Marius Kociejowski follows up his now classic The Street Philosopher and the Holy Fool with The Pigeon Wars of Damascus. A metaphysical journalist in search of echoes rather than analogies, hints as opposed to verities, Kociejowski discovers once again at the periphery of Damascene society—for the outcast is often made of the very thing that rejects him—a way to understand the challenges and changes refashioning post-9/11 Syria and the Middle East, reminding us once again of the deeper purpose of travel: to absorb and understand the spirit of a place, and to return changed.

As Syria confronts an uncertain future, A House in Damascus seeks to balance the Western view with the lives and views of the everyday people living in the world’s oldest continuing capital city Drawn from the author's experiences occurring immediately before the 2011-2012 social and political upheaval, each story traces the Old City of Damascus and its people's present through the past, capturing the universal human element often missing from the strategic and political accounts. ABOUT THE AUTHOR Brian Stoddart is an Emeritus Professor of La Trobe University in Melbourne. Trained as a social historian, he now works as an international higher education reform consultant in countries such as Lao PDR, Cambodia, Jordan and Syria. www.professorbrianstoddart.com

“Unforgettable. . . . An outstanding adventure in its lyrical, utterly compelling, and heartbreaking investigations of the world of diamond smuggling.” —Aimee Nezhukumatathil For nearly eighty years, a huge portion of coastal South Africa was closed off to the public. With many of its pits now deemed “overmined” and abandoned, American journalist Matthew Gavin Frank sets out across the infamous Diamond Coast to investigate an illicit trade that supplies a global market. Immediately, he became intrigued by the ingenious methods used in facilitating smuggling particularly, the illegal act of sneaking carrier pigeons onto mine property, affixing diamonds to their feet, and sending them into the air. Entering Die Sperrgebiet (“The Forbidden Zone”) is like entering an eerie ghost town, but Frank is surprised by the number of people willing—even eager—to talk with him. Soon he meets Msizi, a young diamond digger, and his pigeon, Bartholomew, who helps him steal diamonds. It’s a deadly game: pigeons are shot on sight by mine security, and Msizi knows of smugglers who have disappeared because of their crimes. For this, Msizi blames “Mr. Lester,” an evil tall-tale figure of mythic proportions. From the mining towns of Alexander Bay and Port Nolloth, through the “halfway” desert, to Kleinzee’s shores littered with shipwrecks, Frank investigates a long overlooked story. Weaving interviews with local diamond miners who raise pigeons in secret with harrowing anecdotes from former heads of security, environmental managers, and vigilante pigeon hunters, Frank reveals how these feathered bandits became outlaws in every mining town. Interwoven throughout this obsessive quest are epic legends in which pigeons and diamonds intersect, such as that of Krishna’s famed diamond Koh-i-Noor, the Mountain of Light, and that of the Cherokee serpent Uktena. In these strange connections, where truth forever tangles with the lore of centuries past, Frank is able to contextualize the personal grief that sent him, with his wife Louisa in the passenger seat, on this enlightening journey across parched lands. Blending elements of reportage, memoir, and incantation, Flight of the Diamond Smugglers is a rare and remarkable portrait of exploitation and greed in one of the most dangerous areas of coastal South Africa. With his sovereign prose and insatiable curiosity, Matthew Gavin Frank “reminds us that the world is a place of wonder if only we look” (Toby Muse).

Animal Enthusiasms explores how human–animal relationships are conceived, developed, and carried out in rural Pakistani Muslim society through an examination of practices such as pigeon flying, cockfighting, and dogfighting. Based on two years of ethnographic fieldwork carried between 2008 and 2018 in rural South Punjab, the book examines the crucial cultural concept of shauq (enthusiasm) and provides critical insight into changing ways of life in contemporary Pakistan. It tracks the relationships between men mediated by non-human animals and discusses how such relationships in rural areas are coded in complex ways. The chapters draw on debates around transformations of animal activities over time, the changing forms of human–animal intimacy and their impact on familial relationships, and rural Punjabi values attached to the performance of masculine honour. The book will be of interest to scholars of anthropology, multi-species ethnography, gender and masculinity studies, and South Asian studies.

Longlisted for the 2016 RBC Taylor Prize Zoroaster's Children brings together the best of Marius Kociejowski's travel writing. A companion volume to last year's critically acclaimed The Pebble Chance, these essays, conceived somewhere between "a waning moon and the nerves behind a flayed man's face," evince the deep absorption in a people and place which are the hallmark of great travel writers. Marius Kociejowski is the award-winning author of four collections of poetry, two celebrated travel memoirs, and a collection of his best essays, The Pebble Chance. He lives and works as a bookseller in London, England.

"Kociejowski draws on all these aspects of his life in these engaging, idiosyncratic personal essays ... [that] proffer the reader equal measures of autobiography, insight and quirky charm." —Michael Dirda, The Washington Post In the game of bocce, no matter how intensely you study the world's surface, there is always a chance an unseen pebble will knock your ball in an unexpected direction. In these essays, poet, antiquarian bookseller, and celebrated travel writer Marius Kociejowski chronicles serendipitous encounters with authors, manuscripts, and eccentrics, in which “the curious workings of fate” and “art's unbidden swerve” intervene to shift the course of fortune. Carried by keen wit, aphoristic prose, and a rich sense of characterization, and featuring chance meetings and comic misadventures with such figures as Bruce Chatwin, Zbigniew Herbert, and Javier Marías, The Pebble Chance is a sumptuous offering of belles lettres exploring the incandescent moments when skill and providence collide.

Doing Justice to a Wronged Literature, a Festschrift for the Arabist and Islamicist Thomas Bauer, includes 17 essays by established academics on various themes and aspects of Arabic literature and rhetoric of the Ayyubid, Mamluk and Ottoman periods (12th-18th centuries).

Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.

“[Metcalf’s] talent is generous, hectoring, huge, and remarkable.”—Washington Post In Temerity & Gall, Metcalf looks back on a lifetime spent in letters; surveys, with no punches pulled, the current state of CanLit; and offers a passionate defense of the promise and potential of Canadian writing. In a 1983 editorial letter to the Globe and Mail, celebrated Canadian novelist W.P. Kinsella railed that “Mr. Metcalf—an immigrant—continually and in the most galling manner has the temerity to preach to Canadians about their own literature.” Forty years later, in spite of Kinsella’s effort to discredit him in the name of a misguided nationalism both embarrassing and familiar, John Metcalf still has the temerity and gall to preach, to teach, and to write passionately (and uproariously) about literature in Canada. Part memoir, meditation, and apologia, part criticism and pure Metcalf, the present volume distills a lifetime of reading and writing, thinking and collecting, and continues his necessary work kicking against the ever-present pricks. As is the case with all of his critical work, Temerity & Gall will challenge, delight, anger, and inspire in equal measure, and is essential reading for anyone interested in literature in Canada and its place within the wider tradition of writing in English. Temerity & Gall is printed in a limited paperback edition of 750 copies signed and numbered by the author.