#1 INTERNATIONAL BESTSELLER • 1920s Ceylon: A young Englishwoman marries a charming tea plantation owner and widower, only to discover he's keeping terrible secrets about his past, including what happened to his first wife, that lead to devastating consequences In this lush, atmospheric page-turner, nineteen-year-old Gwendolyn Hooper has married Laurence, the seductively mysterious owner of a vast tea empire in colonial Ceylon, after a whirlwind romance in London. When she joins him at his faraway tea plantation, she’s filled with hope for their life together, eager to take on the role of mistress of the house, learn the tea business, and start a family. But life in Ceylon is not what Gwen expected. The plantation workers are resentful, the neighbors and her new sister-in-law treacherous. Gwen finds herself drawn to a local Sinhalese man of questionable intentions and worries about her new husband’s connection to a brash American businesswoman. But most troubling are the unanswered questions surrounding Laurence’s first marriage. Why won’t anyone discuss the fate of his first wife? Who’s buried in the unmarked grave in the forest? As the darkness of her husband’s past emerges, Gwen is forced to make a devastating choice, one that could destroy their future and Gwen’s chance at happiness.

Cousins and best friends, Sophie and Tilly are looking for love and adventure Sophie, orphaned at six, has been brought up by a radical aunt. Tilly meanwhile has lived a sheltered life in Newcastle. Tilly surprises everyone with a whirlwind marriage to a confirmed bachelor and tea planter, James Robson, following him to India. Thinking herself in love with the charming, enigmatic forester Tam, the independent Sophie decides to follow him when he also goes to India. Set against the vivid backdrop of post WW1 Britain and the changing world of India under the British Raj. THE PLANTER'S BRIDE is a passionate story of tragedy, loyalty and undying love

A groundbreaking history demonstrating that America's economic supremacy was built on the backs of enslaved people Winner of the 2015 Avery O. Craven Prize from the Organization of American Historians Winner of the 2015 Sidney Hillman Prize Americans tend to cast slavery as a pre-modern institution -- the nation's original sin, perhaps, but isolated in time and divorced from America's later success. But to do so robs the millions who suffered in bondage of their full legacy. As historian Edward E. Baptist reveals in The Half Has Never Been Told, the expansion of slavery in the first eight decades after American independence drove the evolution and modernization of the United States. In the span of a single lifetime, the South grew from a narrow coastal strip of worn-out tobacco plantations to a continental cotton empire, and the United States grew into a modern, industrial, and capitalist economy. Told through the intimate testimonies of survivors of slavery, plantation records, newspapers, as well as the words of politicians and entrepreneurs, The Half Has Never Been Told offers a radical new interpretation of American history.

An exotic flower from a faraway land, Celia came to London tobecome a proper English rose -- a wide-eyed innocent, newlyawakened by womanhood's kiss...yet burning with a sensuous heatinflamed by gypsy blood. To one she is promised -- a man ofwealth and power and property. Yet another will own her heart. He is Grant Hamilton, a daring and unpredictable Americanrogue who senses a kindred spirit in the stunning, copper-eyedbeauty whom he has agreed to escort through London'ssocial whirl. Yet Grant is determined to resist his own secretyearnings for the exuisite enchantress. For there isdanger in a love that can know no bounds -- and in a passionthat could only lead to shattering ruin...or ecstasy.

Can a religious separatist and an opportunistic spy make it in the New World? A brand new series for fans of all things related to history, romance, adventure, faith, and family trees. Mary Elizabeth Chapman boards the Speedwell in 1620 as a Separatist seeking a better life in the New World. William Lytton embarks on the Mayflower as a carpenter looking for opportunities to succeed—and he may have found one when a man from the Virginia Company offers William a hefty sum to keep a stealth eye on company interests in the new colony. The season is far too late for good sailing and storms rage, but reaching land is no better as food is scarce and the people are weak. Will Mary Elizabeth survive to face the spring planting and unknown natives? Will William be branded a traitor and expelled? Join the adventure as the Daughters of the Mayflower series begins with The Mayflower Bride by Kimberley Woodhouse. More to come in the Daughters of the Mayflower series: The Mayflower Bride by Kimberley Woodhouse – set 1620 Atlantic Ocean (February 2018) The Pirate Bride by Kathleen Y’Barbo – set 1725 New Orleans (April 2018) The Captured Bride by Michelle Griep – set 1760 during the French and Indian War (June 2018) The Patriot Bride by Kimberley Woodhouse – set 1774 Philadelphia (August 2018)​ The Cumberland Bride by Shannon McNear – set 1794 on the Wilderness Road (October 2018) The Liberty Bride by MaryLu Tyndall – set 1814 Baltimore (December 2018)

