Gabriel Gale is an eccentric poet. His madness is the madness of insight and he uses this gift to solve or prevent crimes committed by madmen. Chesterton ably illustrates his own premise that lunacy and sanity may just be a point of view...

Twelve contemporary stories inspired by Shakespeare and Cervantes, to mark the 400th anniversaries of their deaths. Introduced by Salman Rushdie.

“Reveals the grisly conditions in which the mentally ill were kept . . . [and] harrowing details of the inhumane and gruesome treatment of these patients.”—Daily Mail In the first half of the nineteenth century, treatment of the mentally ill in Britain and Ireland underwent radical change. No longer manacled, chained and treated like wild animals, patient care was defined in law and medical understanding, and treatment of insanity developed. Focusing on selected cases, this new study enables the reader to understand how progressively advancing attitudes and expectations affected decisions, leading to better legislation and medical practice throughout the century. Specific mental health conditions are discussed in detail and the treatments patients received are analyzed in an expert way. A clear view of why institutional asylums were established, their ethos for the treatment of patients, and how they were run as palaces rather than prisons giving moral therapy to those affected becomes apparent. The changing ways in which patients were treated, and altered societal views to the incarceration of the mentally ill, are explored. The book is thoroughly illustrated and contains images of patients and asylum staff never previously published, as well as first-hand accounts of life in a nineteenth-century asylum from a patient’s perspective. Written for genealogists as well as historians, this book contains clear information concerning access to asylum records and other relevant primary sources and how to interpret their contents in a meaningful way. “Through the use of case studies, this book adds a personal note to the historiography in a way that is often missing from scholarly works.”—Federation of Family History Societies

For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?

From Pulitzer Prize winner and former Poet Laureate Charles Simic comes a dazzling collection of poems as original, meditative, and humorous as the legendary poet himself. This latest volume of poetry from Charles Simic, one of America’s most celebrated poets, demonstrates his revered signature style—a mix of understated brilliance, wry melancholy, and sardonic wit. These seventy luminous poems range in subject from mortality to personal ads, from the simple wonders of nature to his childhood in war-torn Yugoslavia. For over fifty years, Simic has delighted readers with his innovative form, quiet humor, and his rare ability to limn our interior life and concisely capture the depth of human emotion. These stunning, succinct poems—most no longer than a page, some no longer than a paragraph—validate and reinforce Simic’s importance and relevance in modern poetry.

Wordsworth's Vagrants explores the poet's treatment of the 'idle and disorderly' in the context of the penal laws of the 1790s, when the terror of the French Revolution caused a crackdown on the beggars and vagrants who roamed the English countryside. From the Salisbury Plain poems through to Lyrical Ballads, Quentin Bailey's readings are sensitive to Wordsworth's early radicalism without equating his socio-political engagement solely with support for the French Revolution.

Delivered as a three-part lecture series in 1854 at the famous Hibernian Society Hall in Charleston, South Carolina, Simms's spirited defense of poetry stands in the nobel line of poetic credos from poets such as Sir Philip Sidney and Percy Bysshe Shelley. It is the only full-length work of its kind in American literature, and it has never before been published. Seventh in the University of Arkansas Press's Simms Series, Poetry and the Practical is a clear, forceful rebuttal of arguments that would relegate poetry to the margins of life. It proclaims the high calling of poets as spokesmen and romantic visionaries, underscoring their mission to reveal truth and passion, mind and heart and to transcend the limiting bounds of the empirical. In proving poetry's utility and worth, Simms uses all the tools of persuasion open to him: his wide reading, his considerable knowledge of the history of culture and civilizations, his understanding of the values of place and tradition, and, above all, an oratorical eloquence, which allows his words to leave the page in a rush of inspiration. These lectures, which still retain their identity as scripts prepared and punctuated for performance, provide profound insight into Simms the poet and into the effects of industrialization, the southern sensibility, and the influence of European thought on southern literature at a critical point in that literature's development.

The long-awaited fourth collection by one of America's foremost poets O Lord of indirection and ellipses, ignore our prayers. Deliver us from distraction. Slow our heartbeat to a cricket's call. --from "Prophecy" Pity the Beautiful is Dana Gioia's first new poetry book in over a decade. Its emotional revelations and careful construction are hard won, inventive, and resilient. These new poems show Gioia's craftsmanship at its finest, its most mature, as they make music, crack wise, remember the dead, and in a long, central poem even tell ghost stories.

G.K. Chesterton was a master essayist. But reading his essays is not just an exercise in studying a literary form at its finest, it is an encounter with timeless truths that jump off the page as fresh and powerful as the day they were written. The only problem with Chesterton's essays is that there are too many of them. Over five thousand! For most GKC readers it is not even possible to know where to start or how to begin to approach them. So three of the world's leading authorities on Chesterton - Dale Ahlquist, Joseph Pearce, Aidan Mackey - have joined together to select the "best" Chesterton essays, a collection that will be appreciated by both the newcomer and the seasoned student of this great 20th century man of letters. The variety of topics are astounding: barbarians, architects, mystics, ghosts, fireworks, rain, juries, gargoyles and much more. Plus a look at Shakespeare, Dickens, Jane Austen, George MacDonald, T.S. Eliot, and the Bible. All in that inimitable, formidable but always quotable style of GKC. Even more astounding than the variety is the continuity of Chesterton's thought that ties everything together. A veritable feast for the mind and heart. While some of the essays in this volume may be familiar, many of them are collected here for the first time, making their first appearance in over a century.

Poems.