THE POETIC EDDA - With Original Illustrations. A BOOK THAT INSPIRED TOLKIEN. Also contains the original Old Norse text, side by side with English translations. The Poetic Edda, also known as The Elder Edda, is a collection of thirty-four Icelandic poems, interwoven with prose, dating from the 9th century to the 12th. Professor J. R. R. Tolkien readily acknowledged his debt to this source. He was sixteen years old when the Viking Club of London published this beautifully illustrated translation by Olive Bray. Readers of Tolkien's work will easily spot his inspirations - the names of the dwarves in The Hobbit; riddle games; Mirkwood; the Paths of the Dead; an underworld creature being tricked into remaining above-ground until dawn, when sunlight turns him to stone; different races calling a single thing by various names, and more. The language is archaic, so for 21st century readers a glossary is provided at the back of this book, as well as an index of names to help identify all the characters. Bray's lengthy introduction has also been revised for modern readers, and some footnote citations omitted; all else remains as it was in Tolkien's time.Remarkably in Bray's edition, the original Icelandic text was included. This would have appealed to Tolkien, as a philologist. He must have relished comparing the English words with the Icelandic, page by page. Illustrator W. G. Collingwood was an English author, artist, antiquary and professor. In 1897 he travelled to Iceland where he spent three months exploring the actual sites that are the settings for the medieval Icelandic sagas. He produced a large number of sketches and watercolours during this time and published an illustrated account of his expedition in 1899. His study of Norse and Anglican archaeology made him widely recognized as a leading authority, and his Art Nouveau-style illustrations for the Bray edition are rich with symbolism. The Poetic Edda, the most important existing source on Norse mythology and Germanic heroic legends, is part of the literature that influenced Tolkien's inner world, informing the creation of The Hobbit and The Lord of the Rings.

TOLKIEN'S BOOKSHELF #2: THE POETIC EDDA The Poetic Edda, also known as The Elder Edda, is a collection of thirty-four Icelandic poems, interwoven with prose, dating from the 9th century to the 12th. J. R. R. Tolkien readily acknowledged his debt to this source. He was sixteen years old when the Viking Club of London published this beautifully illustrated translation by Olive Bray. Readers of Tolkien's work will easily spot his inspirations - the names of the dwarves in The Hobbit; riddle games; Mirkwood; the Paths of the Dead; an underworld creature being tricked into remaining above-ground until dawn, when sunlight turns him to stone; different races calling a single thing by various names, and more. Illustrator W. G. Collingwood was an English author, artist, antiquary and professor. In 1897 he travelled to Iceland where he spent three months exploring the actual sites that are the settings for the medieval Icelandic sagas. His study of Norse and Anglican archaeology made him widely recognized as a leading authority, and his Art Nouveau-style illustrations for the Bray edition are rich with symbolism. The Poetic Edda, the most important existing source on Norse mythology and Germanic heroic legends, is part of the literature that influenced Tolkien's inner world, informing the creation of The Hobbit and The Lord of the Rings.

Looking for a stiff dose of classic fantasy? Look no further than Lord Dunsany's remarkably well-written collection, A Book of Wonder. This medley of fables, fantasy, and action-adventure will pique the interest of a wide array of readers. If you're in the mood for tales of quests, dragons, and brave warriors, this collection will definitely do the trick.

Many years ago, J.R.R. Tolkien composed his own version of the great legend of Northern antiquity, recounted here in The Legend of Sigurd and Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir, most celebrated of dragons; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd, the suicide of Brynhild, and the despair of Gudrún. The Lay of Gudrún recounts her fate after the death of Sigurd, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers, and her hideous revenge.

Compiled by an unknown scribe in Iceland around 1270, and based on sources dating back centuries earlier, these mythological and heroic poems tell of gods and mortals from an ancient era: the giant-slaying Thor, the doomed Völsung family, the Hel-ride of Brynhild and the cruelty of Atli the Hun. Eclectic, incomplete and fragmented, these verses nevertheless retain their stark beauty and their power to enthrall, opening a window on to the thoughts, beliefs and hopes of the Vikings and their world.

