The adventurous Johnny B. and the other Pilgrims sail to America and prepare for the first Thanksgiving, as described in counting verses from one to ten.

Learn how and why the Pilgrims left England to come to America! In England in the early 1600s, everyone was forced to join the Church of England. Young William Bradford and his friends believed they had every right to belong to whichever church they wanted. In the name of religious freedom, they fled to Holland, then sailed to America to start a new life. But the winter was harsh, and before a year passed, half the settlers had died. Yet, through hard work and strong faith, a tough group of Pilgrims did survive. Their belief in freedom of religion became an American ideal that still lives on today. James Daugherty draws on the Pilgrims' own journals to give a fresh and moving account of their life and traditions, their quest for religious freedom, and the founding of one of our nation's most beloved holidays; Thanksgiving.

From the New York Times bestselling author of The Unlikely Pilgrimage of Harold Fry comes “a poignant, searing tale” (O: The Oprah Magazine) about a young boy who is thrown into the murky, difficult realities of the adult world. “A powerful book, rich with empathy and charged with beautiful, atmospheric writing.”—Tana French A nice house in a tony neighborhood. A hardworking husband. A private school for the children. From the outside, Diana has a perfect life. But her sensitive and observant young son notices that the other kids’ mothers are not like his own. They dress differently. Byron’s father prefers that his wife dress formally, in slim skirts and pointy heels. He gives Diana a Jaguar so neighbors will sit up and take notice. And they do. Then, one morning, during a shortcut to school through a poor neighborhood, something happens that Byron cannot shake and his mother refuses to acknowledge. Until she has no choice. In the weeks that follow, the façade of a happy family shows signs of distress. Diana makes a questionable friend, and an increasingly tense dance begins—between guilt and resentment, envy and regret—all leading to a tragedy and a shattering revelation.

An inquiry into how portrayals of the Pilgrims evolved from glorification to more accurate interpretations of history through performance

More than six hundred years ago, the Archbishop of Canterbury was murdered by King Henry II’s knights. Before the Archbishop’s blood dried on the Cathedral floor, the miracles began. The number of pilgrims visiting his shrine in the Middle Ages was so massive that the stone floor wore thin where they knelt to pray. They came seeking healing, penance, or a sign from God. Chaucer’s The Canterbury Tales, one of the greatest, most enduring works of English literature, is a bigger-than-life drama based on the experience of the medieval pilgrim. Power, politics, friendship, betrayal, martyrdom, miracles, and stories all had a place on the sixty mile path from London to Canterbury, known as the Pilgrim’s Way. Walking to Canterbury is Jerry Ellis’s moving and fascinating account of his own modern pilgrimage along that famous path. Filled with incredible details about medieval life, Ellis’s tale strikingly juxtaposes the contemporary world he passes through on his long hike with the history that peeks out from behind an ancient stone wall or a church. Carrying everything he needs on his back, Ellis stops at pubs and taverns for food and shelter and trades tales with the truly captivating people he meets along the way, just as the pilgrims from the twelfth century would have done. Embarking on a journey that is spiritual and historical, Ellis reveals the wonders of an ancient trek through modern England toward the ultimate goal: enlightenment.

