THE STORY: Billed as a whirlwind tour of the gay American landscape, this one-man show juxtaposes ten predominantly gay characters in fourteen vignettes. The characters question, contradict and especially challenge one another's credo of what be

After years of competing against each other, Trixie and Ben form a fandom-based tentative friendship when their best friends start dating each other, but after Trixie's friend gets expelled for cheating they have to choose which side they are on.

IS A SECOND CHANCE AT HAPPINESS WORTH RISKING EVERYTHING? EVEN A BEST FRIEND? Susannah has been living with Doug for eight years, acting as stepmother to his three unappreciative children and wondering why she doesn’t mind much when he sometimes sleeps in his study. She’s known her best friend Amelia since they were teenagers. Amelia never minces words, and Susannah doesn’t like hearing what Amelia has to say about her noncommittal relationship. At her brother’s wedding, Susannah runs into Rob—her first love, the love of her life. There’s no band on his ring finger, and Susannah begins to fantasize. Her fantasies turn to reality when Rob gives her a call. Susannah’s world is rocked by her rekindled feelings for Rob, then totally turned upside down by a revelation from Amelia. Just when Susannah and Amelia need each other the most, they are facing a crisis that threatens to tear their friendship apart. Without her familiar guiding star, Susannah must finally make some hard choices in order to grow up for good, no matter who or what she has to leave behind. Heartwarming, wise, and sophisticated, When You Were Mine is a story about first loves, best friends, and choices that will resonate with readers everywhere.

(Applause Books). The Commercial Theater Institute sponsors an annual intensive program in New York for individuals interested in producing or investing in the theatre that attracts people from all over the world. The top working theatre professionals offer hard, factual information to those interested in producing for Broadway, Off-Broadway, Off-Off-Broadway, anywhere in North America, as well as in the United Kingdom. The Commercial Theater Institute Guide to Producing Plays and Musicals now collects for the first time the cream of the crop of that advice, from the noted theatre professionals who participate in the program, in their own words. Interviews, contributions, and a resource directory are included from 30 theatre professionals who have won a total of 45 Tony Awards. Agents, directors, production designers, general managers, fundraisers, marketing directors, producers, and theatrical attorneys all offer invaluable advice in a book that will be the definitive resource in its field.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Volume Four of the distinguished American Theatre: A Chronicle of Comedy and Drama series offers a thorough, candid, and fascinating look at the theater in New York during the last decades of the twentieth century.

This unique one-volume reference guide provides positive and empowering biographical sketches of 100 famous and well-known adoptees throughout time, serving to counter the many negative stereotypes that exist that exist about people who were adopted, fostered, or lived in orphanages. This work looks at the lives of people who, despite circumstances in their childhood, were able to succeed in making important contributions to art, music, science, literature, politics, and entrepreneurship. This work answers the call to obtaining difficult-to-find information about well-known adoptees. High school students and general readers who are interested in learning more about positive role models in adoption and children's issues will find this book invaluable. McCaslin outlines the parameters she used for inclusion in the book, and then discusses the history of adoption from ancient civilization to today's society. Each entry focuses on the early life of the subject, as well as his or her career and achievements. Entries include Aristotle, Edward Albee, Ingrid Bergman, Oksana Baiul, Ella Fitzgerald, Faith Hill, Marilyn Monroe, Dave Thomas, Orson Welles and many more.