The Polish exile and the Russian villain were familiar figures in nineteenth-century British culture. This book restores the significance of Eastern Europe to nineteenth-century British literature, offering new readings of Blake's Europe , Byron's Mazeppa , and Eliot's Middlemarch , and recovering influential works by Thomas Campbell and Jane Porter.

Puzzling the Reader establishes the place of charms and riddles in nineteenth-century British literature by exploring the literary and political work riddles performed at cultural thresholds: courtship, initiation, death rituals, moments of greeting, and intercultural relations. Furthermore, Puzzling the Reader investigates the new narrative genre that riddles uncover by transforming traditional narrative techniques. Far from disappearing from view, the oral tradition of the riddles rises into view alongside the literary narratives of William Blake, John Keats, and Charles Dickens. The folk tradition of the riddle is imported into print media and reaches its zenith in the nineteenth century. Through analyses of riddles in weekly literature and satire magazines, parlor game books, and popular collected riddles, such as Queen Victoria's «Windsor Enigma», this volume examines the literary and political roles riddles play as they migrate into mass print culture. Three crucial texts illustrate this argument: Blake's «Jerusalem», Keats's «The Eve of St. Agnes», and Dickens's Our Mutual Friend. Each is a work of formal experimentation and each typifies the full range of word play in the period. From Blake to Keats to Dickens, nineteenth-century British literature charts a «history» of the literary riddle.

First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.

This book is a comparative study of the development of English, Persian and Arabic literature and their interrelations with specific reference to modernity, nationalism and social value.

A fresh and provocative approach to representations of exotic women in Victorian Britain.

This book explores the assertions made by Irish nationalists of a parallel between Ireland under British rule and Poland under Russian, Prussian and Austrian rule in the long nineteenth century. Poland loomed large in the Irish nationalist imagination, despite the low level of direct contact between Ireland and Poland up to the twenty-first century. Irish men and women took a keen interest in Poland and many believed that its experience mirrored that of Ireland. This view rested primarily on a historical coincidence—the loss of sovereignty suffered by Poland in the final partition of 1795 and by Ireland in the Act of Union of 1801, following unsuccessful rebellions. It also drew on a common commitment to Catholicism and a shared experience of religious persecution. This study shows how this parallel proved politically significant, allowing Irish nationalists to challenge the legitimacy of British rule in Ireland by arguing that British governments were hypocritical to condemn in Poland what they themselves practised in Ireland.

Charting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth-century.

An exploration of how espionage narratives give access to cultural conceptions of gender and sexuality before and following the Second World War, this book moves away from masculinist assumptions of the genre to offer an integrative survey of the sexualities on display from important characters across spy fiction. Topics covered include how authors mocked the traditional spy genre; James Bond as a symbol of pervasive British Superiority still anxious about masculinity; how older female spies act as queer figures that disturb the masculine mythology of the secret agent; and how the clandestine lives of agents described ways to encode queer communities under threat from fascism. Covering texts such as the Bond novels, John Le Carré's oeuvre (and their notable adaptations) and works by Helen MacInnes, Christopher Isherwood and Mick Herron, Sexuality and Gender in Fictions of Espionage takes stock of spy fiction written by women, female protagonists written by men, and probes the representations of masculinity generated by male authors. Offering a counterpoint to a genre traditionally viewed as male-centric, Sexuality and Gender in Fictions of Espionage proposes a revision of masculinity, femininity, queer identities and gendered concepts such as domesticity, and relates them to notions of nationality and the defence work conducted at crucial moments in history.

Since medieval times, English literature has often demonized Muslims. The term ‘Islamophobia’ is recent, but the phenomenon is old. This survey of literature focusing on the modern period up to 1914 identifies negative ideas about Islam in novels and plays. Some works are iconic, some more obscure. However, the book highlights writers who challenged stereotypes and tended to see Muslims as equally capable of virtue and vice as Christians and others. The book deals with the role of the imagination in depicting others and how this serves authors’ agendas. The conclusion brings the book’s thesis into dialogue with the debate in the USA today between supporters of multiculturalism and its critics. Anyone interested in how stereotypes are formed, perpetuated and can be challenged will profit from this book. It is aimed at a non-specialist readership.

First scholarly edition of a bestselling historical novelExplores the socio-political themes of the novel and deemed as relevant today as they were over 200 years agoSituates work in the genealogy of the historical novel and examines its literary and cultural influenceScholarly annotations clarify the historical context: the French Revolution, the related war in Poland, and Britain's response to Polish refugees in the 1790sPublished in 1803, Thaddeus of Warsaw is a beguiling romance that also exposes the hardships faced by migrants in Britain two hundred years ago. Jane Porter tells the story of a dashing Polish refugee, Thaddeus Sobieski, who must escape hostilities in his homeland. In London he faces poverty and prejudice, but his courage and goodness bring him to the attention of a circle of women who, in a surprising role reversal, either aid or woo him. He must also solve the mystery of his birth by discovering and confronting the British father who abandoned him.A carefully contextualised introduction to the novel and its author situates the work in the genealogy of the historical novel, examining its literary and cultural influence. Supporting materials include contemporary reviews, poems on Poland and correspondence regarding the novel's early success.