THERE is scarcely any literary work of great importance which has been less readily available for the general reader, or even for the serious student of literature, than the Poetic Edda. Translations have been far from numerous, and only in Germany has the complete work of translation been done in the full light of recent scholarship. In English the only versions were long the conspicuously inadequate one made by Thorpe, and published about half a century ago, and the unsatisfactory prose translations in Vigfusson and Powell's Corpus Poeticum Boreale, reprinted in the Norrœna collection. An excellent translation of the poems dealing with the gods, in verse and with critical and explanatory notes, made by Olive Bray, was, however, published by the Viking Club of London in 1908. In French there exist only partial translations, chief among them being those made by Bergmann many years ago. Among the seven or eight German versions, those by the Brothers Grimm and by Karl Simrock, which had considerable historical importance because of their influence on nineteenth century German literature and art, and particularly on the work of Richard Wagner, have been largely superseded by Hugo Gering's admirable translation, published in 1892, and by the recent two volume rendering by Genzmer, with excellent notes by Andreas Heusler, 194-1920. There are competent translations in both Norwegian and Swedish. The lack of any complete and adequately annotated English rendering in metrical form, based on a critical text, and profiting by the cumulative labors of such scholars as Mogk, Vigfusson, Finnur Jonsson, Grundtvig, Bugge, Gislason, Hildebrand, Lüning, Sweet, Niedner, Ettmüller, Müllenhoff, Edzardi, B. M. Olsen, Sievers, Sijmons, Detter, Heinzel, Falk, Neckel, Heusler, and Gering, has kept this extraordinary work practically out of the reach of those who have had neither time nor inclination to master the intricacies of the original Old Norse. On the importance of the material contained in the Poetic Edda it is here needless to dwell at any length. We have inherited the Germanic traditions in our very speech, and the Poetic Edda is the original storehouse of Germanic mythology. It is, indeed, in many ways the greatest literary monument preserved to us out of the antiquity of the kindred races which we call Germanic. Moreover, it has a literary value altogether apart from its historical significance. The mythological poems include, in the Voluspo, one of the vastest conceptions of the creation and ultimate destruction of the world ever crystallized in literary form; in parts of the Hovamol, a collection of wise counsels that can bear comparison with most of the Biblical Book of Proverbs; in the Lokasenna, a comedy none the less full of vivid characterization because its humor is often broad; and in the Thrymskvitha, one of the finest ballads in the world. The hero poems give us, in its oldest and most vivid extant form, the story of Sigurth, Brynhild, and Atli, the Norse parallel to the GermanNibelungenlied. The Poetic Edda is not only of great interest to the student of antiquity; it is a collection including some of the most remark able poems which have been preserved to us from the period before the pen and the printing-press. replaced the poet-singer and oral tradition. It is above all else the desire to make better known the dramatic force, the vivid and often tremendous imagery, and the superb conceptions embodied in these poems which has called forth the present translation.

The Poetic Edda, also known as The Elder Edda or Saemund's Edda, is a magnificent and magical collection of thirty-four Icelandic poems, interwoven with prose, dating from the 9th century to the 12th. The original Old Norse verses are printed here, side by side with English translations. The collection includes the archetypal stories about wise Odin, hammer-wielding Thor, mischievous Loki and the other gods and goddesses of Asgard. Professor J. R. R. Tolkien, author of The Lord of the Rings and The Hobbit, readily acknowledged his debt to this source. He was sixteen years old when the Viking Club of London published this beautifully illustrated translation by Olive Bray. Readers of Tolkien's work will easily spot his inspirations--the names of the dwarves in The Hobbit; riddle games; Mirkwood; the Paths of the Dead; an underworld creature being tricked into remaining above-ground until dawn, when sunlight turns him to stone; different races calling a single thing by various names, and more. In the Poetic Edda the realm where man dwells is called "Midgarth", which translates as "Middle-earth". Elves are mentioned, and there are dwarves called Thorin, Nori, Dori, Ori, Gloin, Fili, Kili Bifur, Bafur, Bombur, and Oaken-shield. The names Thrainn and Thror are mentioned, as is the name Gandalf, which Bray translates as "Wand-elf". Tolkien's Gandalf, of course, carries a staff, or wand. The poems features a dragon called Fierce-stinger: "Fares from beneath a dim dragon flying, a glistening snake from the Moonless Fells. Fierce-stinger bears the dead on his pinions away o'er the plains. I sink now and cease." The language is archaic, so for 21st century readers a glossary is provided at the back of this book, as well as an index of names to help identify all the characters. Bray's lengthy introduction has also been revised for modern readers, and some footnote citations omitted; all else remains exactly as it was in Tolkien's time. Remarkably in Bray's edition, the original Icelandic text was included. This would have appealed to Tolkien, as a philologist. He must have relished comparing the English words with the Icelandic, page by page. Illustrator W. G. Collingwood was an English author, artist, antiquary and professor. In 1897 he travelled to Iceland where he spent three months exploring the actual sites that are the settings for the medieval Icelandic sagas. He produced a large number of sketches and watercolours during this time and published an illustrated account of his expedition in 1899. His study of Norse and Anglican archaeology made him widely recognized as a leading authority, and his gorgeous Art Nouveau-style illustrations for the Bray edition are rich with symbolism. The Poetic Edda, the most important existing source on Norse mythology and Germanic heroic legends, is part of the literature that influenced Tolkien's inner world, informing the creation of The Hobbit and The Lord of the Rings.

The Edda is a thoroughly researched study on the Norse mythology through the analysis of an Old Norse work of literature written in Iceland during the early 13th century. Edda is considered the fullest and most detailed source for modern knowledge of Norse mythology. Scholarly approach and conducted research have allowed the author to determine the age of the different versions of various myths.