The purpose of this book is to provide, within a single volume, technical studies, diverse compositions, and technical information for beginning organists. The book is also intended for those experienced organists who want to review organ technique and at the same time have a convenient collection of useful compositions.

This classic method for beginners provides a brief history of the instrument, an explanation of organ construction, a discussion of the various stops and their management, a section devoted to practical study, and several pieces.

Features works for organists who prefer to play without pedals, including J. S. Bach's Partite diverse sopra, O Gott, du frommer Gott!; Pachelbel's Canon in D; plus works by Mozart, Haydn, Beethoven, Handel, Liszt, and others.

The Church Organist's Library is a general-use anthology containing easy organ music from all historical periods primarily for manual only, and for manuals with easy pedal. Urtext editions are used whenever possible. The music is presented to show what the composer wrote and what was published in the first edition. Any editorial suggestions, additions, or alterations are enclosed in brackets and/or indicated by footnotes. The Church Organist's Library contains works previously published in The Organist's Companion.

A collection of manuals-only organ music covering the church's year from Advent to Epiphany, containing arrangements of core repertoire from the 18th- to 20th-century plus new pieces. This technically accessible music (approx. grades 4-5) is perfect for less confident organists.

"Published in cooperation with the American Bach Society."

Gillock supplies details about the organ at La Trinité in Paris, the instrument for which most of Messiaen's pieces were imagined.

The authors' new approach to learning two playing techniques offers a systematic method for mastering the modern, legato technique needed for organ music composed after 1750, as well as an articulated technique for earlier works. The authors also present useful information on accompanying anthems and solos and on adapting piano and orchestral accompaniments to the organ.