First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Love and hate seem to be the dominant emotions that make the world go round and are a central theme in psychotherapy. Love and Hate seeks to answer some important questions about these all consuming passions. Many patients seeking psychotherapy feel unlovable or full of rage and hate. What is it that interferes with the capacity to experience love? This book explores the origins of love and hate from infancy and how they develop through the life cycle. It brings together contemporary views about clinical practice on how psychotherapists and analysts work with and think about love and hate in the transference and countertransference and explores how different schools of thought deal with the subject. David Mann, together with an impressive array of international contributors represent a broad spectrum of psychoanalytic perspectives, including Kleinian, Jungian, Independent Group, and Lacanian, psychotherapists, psychoanalysts and analytical psychologists. With emphasis on clinical illustration throughout, the writers show how different psychoanalytic schools think about and clinically work with the experience and passions of love and hate. It will be invaluable to practitioners and students of psychotherapy, psychoanalysis, analytical psychology and counselling.

First published in 1999. The author presents a passionate argument for a therapeutic practice based on the physician's love for the deeply deprived patient. Ian Suttie, a psychiatrist of the Tavistock clinic in the 1930s, advocates a more optimistic view of human nature than traditional Freudian psychology. Hadfield describes the importance of this title by stating that where the reader does not agree with the author they will, nevertheless, have their own thoughts stimulated and their own views clarified.

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A Philosophical History of Love explores the importance and development of love in the Western world. Wayne Cristaudo argues that love is a materializing force, a force consisting of various distinctive qualities or spirits. He argues that we cannot understand Western civilization unless we realize that, within its philosophical and religious heritage, there is a deep and profound recognition of love’s creative and redemptive power. Cristaudo explores philosophical love (the love of wisdom) and the love of God and neighbor. The history of the West is equally a history of phantasmic versions of love and the thwarting of love. Thus, the history of our hells may be seen as the history of love’s distortions and the repeated pseudo-victories of our preferences for the phantasms of love. Cristaudo argues that the catastrophes from our phantasmic loves threaten to extinguish us, forcing us repeatedly to open ourselves to new possibilities of love, to new spirits. Fusing philosophy, literature, theology, psychology, and anthropology, the volume reviews major thinkers in the field, from Plato and Freud, to Pierce, Shakespeare, and Flaubert. Cristaudo explores the major themes of love of the Church, romantic love and the return of the feminine, the conflict between familial and romantic love, love in a meaningless world and the love of evil, and the evolutionary idea of love. With Cristaudo, the reader embarks on a journey not just through time, but also through the different kinds, origins, and spirits of love.

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor Black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.