Book 2 in the Lady Slayers series, about French murderess and fortune teller Catherine Monvoisin In 17th-century Paris, 19-year-old Catherine Monvoisin is a well-heeled jeweler’s wife with a peculiar taste for the arcane. She lives a comfortable life, far removed from a childhood of abject destitution—until her kind spendthrift of a husband lands them both in debt. Hell-bent on avoiding a return to poverty, Catherine must rely on her prophetic visions and the grimoire gifted to her by a talented diviner to reinvent herself as a sorceress. With the help of the grifter Marie Bosse, Catherine divines fortunes in the IIle de la Citee—home to sorcerers and scoundrels. There she encounters the Marquise de Montespan, a stunning noblewoman. When the Marquise becomes Louis XIV’s royal mistress with Catherine’s help, her ascension catapults Catherine to notoriety. Catherine takes easily to her glittering new life as the Sorceress La Voisin, pitting the depraved noblesse against one other to her advantage. The stakes soar ever higher when her path crosses with that of a young magician. A charged rivalry between sorceress and magician leads to Black Masses, tangled deceptions, and grisly murder—and sets Catherine on a collision course that threatens her own life.

“A lush and bloody historical thriller” based on the infamous real-life inspiration for Countess Dracula, a Hungarian noblewoman turned serial killer.(Kirkus Reviews) In sixteenth-century Hungary, Anna Darvulia has just begun working as a scullery maid for the young and glamorous Countess Elizabeth Báthory. When Elizabeth takes a liking to Anna, she’s vaulted to the dream role of chambermaid, a far cry from the filthy servants’ quarters below. She receives wages generous enough to provide for her family, and the Countess begins to groom Anna as her friend, confident and lover. It’s not long before Anna falls completely under the Countess’s spell—and the Countess t”akes full advantage. Isolated from her former friends, family, and fiancé, Anna realizes she’s not a friend but a prisoner of the increasingly cruel Elizabeth. Then come the murders, and Anna knows it’s only a matter of time before the Blood Countess turns on her, too. “Popovic balances lush, romantic language with gruesome imagery in this tale of innocence lost. Readers will likely be inspired to do actual research into Lady Bathory’s murderous misdeeds.” —Booklist “Popovic also touches on how a patriarchal society can drive women to extremes without letting the truly terrifying Bathory, or Anna, off the hook for their own actions.” —Kirkus Reviews “Hand to fans of dark historical fiction and powerful female characters.” —School Library Journal

"As one of the earliest of Holocaust deniers and the first to suggest that Adolf Hitler was an avatar -- a god come to earth in human form to restore the world to a golden age -- " ... [Devi's] appeal to neo-Nazi sects lies in the very eccentricity of her thought -- combining Aryan supremacism and anti-Semitism with Hinduism, social Darwinism, animal rights, and a fundamentally biocentric view of life."--Publisher informationt.

Epic fantasy featuring warrior priestesses, and fickle gods at war, for readers of Brian Staveley's Chronicles of the Unhewn Throne. Epic fantasy featuring warrior priestesses and fickle gods at war, for readers of Brian Staveley's Chronicles of the Unhewn Throne. Hessa is an Eangi: a warrior priestess of the Goddess of War, with the power to turn an enemy's bones to dust with a scream. Banished for disobeying her goddess's command to murder a traveller, she prays for forgiveness alone on a mountainside. While she is gone, raiders raze her village and obliterate the Eangi priesthood. Grieving and alone, Hessa - the last Eangi - must find the traveller and atone for her weakness and secure her place with her loved ones in the High Halls. As clans from the north and legionaries from the south tear through her homeland, slaughtering everyone in their path Hessa strives to win back her goddess' favour. Beset by zealot soldiers, deceitful gods, and newly-awakened demons at every turn, Hessa burns her path towards redemption and revenge. But her journey reveals a harrowing truth: the gods are dying and the High Halls of the afterlife are fading. Soon Hessa's trust in her goddess weakens with every unheeded prayer. Thrust into a battle between the gods of the Old World and the New, Hessa realizes there is far more on the line than securing a life beyond her own death. Bigger, older powers slumber beneath the surface of her world. And they're about to wake up.

Vodou is among the most misunderstood and maligned of the world's religions. "Mama Lola" shatters the stereotypes by offering an intimate portrait of Vodou in everyday life. Drawing on a decade-long friendship with Mama Lola, a Vodou priestess, Brown tells tales spanning five generations of Vodou healers in Mama Lola's family. 46 illustrations.

Brian Staveley’s new standalone, Skullsworn, returns to the critically acclaimed Chronicle of the Unhewn Throne universe, following a priestess-assassin for the God of Death. “Brilliant.” —V. E. Schwab, New York Times bestselling author From the award-winning epic fantasy world of The Emperor’s Blades... Pyrre Lakatur is not, to her mind, an assassin, not a murderer—she is a priestess. At least, she will be once she passes her final trial. The problem isn’t the killing. The problem, rather, is love. For to complete her trial, Pyrre has ten days to kill the seven people enumerated in an ancient song, including “the one who made your mind and body sing with love / who will not come again.” Pyrre isn’t sure she’s ever been in love. And if she fails to find someone who can draw such passion from her, or fails to kill that someone, her order will give her to their god, the God of Death. Pyrre’s not afraid to die, but she hates to fail, and so, as her trial is set to begin, she returns to the city of her birth in the hope of finding love . . . and ending it on the edge of her sword. "A complex and richly detailed world filled with elite soldier-assassins, mystic warrior monks, serpentine politics, and ancient secrets." —Library Journal, starred review, on The Emperor's Blades Chronicle of the Unhewn Throne The Emperor's Blades The Providence of Fire The Last Mortal Bond Other books in the world of the Unhewn Throne Skullsworn At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

2020 PRISM Award Winner: Fantasy He thinks you are the thief… Shyla is a researcher who resides in the underground desert city of Zirdai, which is ruled by the wealthy Water Prince and brutal Heliacal Priestess. Even though Shyla is sun-kissed - an outcast, considered cursed by the Sun Goddess - she is still renowned for uncovering innumerable archaic facts, lost artefacts, ancient maps, and obscure historical documents. Her quiet life is about to change when Banqui, an archaeologist, enlists her services to find The Eyes of Tamburah: legendary gemstones that bestow great magic on their wielder. These ancient objects can tip the balance of power and give whoever possesses them complete control of the city. But chaos erupts when The Eyes are stolen soon after they're found - and Shyla is blamed for the theft. Forced to flee, with the Prince's soldiers and the Priestess' deacons on her trail, Shyla must recover the jewels and clear her name. A quest that will unearth secrets even more valuable than The Eyes of Tamburah themselves...

When the headmistress, Miss Finch, of the Haverleigh School for Young Ladies is poisoned it's up to Lady Phoebe and Eva to stop the killer before they strike again.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

It wasn’t technically an exorcism, what they did to Clare. When the reverend and his son ripped her demon from her, they called it a “deliverance.” But they didn’t understand that Clare and her demon—known simply as Her—were like sisters. She comforted Clare, made her feel brave, helped to ease her loneliness. They were each other’s Only. Now, Clare’s only comforts are the three clues that She left behind: Be nice to him June 20 Remember the stories Clare will do anything to get Her back, even if it means teaming up with the reverend’s son and scouring every inch of her small, Southern town for answers. But if she sacrifices everything to bring back her demon, what will be left of Clare?