In Engaging the Other: “Japan and Its Alter-Egos”, 1550-1850 Ronald P. Toby examines new discourses of identity and difference in early modern Japan, a discourse catalyzed by the “Iberian irruption,” the appearance of Portuguese and other new, radical others in the sixteenth century. The encounter with peoples and countries unimagined in earlier discourse provoked an identity crisis, a paradigm shift from a view of the world as comprising only “three countries” (sangoku), i.e., Japan, China and India, to a world of “myriad countries” (bankoku) and peoples. In order to understand the new radical alterities, the Japanese were forced to establish new parameters of difference from familiar, proximate others, i.e., China, Korea and Ryukyu. Toby examines their articulation in literature, visual and performing arts, law, and customs.

The analyses and literary portraits in this text elucidate the existing realities of Japan's postwar history. They address, in chronological fashion, major social, environmental, and feminist issues and conflicts that have attended to Japan's postwar economic miracle.

Japan conjures up images of tea ceremonies, serene gardens, and Shinto shrines. Suzuki and Oiwa traveled throughout Japan, interviewing men and women who show them another side of the country. The coauthor is Keibo Oiwa.

Guidebook to Japan: What the Other Guidebooks Won't Tell You offers a candid glimpse into Japanese society rarely found in books or media. Based on over a decade of experience living in Japan, Chavez guides you through the complex culture through essays, cultural tips (called "Sword Tips"), and useful Japanese phrases (called "Sparring Japanese"), to make learning about Japan as fun as possible. Over one hundred essays from The Japan Times, matched with two hundred links to Japan-related websites (from the educational to the bizarre), this book is a vast resource of information. Chavez tells you how to get to a naked festival, how to avoid the Japanese mafia, and how to order "Spaghetti-hold the seaweed." Learn the secrets of Japan in an entire chapter called "What the Japanese don't want you to know." You'll also find a special section on teaching in Japan: what jobs are available, how to get them, and how much money you'll make. In short, all the things you need to know, told by someone who has done it herself.

Sixteen stories and essays by different writers destroy the many stereotypes about Japan.

The medieval period in Japan, spanning the years from about 1200 to 1600, was a time of rapid cultural development that saw the emergence and refinement of many new art forms. One of these was the religious folk tale, or setsuwa, many collections of which were compiled during this time. Unlike the rarified court poems and accounts of aristocratic life written during this period, setsuwa were literature for the common man. Like the classic fables and parables of the West, these stories are varied in origin, many of them collected from Indian and Chinese sources and retold and embellished by succeeding generations of authors. In Lotus: and Other Tales of Medieval Japan, the author has carefully chosen eight particularly notable setsuwa for their timeless interest and fascinating plot developments.

"Popular understanding of Zen Buddhism typically involves a stereotyped image of isolated individuals in meditation, contemplating nothingness. This book presents the "other side of Zen," by examining the movement's explosive growth during the Tokugawa period (1600-1867) in Japan and by shedding light on the broader Japanese religious landscape during the era. Using newly-discovered manuscripts, Duncan Ryuken Williams argues that the success of Soto Zen was due neither to what is most often associated with the sect, Zen meditation, nor to the teachings of its medieval founder, Dogen, but rather to the social benefits it conveyed." "Williams's work is based on careful examination of archival sources including temple logbooks, prayer and funerary manuals, death registries, miracle tales of popular Buddhist deities, secret initiation papers, villagers' diaries, and fundraising donor lists."--Jacket.

This fascinating study reveals the lesser-known side of this famed architect as an important & avid collector of Japanese art, & the role it played in his life & his architecture. Accompanies an exhibition at the Japan Society, New York.

Bustle: Best Book of the Month From the critically acclaimed author of The Heart: Frida Kahlo in Paris, a fascinating, intimate portrait of one of Japan’s most influential and respected textile artists. Writer, filmmaker, and photographer Marc Petitjean finds himself in Kyoto one fine morning with his camera, to film a man who will become his friend: Kunihiko Moriguchi, a master kimono painter and Living National Treasure—like his father before him. As a young decorative arts student in the 1960s, Moriguchi rubbed shoulders with the cultural elite of Paris and befriended Balthus, who would profoundly influence his artistic career. Discouraged by Balthus from pursuing design in Europe, he returned to Japan to take up his father’s vocation. Once back in this world of tradition he had tried to escape, Moriguchi contemporized the craft of Yūzen (resist dyeing) through his innovative use of abstraction in patterns. With a documentarian’s keen eye, Petitjean retraces Moriguchi’s remarkable life, from his childhood during the turbulent 1940s and 50s marked by war, to his prime as an artist with works exhibited in the most prestigious museums in the world.