With its roots in the devotional verse of the early Christian church and the long lyric poems of the Irish bards, Irish poetry has a rich and robust tradition both of engagement and self-reflection. It has grappled long with politics and has provided the most eloquent response to Ireland's turbulent history, mediating and mitigating histories of loyalty and loss; it has soaked itself in the Irish landscape and Celtic myth; it has encompassed religion, so much a part of Ireland's cultural heritage. At the same time Irish poets have given their own original slant to everyday experience and affairs of the heart.Thematically organized and spanning many centuries, this selection also features a section of Gaelic poetry in translation, notably excerpts from the 18th-century epic masterpiece, Brian Merriman's The Midnight Court.

The Penguin Book of Irish Poetry features the work of the greatest Irish poets, from the monks of the ancient monasteries to the Nobel laureates W.B. Yeats and Seamus Heaney, from Jonathan Swift and Oliver Goldsmith to Eiléan Ní Chuilleanáin and Nuala Ní Dhomhnaill, along with a profusion of lyrics, love poems, satires, ballads and songs. Reflecting Ireland's complex past and lively present, this collection of Irish verse is an indispensable guide to the history, culture and romance of one of Europe's oldest civilizations. In his introduction to this new Penguin Classics edition, Patrick Crotty explores the traditions of poetry in Ireland, and relates the rich variety of the poems to the long and frequently troubled history of the island.

Incomparable Poetry: An Essay on the Financial Crisis of 2007-2008 and Irish Literature is an attempt to describe the ways in which the financial crisis of 2007-8 impacted literature in Ireland, and thereby describe the ways in which poetry engages with, is structured by, and wrestles with economic issues.Ireland and its contemporary poetry is a particularly suitable case study for studying the effect of the economic crisis on Anglophone poetry, because poetry in Ireland has a special relationship to the state and economy due to its status as a postcolonial nation-state. Beginning with a summary of recent Irish economic and cultural history, and moving across experimental and mainstream poetry, this essay outlines how the poetry of Trevor Joyce, Leontia Flynn, Dave Lordan, and Rachel Warriner addresses in its form and content the boom years of the Celtic Tiger and the financial crisis.Incomparable Poetry also discusses the concerns and historical contexts these poets have turned to in order to make sense of these events - including Chinese history, accountancy, sexual violence, and Iceland's economic history. In contemporary Irish poetry, the author argues, we see a significant interest in matching capitalism's accounting abilities, but in this attempt, these poems often end up broken by the imposition of an external conceptual framework or economic logic. Robert Kiely grew up in Cork, Ireland and now lives in London. His critical work has been published in Irish University Review, Journal of British and Irish Innovative Poetry, The Parish Review, and Samuel Beckett Today/Aujourd'hui. His chapbooks include How to Read (Crater, 2017) and Killing the Cop in Your Head (Sad, 2017). He is Poet-in-Residence at University of Surrey for 2019-20.

A rich and colourful celebration of the poetic heritage of Ireland, this CD and book anthology features classic and contemporary Irish poems read by 100 of the best-known voices in Irish life. A rich and colourful celebration of the poetic heritage of Ireland, this CD and book anthology features classic and contemporary Irish poems read by 100 of the best-known voices in Irish life, including Maeve Binchy, Bono, Pierce Brosnan, The Corrs, Bertie Ahern, Bob Geldof, Seamus Heaney, Marian Keyes and Sinead O'Connor. Wilde's The Ballad of Reading Gaol alongside new work from Ireland's finest living writers. As well as forming a living testament to the best of Irish writing, the collection is also a reminder that words, both oral and written, do make a difference with all royalties going to Focus Ireland, the country's largest and most respected charity for the homeless.

Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.

This volume celebrates the poetic heritage of the Emerald Isle, with more than 50 classic poems about Ireland's people, history, character and myths and legends. Its contributors include William Butler Yeats, William Allingham and other well-known Irish poets. The book is one of Barnes & Noble's 'Collectible Editions' classics. Each one features authoritative text by the world's greatest authors in an elegantly designed bonded-leather binding, with distinctive gilt edging.

Compact anthology features many of the best works by 59 poets writing in English, among them Edmund Spenser, Christina Rossetti, John Milton, Robert Burns, and William Blake.

Never before has there been a single-volume anthology of modern Irish poetry so significant and groundbreaking as An Anthology of Modern Irish Poetry. Collected here is a comprehensive representation of Irish poetic achievement in the twentieth and twenty-first centuries, from poets such as Austin Clarke and Samuel Beckett who were writing while Yeats and Joyce were still living; to those who came of age in the turbulent âe(tm)60s as sectarian violence escalated, including Seamus Heaney and Michael Longley; to a new generation of Irish writers, represented by such diverse, interesting voices as David Wheatley (born 1970) and Sinéad Morrissey (born 1972).Scholar and editor Wes Davis has chosen work by more than fifty leading modern and contemporary Irish poets. Each poet is represented by a generous number of poems (there are nearly 800 poems in the anthology). The editorâe(tm)s selection includes work by world-renowned poets, including a couple of Nobel Prize winners, as well as work by poets whose careers may be less well known to the general public; by poets writing in English; and by several working in the Irish language (Gaelic selections appear in translation). Accompanying the selections are a general introduction that provides a historical overview, informative short essays on each poet, and helpful notesâe"all prepared by the editor.

In this study, Charles Fanning has written the first general account of the origins and development of a literary tradition among American writers of Irish birth or background who have explored the Irish immigrant or ethnic experience in works of fiction. The result is a portrait of the evolving fictional self-consciousness of an immigrant group over a span of 250 years. Fanning traces the roots of Irish-American writing back to the eighteenth century and carries it forward through the traumatic years of the Famine to the present time with an intensely productive period in the twentieth century beginning with James T. Farrell. Later writers treated in depth include Edwin O'Connor, Elizabeth Cullinan, Maureen Howard, and William Kennedy. Along the way he places in the historical record many all but forgotten writers, including the prolific Mary Ann Sadlier. The Irish Voice in America is not only a highly readable contribution to American literary history but also a valuable reference to many writers and their works. For this second edition, Fanning has added a chapter that covers the fiction of the past decade. He argues that contemporary writers continue to draw on Ireland as a source and are important chroniclers of the modern American experience.

Poetry by Eil an N Chuilleanain, Eavan Boland, Eva Bourke, Medbh McGuckian, Kerry Hardie, Nuala N Dhomhnaill, Mary O'Malley, Rita Ann Higgins, Paula Meehan, Moya Cannon, Katie Donovan, Vona Groarke, Enda Wyley, Sin ad Morrissey, Caitr ona O'Reilly, and Leontia Flynn. Revised, expanded edition, with poetry from 16 contemporary poets: Edited and with a new introduction by Peggy O'Brien