This is a genealogical history of the McKneely families of South Carolina, Georgia and Louisiana. There are two branches to this Scotch-Irish family with this unique spelling. One that migrated from South Carolina to Georgia and then on to Texas and other parts of the expanding United States of America. Then there is the branch that left South Carolina in the late 1700s and early 1800s with other families and settled in what at the time was West Florida. This area then was taken into the United States of America with the purchase of Florida from Spain and then became a part of Louisiana. The Louisiana branch resided in the Parishes called the Florida Parishes and stayed close to the area until after the First World War when the family began to migrate into other parts of the United States. You will find in this book two parts. One part covers the McKneely family that migrated to the Florida Parishes of Louisiana and the Second part that covers the McKneely family that first migrated to Georgia and then to Oklahoma and Texas. There is speculation but no proof that the two lines come from the common immigrant ancestor James McNealy with various spellings of McNealy. Look at the information and decide for yourself whether or not two lines could adopt a common spelling change, come from South Carolina and have common names and not be related to the common ancestor attached to the Louisiana McKneely clan. I have attempted to include as much detail as possible about each person. Personal stories are the spice of a genealogical work. I have included as many as possible and included them without edit. I am not a politically correct family historian. There may be some factually correct material that you may not like or that someone might tell you is not correct. Please read this account with the times and culture in mind as that is what makes the story a good one. Do not try to impress yourself on the story but put yourself into the times and places.

An island of secrets. A runaway. And a promise...

The Pulitzer Prize-winning author takes a classic fairy tale and turns it into a novel set along the eighteenth-century frontier of the Natchez Trace. In the clammy forests of Louisiana, somewhere between New Orleans and the muddy Mississippi River, the berry-stained bandit of the woods, Jamie Lockhart, saves the life of a gullible planter. In reward, Jamie is given shelter—only to kidnap the planter’s lovely young daughter, Rosamund. It’s an impulsive act that will have far-reaching consequences, and will set in motion a series of fantastic, murderous, and flamboyantly uncivilized romantic adventures. With legendary figures of Mississippi’s past—including notorious riverboatman Mike Fink and the thrill-killing Harp brothers—mingling side-by-side with characters from legendary fairy tales and the author’s own imagination, The Robber Bridegroom in an exuberant cocktail of fantasy, folklore and history along the treacherous Natchez Trace. The basis of the popular musical that has run both on and off Broadway, The Robber Bridegroom is “a modern fairy tale, where irony and humor, outright nonsense, deep wisdom and surrealistic extravaganzas becomes a poetic unity through the power of a pure exquisite style” (The New York Times). “As sly and irresistible as anything in Candide. For all her wild, rich fancy, Welty writes prose that is as disciplined as it is beautiful.” —The New Yorker

A longtime professor of Ethnic Studies at the University of California at Berkeley, Ronald Takaki was recognized as one of the foremost scholars of American ethnic history and diversity. When the first edition of A Different Mirror was published in 1993, Publishers Weekly called it "a brilliant revisionist history of America that is likely to become a classic of multicultural studies" and named it one of the ten best books of the year. Now Rebecca Stefoff, who adapted Howard Zinn's best-selling A People's History of the United States for younger readers, turns the updated 2008 edition of Takaki's multicultural masterwork into A Different Mirror for Young People. Drawing on Takaki's vast array of primary sources, and staying true to his own words whenever possible, A Different Mirror for Young People brings ethnic history alive through the words of people, including teenagers, who recorded their experiences in letters, diaries, and poems. Like Zinn's A People's History, Takaki's A Different Mirror offers a rich and rewarding "people's view" perspective on the American story.