The operas of the German composer Richard Wagner had a revolutionary influence on the course of Western music. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his works. He went on to revolutionise the music form through his concept of the Gesamtkunstwerk (total work of art), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He achieved these ideas most fully in his epic cycle of operas 'Der Ring des Nibelungen', notable for complex textures, rich harmonies and the elaborate use of leitmotifs. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Wagner’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Wagner’s masterworks* Learn about the operas that made Wagner a celebrated composer* Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about* Features a special ‘Complete Compositions’ section, with an index of Wagner’s complete works and links to streaming services* English translations of the librettos for the major operas, including works appearing for the first time in digital print* A wide selection of the composer’s prose works, including fiction, pioneering essays and Wagner’s celebrated autobiography* Includes Wagner’s letters to Franz Liszt — explore the composer’s personal correspondence* Features six biographies on the great composer — explore Wagner's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The MasterworksSymphony in C MajorDas LiebesverbotFaust OvertureRienziDer fliegende HolländerTannhäuserLohengrinDas RhinegoldDie WalküreTristan und IsoldeWesendonck LiederDie Meistersinger von NürnbergSiegfriedSiegfried IdyllGötterdämmerungParsifal Complete CompositionsIndex of Wagner’s Compositions Selected LibrettosDer fliegende HolländerLohengrinDas RhinegoldDie WalküreTristan und IsoldeSiegfriedGötterdämmerungParsifal Selected ProseAutobiographic SketchOn German OperaArt and RevolutionThe Art-Work of the FutureJudaism in MusicA Communication to My FriendsOpera and DramaBeethovenWhat is German?An End in ParisOn ConductingReligion and Art The LettersCorrespondence of Wagner and Liszt The AutobiographyMy Life The BiographiesRichard Wagner: His Life and His Dramas by W. J. HendersonLife of Wagner by Ludwig NohlRichard Wagner, Composer of Operas by John F. RuncimanWagner by Paul RosenfeldWagner as I Knew Him by Ferdinand PraegerRichard Wagner by Rupert Hughes Please visit www.delphiclassics.com to learn more about our wide range of exciting titles

If interreligious dialogue is to bear fruit of mutual understanding, respect, and peace, it needs to be rooted in the specific spiritual space of each religious tradition. For Christians, that milieu is Jesus space, shaped by faith in the paschal mysteries and nurtured by prayer, study, and love. With this as his starting point Benot Standaert invites us to join him as he visits different religious spacesthose of Jews, Muslims, Buddhists, and agnosticsto show how we can live in peace with those who dwell in a spiritual space that is different from our own.

John Stoneman follows a tributary of the 2007/08 FA Cup from its earliest of rounds in August through to the showpiece final at the Wembley. Part reportage, part biography, this amusing travelogue will resonate with all football fans.

Theatre and Empowerment examines the ability of drama, theatre, dance and performance to empower communities of very different kinds, and it does so from a multi-cultural perspective. The communities involved include poverty-stricken children in Ethiopia and the Indian sub-continent, disenfranchised Native Americans in the USA and young black men in Britain, victims of violence in South Africa and Northern Ireland, and a threatened agricultural town in Italy. The book asserts the value of performance as a vital agent of necessary social change, and makes its arguments through the close examination, from 'inside' practice, of the success - not always complete - of specific projects in their practical and cultural contexts. Practitioners and commentators ask how performance in its widest sense can play a part in community activism on a scale larger than the individual, 'one-off' project by helping communities find their own liberating and creative voices.

“The definitive account . . . A fascinating combination of grand strategy and personal vignettes” (Max Boot, The Wall Street Journal). Finalist for the 2013 Guggenheim-Lehrman Prize in Military History Surge is an insider’s view of the most decisive phase of the Iraq War. After exploring the dynamics of the war during its first three years, the book takes the reader on a journey to Fort Leavenworth, Kansas, where the controversial new US Army and Marine Corps counterinsurgency doctrine was developed; to Washington, DC, and the halls of the Pentagon, where the joint chiefs of staff struggled to understand the conflict; to the streets of Baghdad, where soldiers worked to implement the surge and reenergize the flagging war effort before the Iraqi state splintered; and to the halls of Congress, where Amb. Ryan Crocker and Gen. David Petraeus testified in some of the most contentious hearings in recent history. Using newly declassified documents, unpublished manuscripts, interviews, author notes, and published sources, Surge explains how President George W. Bush, Prime Minister Nouri al-Maliki, Ambassador Crocker, General Petraeus, and other US and Iraqi political and military leaders shaped the surge from the center of the maelstrom in Baghdad and Washington. “This is one of the best books to emerge from the Iraq War. I expect it will be remembered as one of the most insightful accounts from an insider of the key ‘surge’ phase of that conflict. The chapter on the Sunni Awakening especially stands out as a terrific overview of that critical development.” —Thomas E. Ricks, author of Fiasco