A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.

This is the only modern stage-history of its kind, and a book for every Shakespeare-lover. It tells the story of the plays on the English stage - four hundred years of dramatic history, from the vital, competitive theatre of Shakespeare's own lifetime to the wealth of interpretations, classical to experimental, of the present day. It is a story of constant rediscovery, as the fashions, intuitions, and politics of each age reinterpreted the plays' meanings - and often even their plots. Actresses stepped into the female roles written originally for boy-actors; and the theatre evolved, from open-air Elizabethan stages like the Rose and Globe to the proscenium theatre, grand spectacle, and the whole panoply of modern lighting and staging equipment. Written by a team of experts, this book illuminates both the plays and the men and women who staged, adapted, and performed them: Burbage, who was Shakespeare's Richard III, Henry V, and Hamlet; Mary Betterton, in 1664 the first woman to play Lady Macbeth; Garrick, whose lifelong championing of Shakespeare is largely responsible for his elevation to the status of National Poet; and the famous actor-managers who produced the plays on an increasingly grand scale throughout the nineteenth century - Kemble, Kean, Macready, Irving. Generous space is given to the great figures of twentieth-century theatre - Donald Wolfit, Lilian Baylis, John Gielgud, Laurence Olivier, Peggy Ashcroft, Ralph Richardson, Tyrone Guthrie, Peter Brook - and to the companies and actor - directors of today, from Cheek by Jowl and the Royal Shakespeare Company to Michael Bogdanov and Kenneth Branagh. A special chapter by Dame Judi Dench provides a unique actor's perspective; and the book comes right up to date with accounts of contemporary directors' theatre, including productions by Michael Bogdanov, Deborah Warner, and Sam Mendes. Over a hundred illustrations, and a large cast of actors, audiences, andreviewers, bring to life the key productions and developments described in each chapter, in a dramatic story which is at once history, tragedy, and comedy!

The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include? Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century. The Oxford Illustrated History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's 'golden age' in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance. Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the Ottomans—and far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.

Traces the history of English literature from Anglo-Saxon poetry to the present day.

Essential guidance for students and playgoers around the world. A unique dictionary to unlock the mysteries of Shakespeare's world, words and language, compiled by renowned English language expert David Crystal and Shakespearean actor and producer Ben Crystal. Over 4000 Shakespearean words clearly explained with examples from the twelve most studied and performed plays including Macbeth, Hamlet, Julius Caesar, Romeo and Juliet, and A Midsummer Night's Dream. Notes giving insights into Shakespeare's use of language, his society, and theatrical performances. Panels covering the language and conventions used in a wide range of fascinating topics including money, insults, and swearing. Full-colour illustrations of the Elizabethan's bright cosmos, sharp and vicious weapons, fashions of the day, musical instruments, and maps of the lands and place names ! This is the most up-to-date and accessible language reference tool which will boost your understanding and enjoyment of Shakespeare's plays.

This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.

Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies.

The search to find engaging and inspiring ways to introduce children and young adults to Shakespeare has resulted in a rich variety of approaches to producing and adapting Shakespeare's plays and the stories and characters at their heart. Shakespeare for Young People is the only comprehensive overview of such productions and adaptations, and engages with a wide range of genres, including both British and American examples. Abigail Rokison covers stage and screen productions, shortened versions, prose narratives and picture books (including Manga), animations and original novels. The book combines an informative guide to these interpretations of Shakespeare, discussed with critical analysis of their relative strengths. It also includes extensive interviews with directors, actors and writers involved in the projects discussed'.

Two centuries of dramatic change are covered by this exciting and richly illustrated new work. Eighteen leading scholars explore the political, social, religious, and cultural history of the period when monarchs based in south east England strove to extend their authority over the whole of the British Isles. The 280 illustrations including 45 colour pictures and 6 maps form an essential part of the book, complementing all aspects of the text.