(Book). Eva understands Hitler is married to Germany and must herself stand back unacknowledged as he enclasps the world in a passionate, python-like thrall. Until the last days in the final chapter of the Third Reich (and the first chapter of the novel) when Adolf and Eva move into their first home together, the Fuhrerbunker. There, deep underground, hidden from the light of day and the light of history, but laid fully bare to the author's unblinking eye, Eva Braun's unquestioning patriotism and patience finally pay off in a private wedding ceremony and a cyanide capsule. Mueller imagines the claustrophobic and morally twisted underground world of the Third Reich's last gasp. All the Fuhrer's men and women, like rats in a trap, grow more and more desperate, more and more perverse, as they compete for the final crumbs of attention from their doomed leader. Only one soul remains calm amid the chaos, the ever-patient, ever pliant paramour of the vilest man who ever lived. As the world around them goes astoundingly mad, their devotion to each other remains unsullied. Trusting. Even innocent.

"A textured picture of Hitler's histrionic personality and his insane mission for glory, presaging the genocide to come in the cold-blooded obliteration of one young woman." — Publishers Weekly Hitler's Niece tells the story of the intense and disturbing relationship between Adolf Hitler and the daughter of his only half-sister, Angela, a drama that evolves against the backdrop of Hitler's rise to prominence and power from particularly inauspicious beginnings. The story follows Geli from her birth in Linz, Austria, through the years in Berchtesgaden and Munich, to her tragic death in 1932 in Hitler's apartment in Munich. Through the eyes of a favorite niece who has been all but lost to history, we see the frightening rise in prestige and political power of a vain, vulgar, sinister man who thrived on cruelty and hate and would stop at nothing to keep the horror of his inner life hidden from the world.

First Published in 1986. This collection of essays by an international team of scholars is the first sustained investigation in any language of the historical interactions between German film and literature. It is a book about adaptations and transformations, about why filmmakers adapt certain material at certain times. The major impetus at work is the desire to expand the field of adaptation study to include sociological, theoretical and historical dimensions, and to bring a livelier regard for intertextuality to the studies of German film and literature. It is concerned with the ways in which filmmakers in Germany- from Pabst and von Sternberg to Fassbinder, Herzog and Sanders-Brahms- have engaged and been engaged by, literary history.

Neuroscientific research on emotion has developed dramatically over the past decade. The cognitive neuroscience of human emotion, which has emerged as the new and thriving area of 'affective neuroscience', is rapidly rendering existing overviews of the field obsolete. This handbook provides a comprehensive, up-to-date and authoritative survey of knowledge and topics investigated in this cutting-edge field. It covers a range of topics, from face and voice perception to pain and music, as well as social behaviors and decision making. The book considers and interrogates multiple research methods, among them brain imaging and physiology measurements, as well as methods used to evaluate behavior and genetics. Editors Jorge Armony and Patrik Vuilleumier have enlisted well-known and active researchers from more than twenty institutions across three continents, bringing geographic as well as methodological breadth to the collection. This timely volume will become a key reference work for researchers and students in the growing field of neuroscience.

The definitive biography of a physician, feminist, social reformer, educator, and one of the most influential, and controversial women of the 20th century. Maria Montessori effected a worldwide revolution in the classroom. She developed a new method of educating the young and inspired a movement that carried it into every corner of the world. This is the story of the woman behind the public figure—her accomplishments, her ideas, and her passions. Montessori broke the mold imposed on women in the nineteenth century and forged a new one, first for herself and eventually for those who came after her. Against formidable odds she became the first woman to graduate from the medical school of the University of Rome and then devoted herself to the condition of children considered uneducable at the time. She developed a teaching method that enabled them to do as well as normal children, a method which then led her to found a new kind of school—the Casa dei Bambini, or House of Children—which gained her worldwide fame and still pervades classrooms wherever young children learn. This biography is not only the story of a groundbreaking feminist but a vital chapter in the history of education. “Highly recommended for educators, parents, and moderate feminists who seek inspiration from one of the most accomplished women of this or any other age.”—Publishers Weekly

If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.

On history of communication

Nonna Bannister carried a secret almost to her Tennessee grave: the diaries she had kept as a young girl experiencing the horrors of the Holocaust. This book reveals that story. Nonna’s childhood writings, revisited in her late adulthood, tell the remarkable tale of how a Russian girl from a family that had known wealth and privilege, then exposed to German labor camps, learned the value of human life and the importance of forgiveness. This story of loss, of love, and of forgiveness is one you will not forget.

THE STORY: Tempering historical fact with eloquent imagination, the author parallels the lives of two outstanding women on their journeys to self-fulfillment--Joan of Arc in medieval France and Susan B. Anthony in the American West of the nineteenth

The heart-pounding history of how Pope Pius XII -- often labeled "Hitler's Pope" -- was in fact an anti-Nazi spymaster, plotting against the Third Reich during World War II. The Vatican's silence in the face of Nazi atrocities remains one of the great controversies of our time. History has accused wartime pontiff Pius the Twelfth of complicity in the Holocaust and dubbed him "Hitler's Pope." But a key part of the story has remained untold. Pope Pius in fact ran the world's largest church, smallest state, and oldest spy service. Saintly but secretive, he sent birthday cards to Hitler -- while secretly plotting to kill him. He skimmed from church charities to pay covert couriers, and surreptitiously tape-recorded his meetings with top Nazis. Under his leadership the Vatican spy ring actively plotted against the Third Reich. Told with heart-pounding suspense and drawing on secret transcripts and unsealed files by an acclaimed author, Church of Spies throws open the Vatican's doors to reveal some of the most astonishing events in the history of the papacy. Riebling reveals here how the world's greatest moral institution met the greatest moral crisis in history.