A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

“A gorgeously written book whose literary chops are beyond doubt. Come for the prose, and stay for the murders.” — USA Today “This is beach reading that’s as intelligent as it is absorbing.”— People A gripping novel of culture clash and murder from the acclaimed author of A Beautiful Crime and The Destroyers. As summer draws to a close, a small Long Island town is gripped by a series of mysterious deaths—and one young man, a loner taken in by a local, tries to piece together the crimes before his own time runs out. Orient is an isolated town on the north fork of Long Island, its future as a historic village newly threatened by the arrival of wealthy transplants from Manhattan—many of them artists. One late summer morning, the body of a local caretaker is found in the open water; the same day, a monstrous animal corpse is found on the beach, presumed a casualty from a nearby research lab. With rumors flying, eyes turn to Mills Chevern—a tumbleweed orphan newly arrived in town from the west with no ties and a hazy history. As the deaths continue and fear in town escalates, Mills is enlisted by Beth, an Orient native in retreat from Manhattan, to help her uncover the truth. With the clock ticking, Mills and Beth struggle to find answers, faced with a killer they may not be able to outsmart. Rich with character and incident, yet deeply suspenseful, Orient marks the emergence of a novelist of enormous talent.

Originally published: New York: Harcourt, Brace and Co., c1935.

Experience Agatha Christie’s puzzling masterpiece as you've never seen it before with this official graphic novel adaptations!

The Orient in Utrecht unfolds the intellectual biography of Adriaan Reland (1676-1718), professor of Oriental languages and Hebrew Antiquities in Utrecht, philologist, Hebraist, Arabist, cartographer, poet, antiquarian, and a pioneer of the comparative study of religion.

Paris, 1914. American adventurer Sam Carter boards the Orient Express, departing France in style after an impulsive decision to desert the Foreign Legion. British diplomat Lucas Avery is already nursing a drink in the smoking car, resenting his assignment to the distant Ottoman Empire. Neither man expects anything more from the next three days and three thousand miles than rich food, expensive champagne and fine cigars.But something dangerous is lurking aboard the train, hiding in plain sight among French aristocrats and German businessmen. Through fire and darkness, through blood and ice, the Orient Express is bearing an ancient evil across the continent - and not all its passengers will live to see Constantinople...

While the twentieth century’s conflicting visions and exploitation of the Middle East are well documented, the origins of the concept of the Middle East itself have been largely ignored. With Dislocating the Orient, Daniel Foliard tells the story of how the land was brought into being, exploring how maps, knowledge, and blind ignorance all participated in the construction of this imagined region. Foliard vividly illustrates how the British first defined the Middle East as a geopolitical and cartographic region in the nineteenth and early twentieth centuries through their imperial maps. Until then, the region had never been clearly distinguished from “the East” or “the Orient.” In the course of their colonial activities, however, the British began to conceive of the Middle East as a separate and distinct part of the world, with consequences that continue to be felt today. As they reimagined boundaries, the British produced, disputed, and finally dramatically transformed the geography of the area—both culturally and physically—over the course of their colonial era. Using a wide variety of primary texts and historical maps to show how the idea of the Middle East came into being, Dislocating the Orient will interest historians of the Middle East, the British empire, cultural geography, and cartography.

Bulgaria is a Slavic nation, Orthodox in faith but with a sizable Muslim minority. That minority is divided into various ethnic groups, including the most numerically significant Turks and the so-called Pomaks, Bulgarian-speaking men and women who have converted to Islam. Mary Neuburger explores how Muslim minorities were integral to Bulgaria's struggle to extricate itself from its Ottoman past and develop a national identity, a process complicated by its geographic and historical positioning between evolving and imagined parameters of East and West. The Orient Within examines the Slavic majority's efforts to conceptualize and manage Turkish and Pomak identities and bodies through gendered dress practices, renaming of people and places, and land reclamation projects. Neuburger shows that the relationship between Muslims and the Bulgarian majority has run the gamut from accommodation to forced removal to total assimilation from 1878, when Bulgaria acquired autonomy from the Ottoman Empire, to 1989, when Bulgaria's Communist dictatorship collapsed. Neuburger subjects the concept of Orientalism to an important critique, showing its relevance and complexity in the Bulgarian context, where national identity and modernity were brokered in the shadow of Western Europe, Russia/USSR, and Turkey.

Geronimo's adventurous sister Thea narrates this fabulous adventure that's packed with action, mystery, and friendship!The Thea Sisters are boarding the famouse Orient Express for a journey from Paris to Istanbul! The train is on a special trip to return a precious wedding dress stolen years ago from an Istanbul museum. But there's a rumor that the mysterious Acrobat Thief will steal the dress from the moving train! The Thea Sisters are determined to foil this super-sneaky mouse's plans.

Boys and girls all over the world know the name of Richard Halliburton. They have heard grown-ups talk about The Royal Road to Romance, The Glorious Adventure, New Worlds to Conquer, The Flying Carpet and Seven League Boots. These books have broken records in the field of travel and adventure. They are bestsellers year in and year out. Now Mr. Halliburton has written a book just for his younger friends (but just to try and keep father and mother or uncle and aunt away from it!) and in it he has kept a promise he made to himself when he studied geography in school. In those days his eager wish was to travel, to see the places he had read about. He swore that when he became a man he would see that his sons not only studied their geography but lived it too. Now he has been to the four corners of the world and beheld the wonders of nature and man. But he is a bachelor, and has no sons of his own. So he has adopted all boys and girls and here he takes them with him on a personally conducted tour to live geography with him—the most thrilled geography anyone could imagine. Following on from his Book of Marvels: The Occident, this present volume provides another exciting tour for school students—introducing the people, religions, architecture, customs, and scenery from Greece to Mt. Fuji in Japan, multi-cultural regions then called “The Orient,” complete with maps of his travel routes. No dramatic incident, no fascinating legend relating to his marvels has been omitted. Richard Halliburton has spared himself no trouble, no expense to make this book complete and beautiful. The illustrations are many and inspiring. Out of his first-hand knowledge of the notable scenes and works of our world, he has chosen those that have most appealed to his own imagination, and with his story-telling gift, simple, direct, enthusiastic, he makes them live to the imagination of all boys and girls. For he has the heart of a boy and he speaks to the heart of youth.