From the author of the international bestseller The Last Station, a stirring novel about the adventurous life and tragic literary career of Herman Melville. As The Passages of H. M. opens, we see, through the eyes of his long-suffering wife Lizzie, an aging, angry, and drunken Herman Melville wreaking domestic havoc in his unhappy New York home. He is decades past his flourishing career as a writer of bestselling tales of seagoing adventures like Typee and Omoo. His epic but ungainly novel Moby-Dick was meant to make him immortal, but critics scoffed and readers fled. His days are spent trudging the docks of New York as a customs inspector and contemplating his malign literary fate. But within him is stirring, perhaps, one great work yet—the tale of a handsome sailor in the Napoleonic Wars, undone by one moment of uncontrollable rage . . . Lizzie’s chapters alternate with third-person accounts of Melville’s crowded life: his shipping off to sea on a merchant vessel as an impoverished young aristocrat; his fateful voyage on a whaling ship; his desertion in the Marquesas Islands and sojourn with cannibals—a great adventure and polymor­phous sexual idyll—and his instant fame as a novelist; his fateful encounter and soul-deep friendship with Nathaniel Hawthorne; and the long years of physical decline and liter­ary obscurity. Jay Parini creates a Melville who is at once sympathetic and maddening, in sync with the vast forces of the universe and hopelessly impractical and abstracted. And one who, in thought and deed, is unambiguously attracted to men—a surmise well supported by the known biographical facts but still sure to cre­ate controversy. Parini penetrates the mind and soul of a liter­ary titan, using the resources of fiction to humanize a giant while illuminating the sources of his matchless creativity.

With the same masterly touch that made The Last Station so powerful, Jay Parini penetrates the mind and soul of another literary titan. Through the eyes of his long-suffering wife, Lizzie, we are introduced to an aging, angry, and drunken Herman Melville. He is decades past his flourishing career as a writer of bestselling tales of seagoing adventures. His epic but ungainly Moby-Dick was meant to make him immortal, but critics scoffed and readers fled. He spends his days trudging the docks of New York as a customs inspector and contemplating his malign literary fate. But within him is stirring, perhaps, one great work yet. . . . In a narrative that shifts seamlessly between Lizzie’s personal account and evocative snapshots of Melville’s crowded life, Parini manages to humanize a giant of letters, while illuminating the source of his matchless creativity.

“Oliver Sacks meets Stephen King”* in this propulsive, haunting journey into the life of the most studied human research subject of all time, the amnesic known as Patient H.M. For readers of The Immortal Life of Henrietta Lacks comes a story that has much to teach us about our relentless pursuit of knowledge. Winner of the PEN/E.O. Wilson Literary Science Writing Award • Los Angeles Times Book Prize Winner NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • New York Post • NPR • The Economist • New York • Wired • Kirkus Reviews • BookPage In 1953, a twenty-seven-year-old factory worker named Henry Molaison—who suffered from severe epilepsy—received a radical new version of the then-common lobotomy, targeting the most mysterious structures in the brain. The operation failed to eliminate Henry’s seizures, but it did have an unintended effect: Henry was left profoundly amnesic, unable to create long-term memories. Over the next sixty years, Patient H.M., as Henry was known, became the most studied individual in the history of neuroscience, a human guinea pig who would teach us much of what we know about memory today. Patient H.M. is, at times, a deeply personal journey. Dittrich’s grandfather was the brilliant, morally complex surgeon who operated on Molaison—and thousands of other patients. The author’s investigation into the dark roots of modern memory science ultimately forces him to confront unsettling secrets in his own family history, and to reveal the tragedy that fueled his grandfather’s relentless experimentation—experimentation that would revolutionize our understanding of ourselves. Dittrich uses the case of Patient H.M. as a starting point for a kaleidoscopic journey, one that moves from the first recorded brain surgeries in ancient Egypt to the cutting-edge laboratories of MIT. He takes readers inside the old asylums and operating theaters where psychosurgeons, as they called themselves, conducted their human experiments, and behind the scenes of a bitter custody battle over the ownership of the most important brain in the world. Patient H.M. combines the best of biography, memoir, and science journalism to create a haunting, endlessly fascinating story, one that reveals the wondrous and devastating things that can happen when hubris, ambition, and human imperfection collide. “An exciting, artful blend of family and medical history.”—The New York Times *Kirkus Reviews (starred review)

“Like Richard Russo’s Straight Man this book has a lot to say about the humanities in American colleges and universities…. Very funny and also moving.” —Tom Perrotta, New York Post A BEST BOOK OF THE YEAR: NPR and Boston Globe Finally a novel that puts the "pissed" back into "epistolary." Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant (he thinks) work Accountant in a Bordello, based on Melville's Bartleby. In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies. We recommend Dear Committee Members to you in the strongest possible terms. Don’t miss Julie Schumacher's new novel, The English Experience, coming soon.