they did so for internal preference. At others, it was a function of external prejudice. Invisible and institutional borders built around and into ethnic cemeteries also tell a powerful story of the ways in which Americans have negotiated race, culture, class, national origin, and religious difference in the United States during its formative centuries.

"Portrait of Jewish American philosopher and historian Hans Kohn"--