"Penguin Pocket Kings and Queens is essential for anyone wanting to check dates, facts or popular tales about international royalty from the earliest times to the present day. With kings, queens, tsars, emperors and pharaohs from all over the world, this is the ultimate one-stop guide to the royal figures who have influenced the modern age. This book includes: comprehensive ready reference listing of world monarchs from Assyria to Zambia; family trees of all British monarchs; and a glossary of monarch-related words and advice on pronouncing difficult names."--BOOK JACKET.

Historical Dictionary of the British Monarchy, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 800 cross-referenced entries that cover significant events, places, institutions, and other aspects of British culture, economics, politics, and society.

What's in a name? Rather more than you might at first suspect, for names are steeped in history and myth and have much to tell us about our past, our beliefs - even our personality traits. The Penguin Pocket Dictionary of Babies' Names takes a close look at 3500 names, explaining origins and meanings, showing how some have changed in popularity and use over time and providing all the diminutive and variant forms. Part of Penguin's major new series of reference titles ranging from Spanish and French dictionaries to books on spelling and quotations.

Part of the Penguin Monarchs series: short, fresh, expert accounts of England's rulers in a collectible format Queen Victoria inherited the throne at 18 and went on to become the longest-reigning female monarch in history, in a time of intense industrial, cultural, political, scientific and military change within the United Kingdom and great imperial expansion outside of it (she was made Empress of India in 1876). Overturning the established picture of the dour old lady, this is a fresh and engaging portrait from one of our most talented royal biographers. Jane Ridley is Professor of Modern History at Buckingham University, where she teaches a course on biography. Her previous books include The Young Disraeli; a study of Edwin Lutyens, The Architect and his Wife, which won the 2003 Duff Cooper Prize; and the best-selling Bertie: A Life of Edward VII. A Fellow of the Royal Society for Literature, Ridley writes for the Spectator and other newspapers, and has appeared on radio and several television documentaries. She lives in London and Scotland.

A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement

Includes an excerpt from W is for wasted.

Whereas literary criticism has mainly oscillated between “the death of the author” (Barthes) and “the return of the author” (Couturier), this work suggests another perspective on authorship through an analysis of Nabokov’s prefaces. It is here argued that the author, being neither dead nor tyrannical, alternates between authoritative apparitions and receding disappearances in the double gesture of mastery without mastery which Derrida calls ‘exappropriation’, that is, a simultaneous attempt to appropriate one’s work, control it, have it under one’s power and expropriate it, losing control by loosening one’s grip. The intention of this is to approach, through one’s experience of reading and interpreting, the experience of self-effacement and impersonality pertaining to writing (cf. Blanchot). Prefaces are considered to be suitable places for the deconstruction of the classical image of Nabokov’s arrogance through the unearthing of his reserve and vulnerability. This work provides an account of the mere intuition (which, therefore, does not pretend to be a conclusive and definitive interpretation) of another image of Nabokov whose undeniable talent for deception seems in accordance with a need for discretion and secrecy.

Issues for autumn 1961- include the Standing Conference for Local History Bulletin.