This dictionary is a fascinating guide to the broad range of terms used in the study of the history of Christian art and architecture, including themes, artists, and movements. The long-awaited new edition includes entries by over a dozen expert contributors, and a fully revised online bibliography, bringing it up to date for the 21st century.

The Dictionary of Christian Art, now rebranded in the best-selling Oxford Paperback Reference series, is a unique and fascinating exploration of the art and architecture that has been influenced and inspired by biblical stories and Christian history and beliefs. The Dictionary combines general essays on the periods and styles important in the history of Christian art with lots of shorter entries that describe specific works, artists, themes, and visual images, and which give the reader practical guidance on where in Europe to locate the works described. The Dictionary of Christian Art, now rebranded in the best-selling Oxford Paperback Reference series, is a unique and fascinating exploration of the art and architecture that has been influenced and inspired by biblical stories and Christian history and beliefs. The Dictionary combines general essays on the periods and styles important in the history of Christian art with lots of shorter entries that describe specific works,artists, themes, and visual images, and which give the reader practical guidance on where in Europe to locate the works described. Among the many features of this dictionary are: detailed essays on periods and styles in art and architecture, including Byzantine, Renaissance, Baroque; general background to the Old and New Testaments, and to Christian tradition and beliefs; forms of art influenced by Christianity, such as illuminated manuscripts, stained glass; artists and architects and theirworks, for example Fra Angelico, Donatello, Pugin, and many others; and places and buildings, including Assisi, Roma, St Paul's, the Sistine Chapel. There are also descriptions and explanations of features of Christian churches, significant saints, popes, saints, and rulers, and a glossary of Architectural Terms and detailed bibliography.

The Oxford Companion to Christian Art and Architecture is a unique and fascinating exploration of the art and architecture that has been influenced and inspired by Biblical stories and Christian history and beliefs. Richly illustrated and with a Glossary of Architectural Terms and an extensive Bibliography, the Companion combines important general essays on the periods and styles important in the history of Christian art with hundreds of shorter entries that describe specific works, artists, themes, and visual images and which give the reader practical guidance on where in Europe to locate the works described. The most comprehensive reference work on Christian art and architecture available includes: * Detailed essays on periods and styles in art and architecture: Anglo- Saxon, Byzantine, Carolingian, Coptic, Early Christian, Gothic, Irish, Ottonian, Renaissance, Rococo, Romanesque; Mannerism, Neoclassicism, * General background on Christian doctrine, beliefs, and tradition: liturgical year, colours, vessels, and vestments; the Ten Commandments, Seven Deadly Sins, and the Two Trinities; Candlemas, Holy Week, Stations of the Cross, and religious orders * Forms of art influenced by Christian ideas: altarpieces, tombs, and caskets; illuminated manuscripts, mosaics, frescoes, and brasses; stained glass, portal sculpture, and standing crosses; fonts, fountains, and rose windows * Specific references to individual artists and sculptors and to their works: Fra Angelico, Bernini, and Botticelli; Marc Chagall, Eric Gill, and Stanley Spencer; the great painters of the Italian Renaissance: Raphael, Titian, Michelangelo, and Leonardo da Vinci * Places, buildings, and architects: Assissi, Ravenna, Venice, and Sistine Chapel; baptistery, belfry, cloister, chapter house, and churches: twentieth century, centrally planned, abbey, collegiate; Bentley, Brunelleschi, Wren, and Gibbs * Biblical themes, stories, and people as the subject ofart: from the Old Testament Adam and Eve, Abraham, and Tower of Babel; the Nativity, Circumcision, Baptism, Life, Crucifixion, and Resurrection of Christ from the Gospels; Miracle at Bolsena, Good Samaritan, parables, Apocalypse * Descriptions and explanations of images, icons, and symbols: allegory, attribute, emblem, and type; angels and archangels, symbolic beasts, birds, dove, serpent, and dragon; Signs of the Zodiac, rainbow, labyrinth, and Wheel of Fortune * Significant saints, popes, rulers, and patrons: saints Agnes, Agatha, and Catherine of Siena; saints Peter, Paul, Francis, and Jerome; Charlemagne and Emperor Constantine the Great; popes Clement VII, Urban VIII and Leo X; Doctors of the Church, St Augustine, Erasmus, and Knights Templar

Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.

Examines the use and meaning of Christian symbols found in Renaissance art.