Exploring the significance of Judas Iscariot for Christian theology and the difficult issues surrounding Judas, Anthony Cane shows that focusing on the tension between providential and tragic interpretations of Judas in the New Testament and in subsequent writing about Judas, is the key to understanding his significance. Building on the work of Karl Barth and Donald MacKinnon, Cane's argument sheds light not simply on the way Judas is understood, but on the way Jesus and the whole economy of salvation are understood. This book also highlights implications for the way in which issues relating to anti-Semitism and evil and suffering are most effectively explored.

At the beginning of the 20th century, Judas was characterised in film as the epitome of evil: the villainous Jew. Film-makers cast Judas in this way because this was the Judas that audiences had come to recognize and even expect. But in the following three decades, film-makers - as a result of critical biblical study - were more circumspect about accepting the alleged historicity of the Gospel accounts. Carol A. Hebron examines the figure of Judas across film history to show how the portrayal becomes more nuanced and more significant, even to the point where Judas becomes the protagonist with a role in the film equal in importance to that of Jesus'. Hebron examines how, in these films, we begin to see a rehabilitation of the Judas character and a restoration of Judaism. Hebron reveals two distinct theologies: 'rejection' and 'acceptance'. The Nazi Holocaust and the exposure of the horrors of genocide at the end of World War II influenced how Judaism, Jews, and Judas, were to be portrayed in film. Rehabilitating the Judas character and the Jews was necessary, and film was deemed an appropriate medium in which to begin that process.

A new generation on scholars examine many of the themes explored by the outstanding scholar James D. G. Dunn. >

Collection of essays published previously between 1995 and 2010.

“This is a book about how Italian artists of the late Middle Ages and Renaissance interpreted the life, teachings, and miracles of Jesus in their paintings—how they saw Jesus.” Robert Kiely goes through major sections of the Gospels, pausing with the Italian painters to consider Jesus, how he looks, how he stands or sits, how he interacts with other figures and the viewer, how his actions and teachings are interpreted and translated by artists into forms without words. Though seasoned with comments by theologians, and references to poetry and music, painters and their paintings are the guides to Kiely’s text—beguiling, challenging, consoling, instructing—displaying their colors, skill, and perspective while beckoning the viewer back to scripture and to the Jesus “who accepted to be seen.”

Election, Atonement, and the Holy Spirit' is an examination of the doctrines of election and atonement in Karl Barth's 'Church Dogmatics', taking up Barth's own challenge to his reader to surpass his argument and offer a better typological interpretationof the cultic texts. Barth's radical re-working of Calvin's doctrine of election is one of the most important developments in twentieth-century theology. Christ synthesizes for Barth a particular dialectic: the binary structure of God's Yes of election and God's No of rejection. The book's central question - how can Jesus simultaneously be both the elected and the rejected (CD II/2), acting as both the judge and the judged (CD IV/1)? - is followed by an exploration of the roles of the Holy Spirit and human freedom in God's electing and saving action. Although commentators acknowledge Barth's innovation in this area but also identify problems with his approach, few have offered what David Ford has called a correction 'from within' Barth, using Barth's ownmethod. Using the concept of Existenzstellvertretung, this critique of Barth's exegetical justification for the doctrines offers an alternative exegesis that not only provides this much-needed correction, but also immerses the reader in a fresh engagement with Scripture itself.

With this new lectionary commentary series, Westminster John Knox offers the most extensive resource for preaching on the market today. When complete, the twelve volumes of the series will cover all the Sundays in the three-year lectionary cycle, along with movable occasions, such as Christmas Day, Epiphany, Holy Week, and All Saints' Day. For each lectionary text, preachers will find four brief essays--one each on the theological, pastoral, exegetical, and homiletical challenges of the text. This gives preachers sixteen different approaches to the proclaimation of the Word on any given occasion. The editors and contributors to this series are world-class scholars, pastors, and writers representing a variety of denominations and traditions. And while the twelve volumes of the series will follow the pattern of the Revised Common Lectionary, each volume will contain an index of biblical passages so that nonlectionary preachers, as well as teachers and students, may make use of its contents.

Using various narrative approaches and methodologies, an international team of forty-four Johannine scholars here offers probing essays related to individual characters and group characters in the Gospel of John. These essays present fresh perspectives on characters who play a major role in the Gospel (Peter, Nicodemus, the Samaritan woman, Thomas, and many others), but they also examine characters who have never before been the focus of narrative analysis (the men of the Samaritan woman, the boy with the loaves and fishes, Barabbas, and more). Taken together, the essays shed new light on how complex and nuanced many of these characters are, even as they stand in the shadow of Jesus. Readers of this volume will be challenged to consider the Gospel of John anew.

This book seeks to unpack the evolution of Barth’s understanding of God’s suffering in Jesus Christ in the light of election. The interconnectedness of election, crucifixion, and (im)passibility is explored, in order to ask whether the suffering of Christ is also a statement about the Trinity.

I am extremely happy to see the completion of this book- A Student in the School of Christ – by Wasihun Senbeta Gutema, a former student of mine and a colleague in the harvest field of Christ. Wasihun has presented a unique, simple, understandable piece on being a true student of Christ. The book challenges each of us- preachers, teachers and the followers of Christ- in our state of where we are in our studentship/discipleship process and if we are of course true students that do not quit. The simplicity of the book makes it readable by anyone who aspires to be the true student of Christ. It is at most worth reading! —Bulti Fayissa, pastor and professor of New Testament To embark on writing a book is a courageous beginning, and to finish it is a great accomplishment, especially in a context where writing and reading are rarely part of the culture. By publishing this book, Wasihun Senbeta Gutema has set a good example for many teachers and preachers, as well as other potential writers if we are to effectively share our knowledge with the present generation and preserve a repertoire of lessons for the future generations. I applaud Wasihun for providing A Student in the School of Christ – a revised and coherent compilation of his teachings in the form of a book. The book is a reflection of an experienced, yet aspiring, gospel teacher who has not ceased being a disciple – A Student in the School of Christ. As it describes what it means to be “a student of Christ”, it discerns wrong assumptions about the same. The book is written in a simple-to-follow and understandable style. It is worth reading. —Gutu Olana Wayessa, PhD