A history of German Jews from the mid-eighteenth century to the eve of the Third Reich traces their transformation from cattle dealers and wandering peddlers to a successful community of writers, philosophers, scientists, and activists.

This acclaimed graphic memoir that Kirkus calls “cathartic and uplifting” is the tale of losing a parent and what it feels like to grieve and to move forward. “I can’t recommend this kind, funny, and poignant memoir enough. It’s an intimate, life-affirming story of resilience that feels like a good friend.” —Mari Andrew, author of Am I There Yet? Tyler Feder had just white-knuckled her way through her first year of college when her super cool mom was diagnosed with late-stage cancer. Now, with a decade of grief and nervous laughter under her belt, Tyler shares the story of that gut-wrenching, heart-pounding, extremely awkward time in her life—from her mom’s first oncology appointment to her funeral through the beginning of facing reality as a motherless daughter. She shares the sting of loss that never goes away, the uncomfortable post-death firsts, and the deep-down, hard-to-talk-about feelings of the grieving process. Dancing at the Pity Party is a frank and refreshingly funny look at what it’s like to grieve—for anyone struggling with loss who just wants someone to get it.

In this short biography of Mayer Amschel Rothschild (1744-1812), historian and journalist Amos Elon describes how the founder of the Rothschild dynasty started out by dealing in rare coins and traveling across Germany while still confined, as a Frankfurt Jew, to its Judengasse. Assisted by his five skilled sons, Rothschild subsequently built up a fortune by helping manage the investments of the Landgrave of Hesse, circumventing Napoleon’s blockade of England and funding Napoleon’s eventual defeat. “This slim, charming volume is actually a biographical essay, yet it succeeds in snatching its elusive subject from oblivion.” — Ron Chernow, The New York Times “This is a fascinating story.” — The New York Review of Books “A memorable first biography of a near-mythical founding father.” — Publishers Weekly “A thoroughly researched, fascinating, and altogether exemplary biography.” —Kirkus Reviews “Amos Elon’s portrait of the man who fathered a dynasty makes fascinating reading for anyone even mildly interested in money and power and their effects on history. Founder is a rich and colorful examination of [Meyer Amschel Rothschild]” — Morley Safer “Elon’s book... is a thoroughly researched and absorbing biography.” — St. Louis Jewish Light “A biography that’s a must read for today’s entrepreneurs.” — Houston Chronicle

Comic, elegaic, and always formally intricate, using political allegory and painterly landscape, philosophic story and dramatic monologue, these poems describe a moment when something marvelous and unforeseen alters the course of a single day, a year, or an entire life.

When liberals don't have reason, authority, or the American people on their side, they turn to the one thing they never run out of: Pity. For decades, conservatives have chafed at being called "heartless" and "uncaring" by liberals who maintain that our essential choice as a nation is between the politics of kindness and the politics of cruelty. In The Pity Party, political scientist William Voegeli turns the tables on this argument, making the case that "compassion" is neither the essence of personal virtue nor the ultimate purpose of government. Over the years, liberals have built a remarkable edifice of government programs that are justified by appeals to compassion: Head Start, immigration reform, gun control, affirmative action, and entitlements, to name only some. As Voegeli amply demonstrates, the liberals who promote these massive programs are weirdly indifferent as to whether they succeed. Instead, when the problems they are intended to solve fail to disappear, liberals double down, calling for yet more programs and ever greater expenditures in the name of "compassion." Meanwhile, conservatives who challenge the effectiveness of these programs are slandered as "heartless right-wingers." Yet rather than challenge this tendentious liberal argument, the many conservatives it intimidates feel it necessary to insist that they really do "care." However, liberal compassion's good intentions consistently fail to translate into good results. Voegeli walks the reader through a plethora of programs that have become battlefields between conservatives fighting for more efficiency and liberals fighting for more budget-busting federal programs to address an ever-expanding catalog of social ills. Along the way, he explains the underpinnings of the liberal philosophy that reinforce this misapplied ideal and shows why today's self-described compassionate liberals are ultimately unfit to govern.

Discover an "absurd, funny, and thought-provoking" book perfect for "anyone who has ever felt socially awkward or inadequate" (Louis Sachar, author of Holes and the Wayside School series). Dear weird toes, crooked nose, stressed out, left out, freaked out Dear missing parts, broken hearts, picked-on, passed up, misunderstood, Dear everyone, you are cordially invited, come as you are, this party's for you Welcome to Pity Party, where the social anxieties that plague us all are twisted into funny, deeply resonant, and ultimately reassuring psychological thrills. There's a story about a mood ring that tells the absolute truth. One about social media followers who literally follow you around. And one about a kid whose wish for a new, improved self is answered when a mysterious box arrives in the mail. There's also a personality test, a fortune teller, a letter from the Department of Insecurity, and an interactive Choose Your Own Catastrophe. Come to the party for a grab bag of delightfully dark stories that ultimately offers a life-affirming reminder that there is hope and humor to be found amid our misery.

From a bestselling historian, a daringly revisionist history of World War I The Pity of War makes a simple and provocative argument: the human atrocity known as the Great War was entirely England's fault. According to Niall Ferguson, England entered into war based on naive assumptions of German aims, thereby transforming a Continental conflict into a world war, which it then badly mishandled, necessitating American involvement. The war was not inevitable, Ferguson argues, but rather was the result of the mistaken decisions of individuals who would later claim to have been in the grip of huge impersonal forces. That the war was wicked, horrific, and inhuman is memorialized in part by the poetry of men like Wilfred Owen and Siegfried Sassoon, but also by cold statistics. Indeed, more British soldiers were killed in the first day of the Battle of the Somme than Americans in the Vietnam War. And yet, as Ferguson writes, while the war itself was a disastrous folly, the great majority of men who fought it did so with little reluctance and with some enthusiasm. For anyone wanting to understand why wars are fought, why men are willing to fight them and why the world is as it is today, there is no sharper or more stimulating guide than Niall Ferguson's The Pity of War.

Presents an illustrated collection of poems about the waste, horror, and futility of war as well as the nobility, courage, and sacrifice of individuals in wartime.

The U.S. occupation of Japan transformed a brutal war charged with overt racism into an amicable peace in which the issue of race seemed to have disappeared. During the Occupation, the problem of racial relations between Americans and Japanese was suppressed and the mutual racism transformed into something of a taboo so that the two former enemies could collaborate in creating democracy in postwar Japan. In the 1980s, however, when Japan increased its investment in the American market, the world witnessed a revival of the rhetoric of U.S.-Japanese racial confrontation. Koshiro argues that this perceived economic aggression awoke the dormant racism that lay beneath the deceptively smooth cooperation between the two cultures. This pathbreaking study is the first to explore the issue of racism in U.S.-Japanese relations. With access to unexplored sources in both Japanese and English, Koshiro is able to create a truly international and cross-cultural study of history and international relations.