Through a study of the writings and intellectual development of Gerard Manley Hopkins, Dr. Philip Ballinger demonstrates why poetry is, as Hans Urs von Balthasar stated, "the absolutely appropriate theological language". While circling Hopkins' visions of the nature of sensual experience, intuitive cognition, and the function of language, Ballinger focuses upon the sacramental intention of the Victorian Jesuit's poetry. Underlying Hopkins' poetry is a vision of reality as divinely revelatory or 'self-expressive'. For Hopkins, this revelatory character of creation is determined by the incarnation, and beauty, in fact, is a word for 'Christic self-expressiveness'.

Through a study of the writings and intellectual development of Gerard Manley Hopkins, Dr. Philip Ballinger demonstrates why poetry is, as Hans Urs von Balthasar stated, the absolutely appropriate theological language. While circling Hopkins' visions of the nature of sensual experience, intuitive cognition, and the function of language, Ballinger focuses upon the sacramental intention of the Victorian Jesuit's poetry. Underlying Hopkins' poetry is a vision of reality as divinely revelatory or 'self-expressive'. For Hopkins, this revelatory character of creation is determined by the incarnation, and beauty, in fact, is a word for 'Christic self-expressiveness'.

In this groundbreaking collection of poems, Sacrament of Bodies, Romeo Oriogun fearlessly interrogates how a queer man in Nigeria can heal in a society where everything is designed to prevent such restoration. With honesty, precision, tenderness of detail, and a light touch, Oriogun explores grief and how the body finds survival through migration.

Poetry. Translated by Johannes Goransson. "In lyrical vision and hypnotic spells, this book THE ANGELGREEN SACRAMENT, creates its own mythology...with subtle variations, repetitions and negations, it generates ethereal rhythms and ecstatic resonances as the language dissolves in a frighteningly beautiful song."--from Swedish Radio's announcement of The Lyric Prize

Sacramental Poetics at the Dawn of Secularism asks what happened when the world was shaken by challenges to the sacred order as people had known it, an order that regulated both their actions and beliefs. When Reformers gave up the doctrine of transubstantiation (even as they held onto revised forms of the Eucharist), they lost a doctrine that infuses all materiality, spirituality, and signification with the presence of God. That presence guaranteed the cleansing of human fault, the establishment of justice, the success of communication, the possibility of union with God and another, and love. These longings were not lost but displaced, Schwartz argues, onto other cultural forms in a movement from ritual to the arts, from the sacrament to the sacramental. Investigating the relationship of the arts to the sacred, Schwartz returns to the primary meaning of "sacramental" as "sign making," noting that because the sign always points beyond itself, it participates in transcendence, and this evocation of transcendence, of mystery, is the work of a sacramental poetics.

Dream Work, a collection of forty-five poems, follows both chrono­logically and logically Mary Oliver's American Primitive, which won her the Pulitzer Prize for the finest book of poetry published in 1983 by an American poet. The depth and diversity of perceptual awareness—so steadfast and radiant in American Primitive—continue in Dream Work. She has turned her attention in these poems to the solitary and difficult labors of the spirit—to accepting the truth about one's personal world, and to valuing the triumphs while transcending the fail­ures of human relationships. Whether by way of inheritance—as in her poem about the Holocaust—or through a painful glimpse into the present—as in "Acid," a poem about an injured boy begging in the streets of Indonesia—the events and tendencies of history take on a new importance here. More deeply than in her previous volumes, the sensibility behind these poems has merged with the world. Mary Oliver's willingness to be joyful continues, deepened by self-awareness, by experience, and by choice.

In this extensive study of two of the most celebrated seventeenth-century religious poets, Robert Whalen examines the role of sacrament in the formation of early modern religious subjectivity. For John Donne and George Herbert, sacramental topoi became powerful conceptual tools with which to explore both the intersection of spiritual and material aspects of human experience and their competing claims to Christianity. Whalen's argument builds upon his central idea of 'sacramental Puritanism, ' or the effort to cultivate a Calvinist sense of interiority through a fully ceremonial apparatus, and thereby to reconcile the potentially disparate imperatives of sacrament and devotion. Unique in its combination of current historiography and informed analysis, its attention to the sacramental features of Donne's 'secular' lyrics, and its advancement of sacramental thought as an important element of Renaissance English culture, The Poetry of Immanence illuminates a crucial dimension of the work of two major Stuart writers. In his comprehensive critical readings, Whalen offers a substantial contribution to the increasing study of religious themes and devotion in the literature of the early modern period.

“This impassioned book invites readers to the deep end of life where authentic soul work and human transformation become pressing concerns.” —Publishers Weekly 2019 Independent Publisher Book Awards Gold Medalist in the Aging/Death & Dying Category From bestselling author Parker J. Palmer comes a brave and beautiful book for all who want to age reflectively, seeking new insights and life-giving ways to engage in the world. “Age itself,” he says, “is no excuse to wade in the shallows. It’s a reason to dive deep and take creative risks.” Looking back on eight decades of life—and on his work as a writer, teacher, and activist—Palmer explores what he’s learning about self and world, inviting readers to explore their own experience. In prose and poetry—and three downloadable songs written for the book by the gifted Carrie Newcomer—he meditates on the meanings of life, past, present, and future. With compassion and chutzpah, gravitas and levity, Palmer writes about cultivating a vital inner and outer life, finding meaning in suffering and joy, and forming friendships across the generations that bring new life to young and old alike. “This book is a companion for not merely surviving a fractured world, but embodying—like Parker—the fiercely honest and gracious wholeness that is ours to claim at every stage of life.” —Krista Tippett, New York Times-bestselling author of Becoming Wise “A wondrously rich mix of reality and possibility, comfort and story, helpful counsel and poetry, in the voice of a friend . . . This is a book of immense gratitude, consolation, and praise.” —Naomi Shihab Nye, National Book Award finalist

Malcolm Guite’s eagerly awaited second poetry collection 'The Singing Bowl' takes is name from the breathtakingly beautiful opening poem, a sonnet which connects poetry and prayer. It includes poems that seek beauty and transfiguration in contemporary life; sonnets inspired by Francis and other outstanding saints; poems centred on love (which might be used at weddings), others on parting and mortality (which might be used at funerals). A further group, ‘Jamming your Machine’, searches for the life of the spirit in the midst of the modern era and includes an ode to an iphone.